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George Clooney, Brad Pitt are Lone 'Wolfs' at Venice

George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)
George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)
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George Clooney, Brad Pitt are Lone 'Wolfs' at Venice

George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)
George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)

Hollywood's two top leading men -- George Clooney and Brad Pitt -- promise to set the Venice Film Festival alight on Sunday with the premiere of their new film "Wolfs".
The action comedy, pitting one professional "lone wolf" fixer against another, is one of the highlights of the 10-day festival, where it is playing out of competition on the glamorous Lido, AFP reported.
Fans will be sure to await the arrival of the dashing movie stars by water taxi from Venice, with a world premiere scheduled for Sunday evening.
The 81st edition of the world's oldest film festival has been awash with stars this year, with Clooney and Pitt following on the red carpet Nicole Kidman, Cate Blanchett and Angelina Jolie -- Pitt's ex-wife.
Expected Monday will be Julianne Moore and Tilda Swinton, starring in a new film from Spain's Pedro Almodovar, while Lady Gaga and Joaquin Phoenix will dominate Wednesday's festivities with the premiere of the sequel to "Joker", "Joker: Folie a Deux".
In the Apple TV+ production from US director Jon Watts, Clooney and Pitt play professional "lone wolf" fixers forced to work together when both are called in to clean up after a high-profile crime.
More than colleagues, Clooney and Pitt are accomplices, with an easy rapport and self-deprecating humor that the Coen brothers tapped in 2008's "Burn After Reading", or on display in the trilogy of heist films "Ocean's Eleven" (2001-2007).
With "Wolfs", the characters "find their night spiraling out of control in ways that neither one of them expected", explains the production, which has already announced a sequel.
Watts comes to "Wolfs" after directing the "Spider-Man: Homecoming" trilogy starring Tom Holland and Zendaya.
The film will have only a limited theatrical release before going to streaming around the world on Apple TV+ September 27.
Sunday's offerings also include the premiere of "The Brutalist" from US director Brady Corbet, a three-and-a-half-hour film that sees Adrien Brody play a Hungarian Jewish architect embarking on a life-changing project.
On Monday, Almodovar returns to the Lido with his first full-length film in English, "The Room Next Door", with Moore and Swinton, while Daniel Craig is the star of Tuesday's premiere of "Queer", an adaptation of the William Burroughs novel set in 1940s Mexico City.

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Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
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Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)

Alfonso Cuarón is the first to admit that he does not know how to make a television series. He might even be too old to learn how, he said.

The Oscar-winning filmmaker has technically now made a series, the seven-part AppleTV+ show “Disclaimer,” four episodes of which premiered Thursday at the Venice Film Festival. But he did it his way: Like a film.

Based on Renée Knight’s 2015 book of the same name, “Disclaimer” is a psychological thriller about a documentarian and journalist, Catherine Ravenscroft (Cate Blanchett), who discovers she’s a character in a novel that reveals her darkest secret.

Cuarón, Blanchett and Kevin Kline all made the journey to the Italian film festival to debut and speak about the show before it begins streaming on Oct. 11.

“I read the book and immediately in my mind I saw a film, but I didn’t know how to make that film,” Cuarón, the director of films including “Gravity” and “Roma,” said in a news conference Thursday. “It was way too long. I could not shape it as such.”

It was only later, he said, that he thought it might work in longer form, inspired by predecessors like Rainer Werner Fassbinder, David Lynch and Krzysztof Kieślowski.

“I was intrigued and that was the point of departure,” Cuarón said.

He started writing with one name in mind for Catherine: Blanchett, terrified that she might say no. Not only did she not say no, she also was the one who suggested Kline for a British character. Sacha Baron Cohen plays her husband in the show and Kodi Smit-McPhee plays her son.

All soon realized that approaching it as a film, and shooting it as a film, would take much longer than a normal series. He even enlisted two cinematographers, Emmanuel Lubezki and Bruno Delbonnel, to add a distinct visual language to the different perspectives in the story. All told, it took about a year.

“It was a really long process,” Cuarón said. “And I really feel for the actors because they were stuck with the characters for way too long.”

Blanchett laughed that they were “still recovering.”

The final three episodes will screen Friday at the festival. Though the festival is most known for its feature film premieres, it does play host to select series as well. This year those also include Joe Wright’s Mussolini biopic “M: Son of the Century,” Rodrigo Sorogoyen’s “The New Years” and Thomas Vinterberg’s “Families Like Ours.”