‘ER’ Creator Michael Crichton’s Estate Sues Warner Bros. Over Upcoming Hospital Drama ‘The Pitt’ 

Author Michael Crichton poses for a portrait at The Peninsula Hotel in New York on Dec. 7, 2004. (AP)
Author Michael Crichton poses for a portrait at The Peninsula Hotel in New York on Dec. 7, 2004. (AP)
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‘ER’ Creator Michael Crichton’s Estate Sues Warner Bros. Over Upcoming Hospital Drama ‘The Pitt’ 

Author Michael Crichton poses for a portrait at The Peninsula Hotel in New York on Dec. 7, 2004. (AP)
Author Michael Crichton poses for a portrait at The Peninsula Hotel in New York on Dec. 7, 2004. (AP)

The estate of Michael Crichton, who wrote the screenplay for what became the pilot episode of “ER,” has sued Warner Bros. Television over a dispute about an upcoming medical drama it says is a rebranded version of an unauthorized reboot.

After Crichton’s estate, led by his widow, Sherri, could not reach an agreement with the television studio to produce a reboot of the famed medical procedural, the lawsuit alleges Warner Bros. proceeded to develop and produce a series based on the same premise without consent.

The upcoming series, titled “The Pitt,” will be a medical drama set in Pittsburgh, as opposed to “ER’s” Chicago setting, and will feature Noah Wyle in a starring role. Wyle is best known for playing John Carter on “ER” in over 250 episodes.

“The Pitt” is also set to include several “ER” alums behind-the-scenes, including John Wells as the executive producer and R. Scott Gemmill as the showrunner. Wyle, Wells and Gemmill are each named defendants in the suit.

“The lawsuit filed by the Crichton Estate is baseless, as ‘The Pitt’ is a new and original show. Any suggestion otherwise is false, and Warner Bros. Television intends to vigorously defend against these meritless claims,” the studio said in a statement.

Because of Crichton’s success with projects including “Jurassic Park” and “Westworld” before “ER” was developed, he secured a coveted “frozen rights” provision in his contract for the series. The provision prohibits Warner Bros. from proceeding with any sequels, remakes, spinoffs or other productions derived from “ER” without Crichton’s consent, or his estate’s consent after his death from cancer in 2008.

“If Warner Bros. can do this to Michael Crichton, one of the industry’s most successful and prolific creators who made the studio billions over the course of their partnership, no creator is safe,” a spokesperson for Sherri Crichton said in a statement to The Associated Press. “While litigation is never the preferred course of action, contracts must be enforced, and Michael Crichton’s legacy must be protected.”

The estate, which filed the lawsuit Tuesday in Los Angeles Superior Court, is asking the judge to issue an injunction that would force the studio to stop production on the new series, and they are also seeking punitive and compensatory damages.

Warner Bros. began developing a reboot of “ER” for HBO’s streaming service, Max, in 2020 without Sherri’s knowledge, according to the lawsuit.

In 2022, when Sherri Crichton was informed of the developing project, she and the estate engaged in negotiations with the studio, through which she says she was promised that Crichton would get a “created by” credit, backed by a $5 million guarantee for the estate in the event the credit was not given. Ultimately, the term was revoked and negotiations stopped, which the lawsuit states should have ceased all development of the series.

Development continued on, and “The Pitt” was announced in March. A release date has yet to be announced.

“The Pitt is ER. It’s not like ER, it’s not kind of ER, it’s not sort of ER. It is ER complete with the same executive producer, writer, star, production companies, studio, and network as the planned ER reboot,” lawyers representing Crichton’s estate wrote in the lawsuit.

The lawsuit also alleges that Warner Bros. had previously tried to “erase” Crichton from derivatives for his work by downgrading his credit in the 2016 series based off his movie, “Westworld,” from “created by” to “based on,” which they say started “a disturbing pattern.”



New Coppola Film Trailer Axed for Using Fake Movie Reviews

The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
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New Coppola Film Trailer Axed for Using Fake Movie Reviews

The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File

A trailer promoting Francis Ford Coppola's new film "Megalopolis" has been withdrawn after it was found to have incorporated fake movie reviews, reportedly generated by artificial intelligence.
Coppola's wildly ambitious, decades-in-the-making movie, which hits theaters next month and stars Adam Driver, has starkly divided critics, said AFP.
A trailer released this week drew parallels to earlier works by the revered Hollywood director that also initially left some professional reviewers cold before going on to become classics -- suggesting "Megalopolis" can do the same.
"True genius is often misunderstood," a voiceover began, before quotes from famous critics calling "The Godfather" a "sloppily self-indulgent movie" and "Apocalypse Now" a "spectacular failure" were presented on the screen.
The problem? None of those quotes were real.
Instead, the trailer appears to have used AI-generated imitations of the type of withering put-downs associated with renowned reviewers such as Pauline Kael.
In at least one case, a criticism appears to have been lifted from a review of an entirely different film
The trailer was quickly recalled, with Hollywood studio Lionsgate offering "our sincere apologies to the critics involved and to Francis Ford Coppola" for an "inexcusable error in our vetting process."
"We screwed up. We are sorry," said a statement.
Lionsgate has since parted company with the marketing consultant behind the trailer, trade outlet Variety said Friday. Meanwhile Deadline reported that the quotes were generated by AI.
The furor comes at a time when Hollywood is roiled by the encroaching impact of AI. Fears the technology could replace entertainment industry jobs -- from actors to writers -- were central to last summer's devastating strikes.
The trailer episode is just the latest controversy to hit "Megalopolis," an already hugely divisive epic.
Legendary director Coppola has said he spent $120 million of his own money to make the film, selling a stake in his California vineyard.
But its much-hyped world premiere at the Cannes Film Festival left the industry confounded.
Critics' responses ranged from "a true modern masterwork" to a "catastrophe."
Driver stars as a seemingly magical architect whose efforts to rebuild a decaying city into a futuristic utopia are thwarted by its resentful mayor (Giancarlo Esposito).
The movie also stars Aubrey Plaza, Shia LaBeouf and Dustin Hoffman.
It receives its North American premiere at the Toronto film festival next month, before being released in US theaters on September 27.
The controversy has provoked theories among some Hollywood observers that the entire unseemly debacle could have been staged to provoke headlines.
Lionsgate did not respond to an AFP request for comment.
But a source familiar with the marketing plan told AFP the studio did not deliberately fabricate the quotes, and removed the trailer as soon as it became aware of the situation.