George Clooney, Brad Pitt are Lone 'Wolfs' at Venice

George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)
George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)
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George Clooney, Brad Pitt are Lone 'Wolfs' at Venice

George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)
George Clooney attends a special screening of "The Boys in the Boat" in New York on Dec. 13, 2023. (AP)

Hollywood's two top leading men -- George Clooney and Brad Pitt -- promise to set the Venice Film Festival alight on Sunday with the premiere of their new film "Wolfs".
The action comedy, pitting one professional "lone wolf" fixer against another, is one of the highlights of the 10-day festival, where it is playing out of competition on the glamorous Lido, AFP reported.
Fans will be sure to await the arrival of the dashing movie stars by water taxi from Venice, with a world premiere scheduled for Sunday evening.
The 81st edition of the world's oldest film festival has been awash with stars this year, with Clooney and Pitt following on the red carpet Nicole Kidman, Cate Blanchett and Angelina Jolie -- Pitt's ex-wife.
Expected Monday will be Julianne Moore and Tilda Swinton, starring in a new film from Spain's Pedro Almodovar, while Lady Gaga and Joaquin Phoenix will dominate Wednesday's festivities with the premiere of the sequel to "Joker", "Joker: Folie a Deux".
In the Apple TV+ production from US director Jon Watts, Clooney and Pitt play professional "lone wolf" fixers forced to work together when both are called in to clean up after a high-profile crime.
More than colleagues, Clooney and Pitt are accomplices, with an easy rapport and self-deprecating humor that the Coen brothers tapped in 2008's "Burn After Reading", or on display in the trilogy of heist films "Ocean's Eleven" (2001-2007).
With "Wolfs", the characters "find their night spiraling out of control in ways that neither one of them expected", explains the production, which has already announced a sequel.
Watts comes to "Wolfs" after directing the "Spider-Man: Homecoming" trilogy starring Tom Holland and Zendaya.
The film will have only a limited theatrical release before going to streaming around the world on Apple TV+ September 27.
Sunday's offerings also include the premiere of "The Brutalist" from US director Brady Corbet, a three-and-a-half-hour film that sees Adrien Brody play a Hungarian Jewish architect embarking on a life-changing project.
On Monday, Almodovar returns to the Lido with his first full-length film in English, "The Room Next Door", with Moore and Swinton, while Daniel Craig is the star of Tuesday's premiere of "Queer", an adaptation of the William Burroughs novel set in 1940s Mexico City.



‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
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‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)

Nobody puts baby in a corner, but they're putting her in the National Film Registry.

“Dirty Dancing,” along with another 1980s culture-changer, “Beverly Hills Cop,” are entering the Library of Congress' registry, part of an annual group of 25 announced Wednesday that spans 115 years of filmmaking.

“Dirty Dancing” from 1987 used the physicality and chemistry of Patrick Swayze as Johnny Castle and Jennifer Grey as Frances “Baby” Houseman to charm generations of moviegoers, while also taking on issues like abortion, classism and antisemitism. In the climactic moment, Swayze defiantly declares, “Nobody puts baby in a corner” before taking Grey to dance to “(I’ve Had) The Time of My Life.”

1984's “Beverly Hills Cop,” the first Eddie Murphy film in the registry, arguably made him the world's biggest movie star at the time and made action comedies a blockbuster staple for a decade.

Since 1988, the Librarian of Congress has annually selected movies for preservation that are “culturally, historically or aesthetically” significant. The current picks bring the registry to 900 films. Turner Classic Movies will host a TV special on Wednesday, screening a selection of the class of 2024.

The oldest film is from 1895 and brought its own form of dirty dancing: “Annabelle Serpentine Dance” is a minute-long short of a shimmying Annabelle Moore that was decried by many as a public indecency for the suggestiveness of her moves. The newest is David Fincher's “The Social Network" from 2010.

A look at some of the films entering the registry “Pride of the Yankees” (1942): The film became the model for the modern sports tear-jerker, with Gary Cooper playing Lou Gehrig and delivering the classic real-life line: “Today I consider myself the luckiest man on the face of the Earth.”

“The Miracle Worker” (1962): Anne Bancroft won an Oscar for best actress for playing title character Anne Sullivan and 16-year-old Patty Duke won best supporting actress for playing her deaf and blind protege Helen Keller in director Arthur Penn's film.

“Up in Smoke” (1978): The first feature to star the duo of Cheech Marin and Tommy Chong established a template for the stoner genre and brought weed culture to the mainstream. Marin, who also appears in the inductee “Spy Kids” from 2001, is one of many Latinos with prominent roles in this year's crop of films.

“Star Trek II: Wrath of Khan” (1982): The second movie in the “Star Trek” franchise featured one of filmdom's great villains in Ricardo Montalban's Khan, and showed that the world of Captain Kirk and Mr. Spock could bring vital thrills to the cinema.

“Common Threads: Stories from the Quilt” (1989): The Oscar-winning documentary on the NAMES Project Aids Memorial Quilt was a landmark telling of the devastation wrought by the disease.

“My Own Private Idaho” (1991): Director Gus Van Sant's film featured perhaps the greatest performance of River Phoenix, a year before the actor's death at age 23.

“American Me” (1992): Edward James Olmos starred and made his film directorial debut in this tale of Chicano gang life in Los Angeles and the brutal prison experience of its main character.

“No Country for Old Men” (2007): Joel and Ethan Coen broke through at the Oscars with their adaptation of Cormac McCarthy's novel, winning best picture, best director and best adapted screenplay, while Javier Bardem won best supporting actor for playing a relentless killer with an unforgettable haircut.