Maya Rudolph Gets Career Emmy No. 6, Angela Basset Wins Her First at Creative Arts Emmys

Maya Rudolph poses with her Emmy for outstanding voice-over performance for "Big Mouth" in the press room during night one of the Television Academy's 76th Creative Arts Emmy Awards at the Peacock Theater on Saturday, Sept. 7, 2024 in Los Angeles. (Photo by Mark Von Holden/Invision for the Television Academy/AP Content Services)
Maya Rudolph poses with her Emmy for outstanding voice-over performance for "Big Mouth" in the press room during night one of the Television Academy's 76th Creative Arts Emmy Awards at the Peacock Theater on Saturday, Sept. 7, 2024 in Los Angeles. (Photo by Mark Von Holden/Invision for the Television Academy/AP Content Services)
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Maya Rudolph Gets Career Emmy No. 6, Angela Basset Wins Her First at Creative Arts Emmys

Maya Rudolph poses with her Emmy for outstanding voice-over performance for "Big Mouth" in the press room during night one of the Television Academy's 76th Creative Arts Emmy Awards at the Peacock Theater on Saturday, Sept. 7, 2024 in Los Angeles. (Photo by Mark Von Holden/Invision for the Television Academy/AP Content Services)
Maya Rudolph poses with her Emmy for outstanding voice-over performance for "Big Mouth" in the press room during night one of the Television Academy's 76th Creative Arts Emmy Awards at the Peacock Theater on Saturday, Sept. 7, 2024 in Los Angeles. (Photo by Mark Von Holden/Invision for the Television Academy/AP Content Services)

Maya Rudolph won her sixth career Emmy on Saturday night, taking the trophy for best character voice-over for her work on "Big Mouth" at the Creative Arts Emmy Awards, while Angela Bassett won her first for her narration of the National Geographic show "Queens."

The former and future "Saturday Night Live" star Rudolph is up for three more Emmys. Her voice-over work as the Hormone Monstress on the Netflix animated show "Big Mouth" has earned her four of her Emmys.

"I’m really proud to be a part of this show," she said. "It humanizes being human."

She got emotional when she talked about the privilege that she gets to do what she loves in her life.

"It’s making me cry because I’m very menopausal," Rudolph said.

She won on the first of the two-night Creative Arts Emmys, which honor behind-the-scenes artistic and technical achievement in television and are a precursor to the main Emmys ceremony, hosted by Dan and Eugene Levy, that will air at 8 p.m. EST Sept. 15 on ABC.

Bassett appeared to collect her trophy for best narrator, a category that is usually star studded but where the winner, like Barack Obama last year, rarely shows.

"Oh my God, wow, my first Emmy," an emotional Bassett said. "I couldn’t be more thrilled and more grateful."

Bassett was attracted to the wildlife documentary project because of the all-female-led production team, a rarity in the medium, she said backstage.

"It just touched my heart," she said. "So, I said yes."

Bassett is a two-time Oscar nominee who won an honorary Academy Award earlier this year.

Other winners included the recently retired Pat Sajak, who won best game show host for his final season on "Wheel of Fortune." It was his fourth time winning the award, and first time since 1998.

"Saturday Night Live" thrived in the craft categories with six wins, including victories for its makeup and production design.

Rudolph won two Emmys when she was a cast member on the show, and is nominated for two more for her work as host of the sketch institution last season. Those will be awarded Sunday.

She will be returning this fall to play Vice President Kamala Harris on the 50th season of "SNL" in the weeks leading up to the election.

"I feel like I am connected somehow to an incredible time in this country and an excitement that I haven't felt in a long time," she said backstage on Saturday.

She is also nominated at the main Emmys ceremony for best actress in a comedy for her Apple TV+ series "Loot." She is a longshot for that award, where the favorites are Jean Smart for "Hacks" and Ayo Edebiri for "The Bear," which leads all shows in the comedy category with 23 nominations.

The Ron Howard-directed documentary "Jim Henson Idea Man" won four times and "Welcome to Wrexham" won three including best unstructured reality show. "Shark Tank" won best structured reality show. In an awards show crossover, the telecast of the Oscars won four Emmys including best live variety special.

Dick Van Dyke, who turns 99 next month, may have stolen the show when "Dick Van Dyke 98 Years Of Magic" won best pre-recorded variety special.

