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British Actor Ian McKellen Feared He Would Die in London Stage Fall 

Actor Ian McKellen attends a Service of Thanksgiving for Sir Peter Hall at Westminster Abbey in London, Britain, September 11, 2018. (Reuters)
Actor Ian McKellen attends a Service of Thanksgiving for Sir Peter Hall at Westminster Abbey in London, Britain, September 11, 2018. (Reuters)
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British Actor Ian McKellen Feared He Would Die in London Stage Fall 

Actor Ian McKellen attends a Service of Thanksgiving for Sir Peter Hall at Westminster Abbey in London, Britain, September 11, 2018. (Reuters)
Actor Ian McKellen attends a Service of Thanksgiving for Sir Peter Hall at Westminster Abbey in London, Britain, September 11, 2018. (Reuters)

British actor Ian McKellen said on Monday he feared he would die when he lost his footing and fell off a London stage mid-performance in June.

McKellen, 85, was starring in "Player Kings", combining William Shakespeare's "Henry IV, Parts One and Two", in the capital's West End theater district, when he tripped during a fight scene.

The actor, who is best known for playing Gandalf in the film versions of "Lord of the Rings" and "The Hobbit" and was also Magneto in the "X-Men" movies, was taken to hospital. He did not return to the role for the rest of the tour.

"I am absolutely physically recovered," McKellen told BBC Radio. "It is emotionally that I've got some residue that I've got to deal with. I said to myself as I slid off the stage ... 'this is the end', these were the words in my mind."

"Apparently I shouted out, 'My neck is broken, I am dying'. I don't remember saying that. So there was a lot going on in my head as the body responded to the fall."

McKellen broke his wrist and chipped a vertebrae in the fall but said he was saved from more serious injury by the padding of the suit he was wearing to play the overweight character John Falstaff.

In a separate interview with BBC television, McKellen, whose stage career stretches back to 1961, said he had no plans to retire from acting and did not want anyone else to play Gandalf in the next instalment of the Lord of the Rings franchise, due in 2026.

McKellen's latest film, "The Critic", based on the novel "Curtain Call" by Anthony Quinn, in which he plays powerful theater critic Jimmy Erskine in 1930s London, is out in cinemas later this month.

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Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
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Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)

Alfonso Cuarón is the first to admit that he does not know how to make a television series. He might even be too old to learn how, he said.

The Oscar-winning filmmaker has technically now made a series, the seven-part AppleTV+ show “Disclaimer,” four episodes of which premiered Thursday at the Venice Film Festival. But he did it his way: Like a film.

Based on Renée Knight’s 2015 book of the same name, “Disclaimer” is a psychological thriller about a documentarian and journalist, Catherine Ravenscroft (Cate Blanchett), who discovers she’s a character in a novel that reveals her darkest secret.

Cuarón, Blanchett and Kevin Kline all made the journey to the Italian film festival to debut and speak about the show before it begins streaming on Oct. 11.

“I read the book and immediately in my mind I saw a film, but I didn’t know how to make that film,” Cuarón, the director of films including “Gravity” and “Roma,” said in a news conference Thursday. “It was way too long. I could not shape it as such.”

It was only later, he said, that he thought it might work in longer form, inspired by predecessors like Rainer Werner Fassbinder, David Lynch and Krzysztof Kieślowski.

“I was intrigued and that was the point of departure,” Cuarón said.

He started writing with one name in mind for Catherine: Blanchett, terrified that she might say no. Not only did she not say no, she also was the one who suggested Kline for a British character. Sacha Baron Cohen plays her husband in the show and Kodi Smit-McPhee plays her son.

All soon realized that approaching it as a film, and shooting it as a film, would take much longer than a normal series. He even enlisted two cinematographers, Emmanuel Lubezki and Bruno Delbonnel, to add a distinct visual language to the different perspectives in the story. All told, it took about a year.

“It was a really long process,” Cuarón said. “And I really feel for the actors because they were stuck with the characters for way too long.”

Blanchett laughed that they were “still recovering.”

The final three episodes will screen Friday at the festival. Though the festival is most known for its feature film premieres, it does play host to select series as well. This year those also include Joe Wright’s Mussolini biopic “M: Son of the Century,” Rodrigo Sorogoyen’s “The New Years” and Thomas Vinterberg’s “Families Like Ours.”