Plenty of Star Power as Toronto Film Fest Opens

The Roy Thompson Hall, one of the main venues for the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 5, 2024. (Photo by VALERIE MACON / AFP)
The Roy Thompson Hall, one of the main venues for the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 5, 2024. (Photo by VALERIE MACON / AFP)
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Plenty of Star Power as Toronto Film Fest Opens

The Roy Thompson Hall, one of the main venues for the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 5, 2024. (Photo by VALERIE MACON / AFP)
The Roy Thompson Hall, one of the main venues for the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 5, 2024. (Photo by VALERIE MACON / AFP)

Hollywood's A-list stars are convening in Toronto for North America's largest film festival -- a 10-day extravaganza of Oscar bait movies, timely documentaries and glamour that opens Thursday.

This year marks a return to form for the event, after twin strikes by actors and writers kept top talent from promoting their work here last year. Though the 2023 lineup of films was starry, the red carpets were not, in line with union protocols.

This time around, Jennifer Lopez, Angelina Jolie, Elton John, Bruce Springsteen, Salma Hayek, Cate Blanchett and Nicole Kidman are just some of the boldfaced names expected in Canada's biggest city to unveil new projects.

"Toronto is known for its audience excitement, and that excitement reaches a fever pitch when the biggest stars in the world are here," Cameron Bailey, the CEO of the Toronto International Film Festival (TIFF), told AFP.

"We're glad that we are having a festival without some of the constraints of last year, although I do think we were able to do the very best we could given the circumstances."

Ben Stiller kicks it off late Thursday with family dramedy "Nutcrackers," his first film in seven years, about a Chicago real estate developer who must head to Ohio to care for his four nephews when tragedy strikes his sister's family.

Ron Howard's super-secret "Eden," a survival film set in the Galapagos islands and starring Ana de Armas and Sydney Sweeney, is among the other closely awaited world premieres in Toronto. The film debuts on Saturday.

Fresh off the Venice success of her portrayal of opera legend Maria Callas in "Maria," Jolie comes to Toronto with her latest directorial effort -- "Without Blood," a tale of early 20th-century family and revenge starring Hayek.

In all, there are a whopping 278 films on the slate, and while Bailey said it was too difficult to name his favorites, he did say it was a "particular honor" to host the world premiere of British director Mike Leigh's latest work, "Hard Truths."

John and Springsteen will be in town with new documentaries about their epic careers -- and they are just some of the recording industry royalty expected to hit the red carpet.

Andrea Bocelli, Robbie Williams, Paul Anka, and singer, producer and fashion designer Pharrell Williams are also due to appear at screenings of new films about their personal and professional lives.

Bailey said the music-heavy programming started as a "crazy accident" and then "just began to kind of gather its own momentum."

"We couldn't turn one way or another without finding another movie that was really infused with music. And we decided, 'We're going to give in'." he told AFP.

Among other documentaries on tap are "The Last Republican," about former US congressman Adam Kinzinger and his break with his own party, and "Men of War," about a wild 2020 attempt to overthrow Venezuelan President Nicolas Maduro.

TIFF is part of a fall flurry of film festivals, along with Venice and Telluride, that preview the movies pundits and producers believe will vie for Oscars glory.

But the Toronto event -- where screenings are open to paying customers, not just media and industry insiders -- also showcases feel-good crowd pleasers such as "Nutcrackers" and "The Wild Robot," the latest from DreamWorks Animation.

And there is a crop of inspirational true-story sports dramas on the schedule, including "Unstoppable," about a college wrestler (Jharrel Jerome) without a right leg who dreamed of going pro. Lopez co-stars as the boy's mother.

Also making its world premiere is "The Fire Inside," about boxer Claressa Shields's journey to Olympic gold.

TIFF runs from Thursday through September 15.

On the event's final day, the People's Choice Award -- voted for by audiences -- is handed out.

It has become something of an early Oscars bellwether, predicting eventual Academy Award best picture winners such as "Nomadland" and "Green Book."

Last year's winner was "American Fiction," which went on to earn five Oscar nominations, and win the statuette for best adapted screenplay.



China’s Jia Brings Film Spanning Love, Change over Decades to Busan

This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)
This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)
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China’s Jia Brings Film Spanning Love, Change over Decades to Busan

This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)
This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)

Chinese director Jia Zhangke's ambitious latest, which utilizes footage shot across two decades, offered a peek into the evolving nature of cinema as it unspooled at this year's Busan International Film Festival.

"Caught by the Tides" combines a story of elusive love with a panoramic portrayal of recent Chinese history using everything from low-resolution digital camera footage to a scene enhanced with cutting-edge AI technology.

And while it explores the meaning of the past, the film's creation emphasized innovation.

Jia assembled and recontextualized footage shot over more than 20 years, including unused scenes from previous films, newly filmed sequences, and random images he captured during his travels -- blending documentary and fiction.

The result, with a format reminiscent of Richard Linklater's 2014 film "Boyhood", creates a vivid record of time passing, particularly through lead actress Zhao Tao, Jia's long-time collaborator and wife in real life.

As she goes on a fruitless search for a lost love, audiences witness her age before their eyes.

The film also uses images related to key events that have shaped contemporary China, such as the successful bid for the 2008 Olympics and the construction of the Three Gorges Dam, which resulted in often overlooked suffering for those displaced by the project.

"After Covid, I felt that one era had ended and a new one was emerging," Jia told reporters in Busan when asked what motivated him to create "Caught by the Tides".

"With the rapid advancements in technology, including science, the Internet, and AI, people's lifestyles have also shifted. I realized that during this period of change, it was important to process the (accumulated) footage I had previously filmed."

Actress Zhao described the film as a "truly precious gift."

"It has allowed me to document my 20s, 30s, and 40s through the medium of film, while also expressing the lives and struggles of many women through the character," she told reporters.

The film played over the weekend as part of BIFF's gala presentation section.

- Covid, cinema and AI -

Jia's feature debut, "Xiao Wu", earned the director BIFF's New Current Award for emerging filmmakers in 1998, when he was just 28.

"It's not an exaggeration to say that my life as a filmmaker started in Busan," Jia said, adding he had missed the South Korean port city since his last visit.

He has since won the top prize at the Venice Film Festival for "Still Life" (2006), among other prestigious awards, establishing himself as one of the most important Chinese filmmakers of his generation.

"Jia stood out as someone who is obviously talented. He was, above all else, original," Kim Dong-ho, the 87-year-old BIFF founder, told AFP of the Chinese filmmaker's younger years.

Now 54, Jia has brought his latest film to Busan at a pivotal moment of change for the festival.

BIFF's opening night featured a streaming title for the first time in its history, and it hosted a day-long conference just on the theme of AI in content production.

At the festival's main venue, giant posters of Netflix's latest streaming projects underlined the shift -- including its opening film "Uprising," positioned next to a festival gift store that ironically proclaimed: "Theater is Not Dead."

Jia's film, by its end, reflects and evokes these changes and what may lie ahead, showing its characters queuing for PCR tests and wearing masks during the Covid pandemic, an era that contributed to the rise of streaming platforms worldwide.

One scene was modified using AI technology, changing the film that the protagonist watches to create a stronger link to an element introduced later in the story -- robots.

When reflecting on his some 26 years in film, Jia said: "It feels like I've been drifting in an endless ocean."

But "completing each film made me feel like I stood tall, having overcome the waves."