Second Season of ‘Pachinko’ Explores Challenges for Ethnic Koreans in Japan

 (L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)
(L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)
TT

Second Season of ‘Pachinko’ Explores Challenges for Ethnic Koreans in Japan

 (L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)
(L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)

The second season of “Pachinko,” opening Friday, delicately captures the plight of ethnic Koreans brought to Japan during colonial rule and their descendants, exploring themes of home and identity through several generations.

The award-winning series, based on the New York Times bestselling novel, returns to Apple TV+ with eight episodes that follow four generations of an immigrant Korean family living in Japan since before World War II. The star-studded cast includes Oscar-winning actor Youn Yuh-jung and Korean actor Lee Minho.

Many ethnic Koreans were brought to Japan, often forcibly, to work in mines and factories during the country’s 1910-1945 colonial rule of Korea. They were treated as second-class citizens and faced discrimination, which the series portrays.

Youn, who plays the older version of protagonist Sunja, said she was largely unfamiliar with the situation of ethnic Koreans in Japan — known as Zainichi Koreans — before she spoke with actor Soji Arai, who plays Mozasu, the son of her character. Arai was born into an ethnic Korean family in Japan.

“It broke my heart and I cried inside because I felt so bad after hearing about their stories,” Youn told The Associated Press.

The second season continues Sunja’s story as she struggles to feed her sons Noa and Mozasu during the war.

In the series, ethnic Koreans face discrimination generation after generation. In one episode, a Japanese worker at a wartime Nagasaki factory refers to his Korean colleagues as “roaches” that “keep multiplying.”

Decades later, Sunja's grandson Solomon nearly explodes at a Japanese store clerk whom he thinks is showing discrimination over his Korean heritage. He senses that discrimination will follow him even after attaining academic and professional credentials.

The series is in Japanese, Korean and English with subtitles and is based on Korean-American author Min Jin Lee's novel, titled after a Japanese game played in arcades where ethnic Koreans often worked in jobs typically shunned by Japanese.

Youn said she portrayed Sunja as “intimidated, scared and feeling small,” believing discrimination is her fault due to endless exposure to it. Youn added that she has felt similarly in her own life, having an “inferiority complex” over her struggles with the English language.

Around half a million ethnic Koreans sill live in Japan. Although many have become naturalized Japanese citizens, about half a million have not and are officially considered foreigners.

Executive producer and showrunner Soo Hugh said she was “nervous” about how the show would be received among Zainichi Koreans, but that she was happy to learn that it had resonated “really emotionally."

“This is their story,” she told the AP, adding that she had to unlearn previous history education to understand “from the point of view of the people on the ground,” including those in Nagasaki.

When Youn was asked if she was concerned about playing a role in a series touching on sensitive parts of East Asian history, Youn said no. “We are talking about the past,” she said. “I am not a politician, so it doesn’t matter to me.”

Hugh said the series gradually transitions from the family’s day-to-day survival to answering big questions about their shifting identities: “What does it mean to live a good life ... knowing that Japan is now my home?”

These are familiar questions to Hugh, who is Korean American.

“So many Korean immigrants come to America and think, ’We’ll make a better life, but I’m not going to die in America because Korea is my home. ... You know, a year goes by, then a year, another year, and then another year,” Hugh said.

“It must feel really sad to know that you’re not going to die where you want to die. And that’s, I think, something so many of our characters confront in this show,” she said.

Youn said that people will always carry their identity with them despite circumstances. “I see many people who try their best to erase (their Korean identity),” she said. “I really don’t like that. There is no need to do that.”

“Pachinko” season two is available on Apple TV+ platforms.



