‘Piano Lesson’ Premiere in Toronto a Family Affair for Denzel 

(L-R) Producer Denzel Washington, Pauletta Washington, executive producer Kate Washington, actress Danielle Deadwyler, director Malcolm Washington and actor John David Washington attend the international premiere of "The Piano Lesson" at the Princess of Wales theatre during the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 10, 2024. (AFP)
(L-R) Producer Denzel Washington, Pauletta Washington, executive producer Kate Washington, actress Danielle Deadwyler, director Malcolm Washington and actor John David Washington attend the international premiere of "The Piano Lesson" at the Princess of Wales theatre during the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 10, 2024. (AFP)
TT

‘Piano Lesson’ Premiere in Toronto a Family Affair for Denzel 

(L-R) Producer Denzel Washington, Pauletta Washington, executive producer Kate Washington, actress Danielle Deadwyler, director Malcolm Washington and actor John David Washington attend the international premiere of "The Piano Lesson" at the Princess of Wales theatre during the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 10, 2024. (AFP)
(L-R) Producer Denzel Washington, Pauletta Washington, executive producer Kate Washington, actress Danielle Deadwyler, director Malcolm Washington and actor John David Washington attend the international premiere of "The Piano Lesson" at the Princess of Wales theatre during the Toronto International Film Festival (TIFF) in Toronto, Ontario, Canada, on September 10, 2024. (AFP)

Denzel Washington and his family celebrated the screening in Toronto of Oscar hopeful "The Piano Lesson," the latest Hollywood adaptation of an August Wilson play in which the entire clan was involved.

Washington's son Malcolm makes his feature directorial debut and elder son John David stars in the movie, which tells the story of a family struggling to make peace with its past and confront the legacy of slavery.

Washington himself is a producer of the film, wife Pauletta and daughter Olivia have small roles, and daughter Katia is an executive producer.

"I'm happy, a proud father," Washington said in a Q&A session after the screening.

For 33-year-old Malcolm, who received a warm ovation at the film's conclusion, "this was such a beautiful time for us all to come together, but it became something much bigger than our own family."

"This is a story of ancestry, of lineage, and dealing with the August Wilson canon at all, you're tying yourself into a much larger lineage there."

"The Piano Lesson," written in 1987 and set in the 1930s, is part of Wilson's so-called "Pittsburgh Cycle," a series of 10 plays that aimed to explore the African American experience in the 20th century.

It debuted at the Telluride festival in Colorado before making its way over the border for a splashy international premiere in Canada's largest city. The film will stream on Netflix on November 22.

At the center of the story is an heirloom piano, hand-carved with images of their ancestors and imbued with the family's difficult history.

John David Washington, 40, plays Boy Willie, who wants to sell the instrument to buy land and get ahead, while sister Berniece (Danielle Deadwyler) insists that they keep it.

The two actors turn in electrifying performances as they duel over the fate of the piano, while confronting issues of race, spirituality and acceptance of the past.

Deadwyler, who many believe was snubbed for an Oscar nomination for her performance in "Till" (2022), is on nearly every expert's shortlist for a best supporting actress nod this time around, according to awards prediction site Gold Derby.

The film is adapted specifically from a recent Broadway revival of Wilson's play, and retains much of the same cast, including Samuel L. Jackson as the de facto patriarch.

Denzel Washington is no stranger to Wilson's work; this is the third of his plays that he has helped bring to the big screen.

The Oscar winner directed and starred in "Fences" (2016), for which Viola Davis won an Academy Award, and then produced "Ma Rainey's Black Bottom," which took home two golden statuettes.

The Toronto International Film Festival runs through Sunday.



‘The Room Next Door’ Tops Venice Film Festival, Nicole Kidman Wins Top Acting Honor

Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
TT

‘The Room Next Door’ Tops Venice Film Festival, Nicole Kidman Wins Top Acting Honor

Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)

“The Room Next Door,” Pedro Almodóvar’s English-language debut starring Julianne Moore and Tilda Swinton, topped the Venice Film Festival and was awarded its Golden Lion award Saturday.

