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Future of Cinema Clouded by Uncertainty, Venice Jury Chief Huppert Says

The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
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Future of Cinema Clouded by Uncertainty, Venice Jury Chief Huppert Says

The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)

Cinema has been weakened in recent years and its survival cannot be taken for granted, French actress Isabelle Huppert said on Wednesday as she took charge of the main jury at the Venice Film Festival.

The 11-day event draws together film-makers from around the world, giving them an invaluable opportunity to promote work that might otherwise not gain global prominence.

But beyond the Venice Lido's glamorous red carpet, movie veterans worry about the future of the industry: box office sales have not yet recovered from the COVID pandemic, raising questions about the long-term financial viability of movies.

"What concerns us all is that cinema continues to live on as much as possible. We know that it has been weakened in recent times," Huppert said at the traditional news conference to mark the start of the world's oldest film festival.

"I am not a director, I am only an actress, but we know what it represents in terms of courage, endurance, solitude, determination, to ... make a film," she added, saying her goal was to help cinema keep going "for as long as possible".

"But that's why a festival like Venice exists, it's like an ecosystem that is more necessary than ever to proclaim these values. So I'm really happy to be here," Huppert said.

Huppert, 71, has appeared in over 120 films and has won the best actress award twice at Venice, in 1988 and 1995. She and her family also run two small art house cinemas in Paris.

Global cinema box office takings are estimated to have hit almost $34 billion in 2023, according to data from Gower Street Analytics, an increase of 30.5% on 2022, but still 15% below average annual returns from 2017-2019, before COVID hit.

However, sales have declined again this year in the United States - the biggest movie market in the world, setting alarm bells ringing.

US director Debra Granik, who is the head of the jury for Venice's more experimental Horizons section this year, thanked Huppert for addressing the "elephant in the room".

"That's why we all showed up here because we want to see this art form thrive,” Granik said.

The Venice festival opens on Wednesday night with the world premiere of Tim Burton's "Beetlejuice Beetlejuice", which is being shown out of competition. The event ends on Sept. 7 when Huppert will announce who has won the top Golden Lion award.

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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)

No one was expecting it. Late last year, André 3000 released his debut solo album, "New Blue Sun," 18 years after his legendary rap group Outkast's last studio album, "Idlewild."

But "New Blue Sun" has "no bars," he jokes. It's a divergence from rap because "there was nothing I was liking enough to rap about, or I didn't feel it sounded fresh. I'm not about to serve you un-fresh (expletive.)"

Instead, he offered up a six-track instrumental album of ambient alt-jazz — with special attention paid to the flute.

"The sound, that's how I got into it," he says of the instrument. "The portability, too. You can't tote around a piano and play in Starbucks."

He's also invested in the flute's history — like learning about Mayan flutes made from clay, a design he had re-created in cedarwood. "There’s all kinds of fables and, you know, indigenous stories that go along with playing the flute — playing like the birds or playing your heart like the wind — it kind of met (me) where I was in life," he says.

"Flutes — wind instruments in general — are the closest thing you get to actually hearing a human," he continues. "You're actually hearing the breath of a person."

"New Blue Sun" is a stunning collection, one that has earned André 3000 three new Grammy Award nominations: album of the year, alternative jazz, and instrumental composition. Those arrive exactly 25 years after the 1999 Grammys, where Outkast received their first nomination — for "Rosa Parks," from their third album, "Aquemini" — and 20 years after the group won album of the year for "Speakerboxxx/The Love Below."

"It matters because we all want to be acknowledged or recognized," André 3000 says of his new Grammy nominations. "It's a type of proof of connection, in some type of way ... especially with the Grammys, because it's voted on by a committee of musicians and people in the industry."

He's a bit surprised by the attention, too, given the type of album he created. "We have no singles on the radio, not even singles that are hot in the street," he says. "When you're sitting next to Beyoncé and Taylor Swift, these are highly, hugely popular music artists, I'm satisfied just because of that ... we won just to be a part of the whole conversation."

He theorizes that it may be because popular music listening habits are broadening. "A lot of artists are just trying different things. Even, you know, the album that Beyoncé is nominated for, it’s not her normal thing," he says of her country-and-then-some record, "Cowboy Carter.We’re in this place where things are kind of shifting and moving."

For André 3000, "New Blue Sun" has allowed him to "feel like a whole new artist," but it is also an extension of who he's always been. "Being on the road with Outkast and picking up a bass clarinet at a pawn shop in New York and just sitting on the back of the bus playing with it — these things have been around," he says.

He's also always embraced "newness," as he puts it, experimenting creatively "even if it sounds non-masterful."

"Even producing for Outkast, I was just learning these instruments. If I ... put my hands down and play ‘Ms. Jackson,’ I'm not knowing what I'm playing. But I like it," he says.

As for a new Outkast album, "I never say never," he says. "But I can say that the older I get, I feel like that time has happened."