Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
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Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)

Alfonso Cuarón is the first to admit that he does not know how to make a television series. He might even be too old to learn how, he said.

The Oscar-winning filmmaker has technically now made a series, the seven-part AppleTV+ show “Disclaimer,” four episodes of which premiered Thursday at the Venice Film Festival. But he did it his way: Like a film.

Based on Renée Knight’s 2015 book of the same name, “Disclaimer” is a psychological thriller about a documentarian and journalist, Catherine Ravenscroft (Cate Blanchett), who discovers she’s a character in a novel that reveals her darkest secret.

Cuarón, Blanchett and Kevin Kline all made the journey to the Italian film festival to debut and speak about the show before it begins streaming on Oct. 11.

“I read the book and immediately in my mind I saw a film, but I didn’t know how to make that film,” Cuarón, the director of films including “Gravity” and “Roma,” said in a news conference Thursday. “It was way too long. I could not shape it as such.”

It was only later, he said, that he thought it might work in longer form, inspired by predecessors like Rainer Werner Fassbinder, David Lynch and Krzysztof Kieślowski.

“I was intrigued and that was the point of departure,” Cuarón said.

He started writing with one name in mind for Catherine: Blanchett, terrified that she might say no. Not only did she not say no, she also was the one who suggested Kline for a British character. Sacha Baron Cohen plays her husband in the show and Kodi Smit-McPhee plays her son.

All soon realized that approaching it as a film, and shooting it as a film, would take much longer than a normal series. He even enlisted two cinematographers, Emmanuel Lubezki and Bruno Delbonnel, to add a distinct visual language to the different perspectives in the story. All told, it took about a year.

“It was a really long process,” Cuarón said. “And I really feel for the actors because they were stuck with the characters for way too long.”

Blanchett laughed that they were “still recovering.”

The final three episodes will screen Friday at the festival. Though the festival is most known for its feature film premieres, it does play host to select series as well. This year those also include Joe Wright’s Mussolini biopic “M: Son of the Century,” Rodrigo Sorogoyen’s “The New Years” and Thomas Vinterberg’s “Families Like Ours.”



Movie Review: In 'Heads of State,' a Buddy Comedy with Statesmen

 This image released by Prime shows John Cena, left, and Idris Elba in a scene from "Heads of State." (Bruno Calvo/Prime via AP)
This image released by Prime shows John Cena, left, and Idris Elba in a scene from "Heads of State." (Bruno Calvo/Prime via AP)
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Movie Review: In 'Heads of State,' a Buddy Comedy with Statesmen

 This image released by Prime shows John Cena, left, and Idris Elba in a scene from "Heads of State." (Bruno Calvo/Prime via AP)
This image released by Prime shows John Cena, left, and Idris Elba in a scene from "Heads of State." (Bruno Calvo/Prime via AP)

Say what you will about the Idris Elba-John Cena vehicle “Heads of State,” but it’s surely the first buddy comedy about the fraying bonds of NATO.

The potential collapse of the North Atlantic Treaty Organization plays a surprisingly pivotal role in this fitfully diverting, for-background-noise-only, straight-to-streaming movie. Elba plays the embattled British Prime Minister Sam Clarke, while Cena co-stars as the recently elected US President Will Derringer, a former action star.

“Heads of State,” directed by Ilya Naishuller (“Nobody”), is mostly about their relationship, a tense and adversarial one challenged further when an assassination plot leaves them stranded together in Belarus. But that “Heads of State,” which debuts Wednesday on Prime Video, is such a mild romp makes it all the more surprising to hear a line uttered like: “If NATO falls, there’s no backstop against despots and dictators.”

It’s a funny time to release a comedy set around international political disconnection and imperiled Western democracy. But if you were beginning to worry that “Heads of State” is too timely, don’t. Any nods to current events here serve more as reminders of how much “Heads of State” — like most of Hollywood’s output — is unengaged with anything resembling our political reality.

You could argue that that’s not necessarily a bad thing. You could also argue that the greater sin of “Heads of State” is underusing Stephen Root. (He plays an expert working for the bad guys.) But the vaguest hints of real-world intrigue only cast a pale light on the movie’s mostly lackluster comic chops and uninspired action sequences.

The best thing going for “Heads of State” is that the chemistry between Elba and Cena is solid. The “Suicide Squad” co-stars trade barbs with a genial ease. Most of the time, those revolve around their characters’ divergent histories — Clarke was a commando before becoming a politician — in debates like which one of them is “gym strong” as opposed to “strong strong.”

That’s one of the few decent gags in the script by Josh Applebaum, Andre Nemec and Harrison Query. But one problem in “Heads of State” goes beyond the high-concept set-up. The best buddy comedies — “Midnight Run,” “48 Hrs.,” “The Nice Guys” — are predicated on opposites thrown together. Elba and Cena have their obvious differences. (Cena’s Derringer is exaggeratedly optimistic here, too.) But ultimately they’re both beefy dudes in suits.

As the MI6 agent Noel Bisset, Priyanka Chopra Jones gives the movie a kick. But her scenes are left to the beginning and end of the movie. In between, we’re left to wonder where she went, how two political leaders would have such non-existent security and whether a few half-decent jokes are enough to forgive the movie's geopolitical delusions.