Future of Cinema Clouded by Uncertainty, Venice Jury Chief Huppert Says

 The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
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Future of Cinema Clouded by Uncertainty, Venice Jury Chief Huppert Says

 The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)

Cinema has been weakened in recent years and its survival cannot be taken for granted, French actress Isabelle Huppert said on Wednesday as she took charge of the main jury at the Venice Film Festival.

The 11-day event draws together film-makers from around the world, giving them an invaluable opportunity to promote work that might otherwise not gain global prominence.

But beyond the Venice Lido's glamorous red carpet, movie veterans worry about the future of the industry: box office sales have not yet recovered from the COVID pandemic, raising questions about the long-term financial viability of movies.

"What concerns us all is that cinema continues to live on as much as possible. We know that it has been weakened in recent times," Huppert said at the traditional news conference to mark the start of the world's oldest film festival.

"I am not a director, I am only an actress, but we know what it represents in terms of courage, endurance, solitude, determination, to ... make a film," she added, saying her goal was to help cinema keep going "for as long as possible".

"But that's why a festival like Venice exists, it's like an ecosystem that is more necessary than ever to proclaim these values. So I'm really happy to be here," Huppert said.

Huppert, 71, has appeared in over 120 films and has won the best actress award twice at Venice, in 1988 and 1995. She and her family also run two small art house cinemas in Paris.

Global cinema box office takings are estimated to have hit almost $34 billion in 2023, according to data from Gower Street Analytics, an increase of 30.5% on 2022, but still 15% below average annual returns from 2017-2019, before COVID hit.

However, sales have declined again this year in the United States - the biggest movie market in the world, setting alarm bells ringing.

US director Debra Granik, who is the head of the jury for Venice's more experimental Horizons section this year, thanked Huppert for addressing the "elephant in the room".

"That's why we all showed up here because we want to see this art form thrive,” Granik said.

The Venice festival opens on Wednesday night with the world premiere of Tim Burton's "Beetlejuice Beetlejuice", which is being shown out of competition. The event ends on Sept. 7 when Huppert will announce who has won the top Golden Lion award.



‘The Brutalist’ Cast Beams over Breadth of Film’s Story

 This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
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‘The Brutalist’ Cast Beams over Breadth of Film’s Story

 This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)

The cast of the film “The Brutalist” is giving their director Brady Corbet all the credit when it comes to the strong acclaim for the movie.

“He's a special filmmaker because he focuses on psychology and behavior and those things that we as actors are genuinely interested in,” said Guy Pearce, who plays wealthy industrialist Harrison Lee Van Buren.

“So, it was a real treat from start to finish,” he added.

The movie is an epic tale of a Hungarian immigrant who flees the horrors of World War Two to rebuild his life in the United States, and stars Oscar-winner Adrien Brody in the leading role of the architect Laszlo Toth.

"The Brutalist", which has a three-hour and 35-minute runtime and comes with a 15-minute intermission, was co-written by Corbet's wife, Mona Fastvold.

It was successful at the Venice International Film Festival earlier this year, with Corbet winning the best director prize.

The film, distributed by A24, arrives in movie theaters on Dec. 20 in the United States.

Brody, who had read the script nearly six years ago, expressed his deep connection to the story and his character through both his Hungarian-born mother and grandfather.

“Her [his mother’s] journey as an artist, her pursuits as an artist are deeply profound and linked to this,” he said.

For Brody, the role connected him with his mother’s yearning to leave something of great meaning behind, which was enhanced when contrasted with an understanding of hardship.

He also thought of his own grandfather's struggles with language and assimilation as a foreigner without work opportunities or respect.

“That (respect) was lost and taken from him,” Brody added.

His grandfather, fleeing from home due to the war, largely shaped the actor’s perspective of his role.

For “The Theory of Everything” actress Felicity Jones, who portrays Toth’s wife in the film, Erzsebet Toth, some of the most compelling aspects of the film are its characters and unique storytelling style.

“These characters, particularly Laszlo and Erzsebet, you know, they're doing everything they can to preserve their integrity and their self-worth,” she said.

Brody was recently nominated for a Golden Globe for best performance for a male actor in a motion picture drama and is receiving Oscar buzz for his role.

For “The Pianist” actor, having a strong team was key to the power of the film.

“In order to do work on this level, you need all of those to conspire with you and not against you,” Brody said.