Nicole Kidman was awarded the best actress prize, for her raw and exposing portrayal of a CEO embroiled in an affair with an intern in “Babygirl,” but missed the ceremony due to the death of her mother.

“I arrived in Venice and found out shortly after that my beautiful, brave mother, Janelle Ann Kidman has just passed,” Kidman said in a statement read by “Babygirl” director Halina Reijn. “I'm in shock and I have to go to my family, but this award is for her. ... She shaped me and made me."

The 81st edition of the festival came to a close Saturday, with the Isabelle Huppert-led jury bestowing top prizes to Brady Corbet, for directing the 215-minute post-war epic “The Brutalist” and Vincent Lindon, for his lead performance in “The Quiet Son.” Lindon plays a single father whose son is radicalized by the far right.

Maura Delpero’s “Vermiglio” won the Silver Lion award, the runner up prize. The Italian-French-Belgian drama is about the last year of World War II, in which a refugee soldier happens upon a large family.

Almodóvar's win came after his film, a meditation on friendship and death, received a nearly 20-minute standing ovation. The Spanish filmmaker is a Venice favorite, having premiered many of his films at the festival over the past four decades.

“I would like to dedicate it to my family,” Almodóvar said. “This movie ... it is my first movie in English but the spirit is Spanish.”

Corbert, whose “The Brutalist” is about an architect and a Holocaust survivor rebuilding a life in America, came armed with a written statement to read at the ceremony — something his filmmaker wife had encouraged him to do.

“This is all very overwhelming. ... Brevity has never been my strong suit,” Corbet said. “Thank you for not holding its length against me.”

The Venice Film Festival used its closing film slot to host the world premiere of Kevin Costner’s “Horizon: An American Saga — Chapter 2.” The film played out of competition.

Many of the 21 competition titles were divisive, with passionate supporters and detractors.

“I have good news for you,” Huppert said at the ceremony. “Cinema is in great shape.”

Among the highest profile of the films of the festival in competition were: Todd Phillips’ “Joker: Folie à Deux,” the not-a-musical-musical with Joaquin Phoenix and Lady Gaga and Pablo Larraín’s Maria Callas film “Maria,” starring Angelina Jolie as the famed soprano.

Five years ago, the Venice jury surprised the film world by giving the Golden Lion to “Joker,” which went on to win a best actor Oscar for Phoenix. Last year the top award went to “Poor Things” and the year before, the documentary “All the Beauty and the Bloodshed.”

The Luigi De Laurentiis award for a debut film went to Sarah Friedland’s “Familiar Touch,” about an octogenarian’s transition to life in assisted living as she grapples with her age, her memory and her relationship to her caregivers. Friedland also won the director prize in the horizons section and her star, Kathleen Chalfant, won the actress prize.

Though always a player in the international festival scene, Venice has cemented its reputation as a major launching pad for awards campaigns over the past 12 years. Since 2014, they’ve hosted four best picture winners (“Birdman,” “Spotlight,” “The Shape of Water” and “Nomadland”) and 19 nominees. And buzz is already swirling about possible best actress nominations for Kidman and Jolie, and supporting actress for Gaga, as the fall film season kicks into full gear.

The festival this year marked a return to form with true A-listers back on the Lido to celebrate films both in and out of competition after last year’s strike addled outing. In addition to the names above, George Clooney, Brad Pitt, Michael Keaton, Winona Ryder, Ethan Hawke, Sigourney Weaver were all lending their star power to the event.

And many rose to the occasion with their fashion. Gaga’s Christian Dior gown paired with a vintage lace Philip Treacy headpiece made for a major red-carpet moment. As was Kidman’s body-hugging Schiaparelli, Blanchett’s Armani Privé with strands of pearls cascading down her back, and Jolie with her fur stole.

Rachel Weisz and Daniel Craig also played the power couple, with her in a glittery blue Versace gown and him in a cream Loewe suit. The “Beetlejuice Beetlejuice” cast did also did a spin on the movie’s aesthetic with their wares.