‘Alien: Romulus’ Bites off $41.5 Million to Top Box Office Charts 

English actor Archie Renaux, US actor Cailee Spaeny, English actor Spike Fearn and Uruguayan director Fede Álvarez pose on the red carpet upon arrival to attend the UK gala event for "Alien: Romulus" at Cineworld in Leicester square, central London on August 14, 2024. (AFP)
English actor Archie Renaux, US actor Cailee Spaeny, English actor Spike Fearn and Uruguayan director Fede Álvarez pose on the red carpet upon arrival to attend the UK gala event for "Alien: Romulus" at Cineworld in Leicester square, central London on August 14, 2024. (AFP)
TT

‘Alien: Romulus’ Bites off $41.5 Million to Top Box Office Charts 

English actor Archie Renaux, US actor Cailee Spaeny, English actor Spike Fearn and Uruguayan director Fede Álvarez pose on the red carpet upon arrival to attend the UK gala event for "Alien: Romulus" at Cineworld in Leicester square, central London on August 14, 2024. (AFP)
English actor Archie Renaux, US actor Cailee Spaeny, English actor Spike Fearn and Uruguayan director Fede Álvarez pose on the red carpet upon arrival to attend the UK gala event for "Alien: Romulus" at Cineworld in Leicester square, central London on August 14, 2024. (AFP)

“Alien: Romulus,” the latest installment in the 45-year-old franchise, opened in first place at the North American box office. The 20th Century Studios release earned an estimated $41.5 million in its first weekend, where it was playing in 3,885 locations in the US and Canada.

Including $66.7 million from international showings in 49 markets, “Alien: Romulus” boasted a $108.2 million global debut. The Walt Disney Co., which owns 20th Century Studios, claimed the top two spots on the charts, with Marvel’s “Deadpool & Wolverine” now in its fourth weekend, taking second place with $29 million. The company has been responsible for an estimated 42% of the industry’s summer box office haul, including hits “Inside Out 2” and “Kingdom of the Planet of the Apes.”

August can often be slow for the movie business, or, less charitably, a dumping ground. But while 2024 has lagged overall for the movie business, a string of recent hits including “Deadpool & Wolverine” and “It Ends With Us” helped build a momentum that put this late August weekend over 30% ahead of the same weekend last year. It’s also up over 10% from August 2019.

“The summer started off pretty gloomy, but it’s winding up really strong,” said Paul Dergarabedian, the senior media analyst for Comscore. “We thought we were going to coast through August, but now we’re powering through August towards a much better overall summer number than we expected for the box office.”

Fede Álvarez directed “Alien: Romulus,” set around the time of “Alien” and “Aliens,” and recruited a cast of up-and-coming 20-somethings to lead the cast including Cailee Spaeny, David Jonsson and Isabela Merced. The sci-fi film leans into Álvarez’s propensity for all things horror, as he is known for “Evil Dead” and “Don’t Breathe,” and embraces the franchise’s horror roots.

Reviews have been a little mixed, but mostly positive, with an 81% on Rotten Tomatoes. Audiences gave it a B+ CinemaScore.

The romantic drama “It Ends With Us” landed in third place with $24 million, down just 52% from its triumphant opening. The Sony movie starring Blake Lively and Justin Baldoni, who also directed, has made $97.8 million to date. It cost only $25 million to produce.

The film was adapted from the bestselling Colleen Hoover novel of the same name that follows Lively as Lily Bloom, a woman at a crossroads when a past love upends her current relationship with Baldoni’s Ryle Kincaid.

Rumors of behind-the-scenes drama on the film also continues to dominate social media discourse and tabloid headlines — but “Don’t Worry Darling” also taught us that gossip and chatter don’t always translate to box office returns.

“Twisters” placed fourth in its fifth weekend with $9.8 million from 3,483 theaters. The Universal release has made over $238.4 million domestically.

Rounding out the top five was a re-release: “Coraline,” which Fathom Events put on over 1,500 screens for its 15th anniversary where it made $11.3 million in four days and $8.6 million from Friday through Sunday. The stop-motion animated film was an adaptation of a Neil Gaiman novella, written and directed by Henry Selick and marked the first-ever release for Laika. It’ll be in theaters until Aug. 22.

“Borderlands,” the video game adaptation starring Cate Blanchett, Kevin Hart and Jamie Lee Curtis, brought in $2.4 million in its second weekend bringing its total box office earnings to $13.5 million compared to its reported $120 million budget.