Here’s Everything You Need to Know about the Venice Film Festival

 Actor Sigourney Weaver waves as she arrives ahead of 81st Venice Film Festival, in Venice, Italy, August 27, 2024. (Reuters)
Actor Sigourney Weaver waves as she arrives ahead of 81st Venice Film Festival, in Venice, Italy, August 27, 2024. (Reuters)
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Here’s Everything You Need to Know about the Venice Film Festival

 Actor Sigourney Weaver waves as she arrives ahead of 81st Venice Film Festival, in Venice, Italy, August 27, 2024. (Reuters)
Actor Sigourney Weaver waves as she arrives ahead of 81st Venice Film Festival, in Venice, Italy, August 27, 2024. (Reuters)

The 81st edition of the Venice Film Festival is about to begin, with major Hollywood films and stars expected in Italy. The festival kicks off on Wednesday with the world premiere of "Beetlejuice Beetlejuice," before it opens in theaters worldwide next week.

Here’s everything you need to know.

What is the Venice International Film Festival? One of the most prestigious film festivals in the world, second only to Cannes, Venice's festival is also technically the oldest. It is now a reliably starry affair, gathering some of the best films in international cinema. It was established in 1932, then a non-competitive event, by the La Biennale di Venezia, hosting films like "Grand Hotel" and "It Happened One Night." By 1935, they decided to make it an annual happening.

The Golden Lion award wouldn’t be introduced until 1949 ("Rashômon" won in 1951). Some other winners throughout history include "Belle de jour" (1967), "Au revoir les enfants" (1987), "Brokeback Mountain" (2005), "Somewhere" (2010) and, last year: "Poor Things." A film market was added in 2012, also a year that festival director Alberto Barbera attributes to its turnaround as an important destination for awards hopefuls.

When is the Venice Film Festival? The festival kicks off on Aug. 28 with the premiere of "Beetlejuice Beetlejuice" and runs through Sept. 7, when the awards will be announced.

Who’s going to Venice this year? The private water taxis are going to be packed with some of Hollywood’s biggest stars. Angelina Jolie, Lady Gaga, George Clooney, Brad Pitt, Cate Blanchett, Daniel Craig, Tilda Swinton, Jude Law, Julianne Moore, Kevin Costner and Joaquin Phoenix are just a few of names expected to grace the festival this week.

It is a relief to many after last year’s festival took place amid the Hollywood actors strikes, leaving the red carpets more muted than usual. While this year doesn’t have much in the way of teenage idols (past years have had Harry Styles and Timothée Chalamet attracting a certain frenzied fandom), we can be assured of some great movie star moments.

What are the biggest and buzziest films? Among the biggest titles in competition: Todd Phillips’ "Joker: Folie à Deux"; Pablo Larraín’s Maria Callas film "Maria," starring Jolie; the thriller "Babygirl" starring Kidman and Harris Dickinson from filmmaker Halina Reijn; and Pedro Almodóvar’s first English-language film, "The Room Next Door," starring Moore and Swinton.

There’s also a few big Hollywood films playing out of competition: "Wolfs," with Pitt and Clooney, "Horizon: An American Saga—Chapter 2," and "Beetlejuice Beetlejuice."

Any potential drama? Behind the scenes there might be some competition for private water taxis to shuttle the A-listers between their various engagements, or for the best suites at the Belmond Cipriani, but so far no "Don’t Worry Darling" intrigue has bubbled up. Remember, though, "spit-gate" happened in the middle of the festival; Something is bound to catch the internet’s eye.

But aren’t Brad Pitt and Angelina Jolie in the midst of a contentious divorce? The pair are legally single but are still fighting legally over issues like custody, finances and a winery in France. And the festival has taken care to schedule their films (and arrival/departures) days apart to avoid any overlap. As Barbera told Vanity Fair: "Angelina will be on the first day, on Thursday the 29, and she will leave right after with ("Maria" filmmaker) Pablo Larraín to go to Telluride. So Brad will arrive only on Saturday, to Venice. There is no way that they can cross each other at the Lido."

How does Venice play into the Oscar race? Venice had a difficult time competing with Cannes and Toronto to get the biggest films for a long time. There were always stars and significant films, some of which got Oscar nominations and wins. But Barbera thinks things really changed in 2012 when they hosted the premiere of "Gravity," which went on to win a leading seven Oscars that March and established Venice as a place to launch a campaign.

It’s only intensified as the membership of the academy has gotten more international. Since 2014, they’ve hosted 4 best picture winners ("Birdman," "Spotlight," "The Shape of Water" and "Nomadland") and 19 nominees.