Van Dyke did a little dance and announced "that hurt" afterward. As the winners were being played off stage, he said, "I’d like to take this opportunity to invite you to my memorial. I don’t have a date yet but I’m not feeling very well."

Van Dyke became the oldest person to get a daytime Emmy when he won in June for appearing on "Days of Our Lives."

The season's top overall nominee, "Shogun," got a win of sorts Saturday when the team that puts together the post-show making of featurette took home an Emmy. The FX series itself is up for 25 Emmys. Seventeen of those will be handed out on Sunday, which focuses on scripted television.

Plenty of big names are also up for Creative Arts Emmys on Sunday, including Oscar winners Jamie Lee Curtis and Da’Vine Joy Randolph and Oscar nominee Ryan Gosling.



Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
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Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File

Singer Rod Stewart, who helped British rock conquer the world with a string of megahits, turns 80 on Friday -- with no plans to slow down.
Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s with hits like "Da Ya Think I'm Sexy?" and "Young Turks", notching up more than 250 million record sales worldwide.
He also made headlines for a prolific love life that included relationships with a string of models and actresses including Britt Ekland.
Despite his landmark birthday, Stewart says he has no plans to retire.
"I love what I do, and I do what I love. I'm fit, have a full head of hair and can run 100 meters (330 feet) in 18 seconds at the jolly old age of 79," he wrote last year.
The star will play the legends slot at the famed Glastonbury music festival this summer.
Although his forthcoming European and North American tour dates will be his last large-scale project, he has said he plans to concentrate on more intimate venues in the future.
He will headline a new residency in Las Vegas from March to June.
A tour is also slated for 2026 for Swing Fever, the album he released last year with pianist and ex-Squeeze band member Jools Holland.
As he has approached his ninth decade, Stewart has also made headlines for quirkier reasons such as his passion for model railways and his battle with potholes that have prevented him from driving his Ferrari near his home in eastern England.
The singer, who was knighted by Queen Elizabeth in 2016, has been married three times and has fathered eight children. His third wife is model and television personality Penny Lancaster.
From London to global star
Stewart's story began in north London on 10 January 1945, when Roderick Stewart was born into a middle-class family.
After a "fantastically happy childhood", he developed a love of music when his father bought him a guitar in 1959, and he formed a skiffle band with school friends a year later.
He joined the band Dimensions in 1963 as a harmonica player, exploring his love of folk, blues and soul music while learning from other artists such as Rolling Stones frontman Mick Jagger in London's blossoming rhythm and blues scene.
Stewart's career took off in 1967 when he joined the renowned guitarist Jeff Beck's eponymous new band, which also included future Rolling Stone Ronnie Wood, allowing him to develop his raw and soulful vocal style and stagecraft while exposing him to a US audience.
He and Wood took up the offer to join mod pioneers Small Faces following the departure of their singer Steve Marriott in 1969 -- the band soon changing its name to The Faces -- shortly before Stewart released his debut solo album.
It was his 1971 third solo release, "Every Picture Tells a Story", that confirmed him as one of the world's most successful artists, reaching number one in Britain, Australia and the United States, where it went platinum.
The album helped define Stewart's rock/folk sound, featuring heartfelt lyrics and heavy use of unusual instruments such as the mandolin, particularly prominent on the album's standout hit "Maggie May".
"I just love stories with a beginning, middle and end," he once said.
'I had the last laugh'
Focusing on his solo career after 1975, Stewart's "Da Ya Think I'm Sexy?" released in 1978 was not to everyone's taste.
"Once the most compassionate presence in music, he has become a bilious self-parody -– and sells more records than ever," Rolling Stone magazine said in 1980.
Never one to be cowed by the critics, Stewart defended this phase, telling an interviewer that audiences "absolutely love it, so I had the last laugh".
Richard Houghton, author of the book "Tell Everyone -- A People's History of the Faces" said that Stewart had "possibly the most distinctive voice in rock music".
The singer had successfully combined writing classic songs of his own such as "Maggie May" or "You Wear It Well" with taking other people's songs -- from Bob Dylan to Tom Waits -- and making them his own .
More recently, there had been four albums of the "classic songs of the 1930s from his Great American Songbook catalogue".
Houghton said audiences could expect to see plenty more of Stewart.
"He's like any entertainer. He loves the spotlight. He's not going to sit at home watching the television when somewhere around the world there's a crowd wanting to hear him sing 'Mandolin Wind' or 'First Cut Is The Deepest' one more time.
"Rod will keep singing until the day he drops," he added.