What is the Lido? When people think of Venice, they usually think of landmarks like the Rialto bridge and St. Marks Square. The festival actually takes place on a different island, a nearly 7-mile barrier island called the Lido — about a 20-minute ferry (vaporetto) away where motorized vehicles, including cars and busses, and bikes are allowed.

A military outpost in the 12th century, it transformed into a seaside resort by the end of the 19th, a favorite of European aristocrats. In 1932, the Venice Film Festival decided to make the island its headquarters.

Where do celebrities stay? On the Lido the 5-star hotel of choice is the Hotel Excelsior, which dates back to 1908, where Quentin Tarantino has stayed. But rooms go quickly, and there are so many luxury hotels on the different islands that offer a bit more privacy away from the frenzy of the festival and the photographers.

Perhaps the most famous of the bunch is the Belmond Hotel Cipriani, on Guidecca. There’s the Hotel Danieli, which has been featured in films like "Moonraker" and "Casino Royale," and regularly hosts kick off parties for the festival, with trade publication Variety, to welcome the jury. Another favorite is the Gritti Palace, where everyone from Pitt to Elizabeth Taylor, has stayed. There’s also a St. Regis and the Aman Venice, where George and Amal Clooney were married.

How do people get around Venice? The scattered hotels are also the reason why you see so many celebrities photographed on the Excelsior docks: They arrive to the festival, including press conferences and premieres, by private water taxi. Sometimes, they’re transported a very short distance from the Excelsior to the red carpet, in cars. Unlike the main island of Venice, vehicles are allowed on the Lido including busses and private cars. But many festivalgoers prefer to rent a bike to get around.

Who decides on the Venice awards? Isabelle Huppert is presiding over the main competition jury, which includes James Gray, Andrew Haigh, Agnieszka Holland, Kleber Mendonça Filho, Abderrahmane Sissako, Giuseppe Tornatore, Julia von Heinz and Zhang Ziyi. The competition this year includes 21 films.

How does everyone juggle overlapping festivals? Well, it can be difficult. This year a fair amount of press who had planned to leave Venice to go to the Toronto International Film Festival (which starts Sept. 5) on Sept. 4 but had to rethink plans when it was announced that "Joker 2" was scheduled to premiere that day. Others jet off earlier to Telluride, which begins on Aug. 30. And there’s always the New York Film Festival (Sept. 27-Oct. 14) which hosts top films from earlier festivals.



Venice Film Festival: From ‘Joker 2’ to ‘Maria,’ Here Are the Movies to Get Excited About 

This image released by Warner Bros. Pictures shows Joaquin Phoenix in a scene from "Joker." (Niko Tavernise/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows Joaquin Phoenix in a scene from "Joker." (Niko Tavernise/Warner Bros. Pictures via AP)
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Venice Film Festival: From ‘Joker 2’ to ‘Maria,’ Here Are the Movies to Get Excited About 

This image released by Warner Bros. Pictures shows Joaquin Phoenix in a scene from "Joker." (Niko Tavernise/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows Joaquin Phoenix in a scene from "Joker." (Niko Tavernise/Warner Bros. Pictures via AP)

Some of Hollywood’s biggest stars are getting ready to descend on the Venice Film Festival this week, from George Clooney and Angelina Jolie to Lady Gaga and Brad Pitt.

But while the allure of A-listers on those picturesque docks is a welcome return to form after last year’s lower-wattage edition amid the strikes, the spotlight that matters most will be on their films. Along with Cannes, Venice — which runs from Aug. 28 through Sept. 7 — is one of the most glamorous launching pads for awards season. The films that do well on the Lido will be dominating the conversation until the Oscars in March.

In this year's lineup, there’s both big Hollywood fare (“Beetlejuice Beetlejuice” and “Horizon: An American Saga—Chapter 2” to “Wolfs”) and a vast array of intriguing films from auteurs around the world. At festivals, the best thing is to keep an open mind and see as much as possible — you never know what might hit. In the meantime, though, here are some films to get excited about at Venice.

“Joker: Folie à Deux” (Sept. 4)

No matter which side of the “Joker” discourse you were on five years ago, the fact that all involved would bring the sequel back to Venice to play in competition is promising. “Joker: Folie à Deux” doesn’t need the festival buzz, after all. The first film made over $1 billion and was nominated for 11 Oscars. Venice chief Alberto Barbera told Deadline that it’s completely different from the first, a dystopian musical that is “one of the most daring, brave and creative films in recent American cinema” and “confirms Todd Phillips as one of the most creative directors working at the moment.” It’ll be in theaters Oct. 4.

“Maria” (Aug. 29)

Chilean filmmaker Pablo Larraín is not to be ignored when he makes a film about a famous woman with a tragic narrative (see: “Spencer,” “Jackie”). This time he’s teamed with screenwriter Steven Knight (“Peaky Blinders”) and Jolie to bring opera singer Maria Callas back to life in “Maria.” The soprano was a tabloid fixture, perhaps most famous for her affair with Aristotle Onassis, who would end up leaving her for another of Larraín’s tragic women: Jacqueline Kennedy. Callas died in 1977, at age 53, but remains one of classical music’s bestselling artists. “Maria” is playing in competition and seeking distribution.

“The Room Next Door” (Sept. 2)

Pedro Almodóvar’s English-language debut, with Julianne Moore and Tilda Swinton starring. We barely even need a description to get excited about that, which is probably good because details are vague. He’s said that it’s about an imperfect mother and a resentful daughter who are estranged because of a “profound misunderstanding.” In addition to tackling subjects like war, death and friendship, Almodóvar said, “it also talks about the pleasure of waking up to birds bringing a new day at a house built on a natural reserve in New England.” It’ll also make a stop at the New York Film Festival before a December release.

“Babygirl” (Aug. 30)

Dutch filmmaker Halina Reijn made the wildly fun “Bodies Bodies Bodies,” so we’re especially curious what “Babygirl” holds. The erotic thriller stars Nicole Kidman (who 25 years ago came to Venice with “Eyes Wide Shut”) as a powerful CEO who begins an affair with a younger intern played by Harris Dickinson (“Triangle of Sadness,” “The Iron Claw”). Antonio Banderas also co-stars. A24 plans a December theatrical release.

“The Brutalist” (Sept. 1)

This 3 1/2-hour drama from filmmaker Brady Corbet follows architect László Toth (Adrien Brody) and his wife Erzsébet (Felicity Jones) on a decades-long journey as they flee Europe following World War II and attempt to set up a life in America. There, Toth meets industrialist Harrison Lee Van Buren (Guy Pearce), who commissions him to design a modernist monument, changing their lives for better and worse. Corbet (“Vox Lux”) is not always going to be a filmmaker for everyone, but he’s never not interesting. Focus Features and Universal are distributing, but the movie does not yet have a release date.

“Youth (Homecoming)” (Sept. 6)

There are quite a few innovative offerings in the nonfiction space: Errol Morris’ “Separated,” about the Trump administration’s border policy; Asif Kapadia’s future-looking “2073”; “Pavements,” Alex Ross Perry’s hybrid doc about the Stephen Malkmus band; and Andres Veiel's “Riefenstahl.” But only one made it to the main competition: Wang Bing’s “Youth (Homecoming),” the conclusion to his verité documentary trilogy in which he followed migrant workers in Zhili, China’s textile factories across five years. It's seeking distribution.

“April” (Sept. 5)

Georgian filmmaker Dea Kulumbegashvili’s sophomore film is about Nina, an OB-GYN working in rural Georgia who also performs abortions, despite the laws of the country. When a newborn dies in her care, an investigation fuels rumors about her morality and professionalism. Three years after the abortion drama “Happening” snagged the top prize at Venice, the buzz is that this will be one of the breakouts. Kulumbegashvili’s debut, “Beginning,” about the bombing of a Jehovah’s Witnesses church, made waves on the festival circuit in 2020. “April,” which is seeking a US distributor, is also set to play at TIFF and the New York Film Festival.

“The Order” (Aug. 31)

Jude Law produced and stars in this 1980s-set crime thriller about a white supremacist group who his FBI agent character suspects is tied to a series of crimes in the Pacific Northwest. Nicholas Hoult plays the group's charismatic leader in the Justin Kurzel-directed film, to be released in theaters in December.

“Harvest” (Sept. 3)

“Attenberg” and “Chevalier” filmmaker Athina Rachel Tsangari returns to the main competition with “Harvest,” an adaptation of the Jim Crace novel set in a medieval English village where the locals use three newcomers as scapegoats for economic turmoil. It's apparently the reason star Caleb Landry Jones did his “Dogman” press with a Scottish accent last year. Mubi has distribution rights in several European territories, but no dates or US plans have been announced.

BONUS: “Disclaimer” (Aug. 29)

This is not a film, but this series coming to AppleTV+ on Oct. 11 is from Alfonso Cuarón, who wrote and directed the seven-episode psychological thriller starring Cate Blanchett and Kevin Kline. Blanchett plays a journalist who discovers she's a character in a novel that reveals her dark secret.