Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
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Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)

Francis Ford Coppola has sued Variety, saying that a July story that said he ran an unprofessional set with impunity and touching and tried to kiss female extras during the production of his film “Megalopolis” was false and libelous.

The suit, which seeks at least $15 million from the entertainment trade publication, was filed in Los Angeles Superior Court on Wednesday, two weeks before the director's long-dreamed-of and self-financed epic is to be released in US theaters.

The suit calls the 85-year-old director of “The Godfather” and “Apocalypse Now” a “creative genius” and says others are “jealous” and therefore tell “knowing and reckless falsehoods.”

It says Variety's “writers and editors, hiding behind supposedly anonymous sources, accused Coppola of manifest incompetence as a motion picture director, of unprofessional behavior on the set of his most recent production, Megalopolis, of setting up some type of scheme so that anyone on the set who had a complaint of harassment or otherwise had nowhere to lodge a complaint, and of hugging topless actresses on the set. Each of these accusations was false.”

The lawsuit also names the story's reporters, Brent Lang and Tatiana Siegel, as defendants.

It repeatedly says Variety was either knowingly publicizing falsehoods or showing reckless disregard for the truth, echoing a standard for libel established by the US Supreme Court.

A Variety spokesperson, Jeffrey Schneider, told The Associated Press, “While we will not comment on active litigation, we stand by our reporters.”

Coppola said in a statement Thursday that nothing in his career compares to the difficult yet triumphant efforts to make “Megalopolis.”

“It was a collaboration of hundreds of artists, from extras to box office stars, to whom I consistently displayed the utmost respect and my deepest gratitude,” Coppola said. “To see our collective efforts tainted by false, reckless and irresponsible reporting is devastating.”

The July 26 story used anonymous reports and videos from crew members of the shooting for “Megalopolis” of a nightclub scene in an Atlanta concert hall in February, 2023. The story said Coppola tried to kiss young female extras and “appeared to act with impunity” on the set. It said the film's financial arrangements meant “there were none of the traditional checks and balances in place.”

In one video, Coppola, wearing a white suit, walks through a dancing crowd, stopping to apparently lean into several young women to hug them, kiss them on the cheek or whisper to them. Another video shows him leaning into a woman who pulls away and shakes her head.

All of the women have tops on, and the Variety story mentions “topless” extras only in reference to an original report on the allegations in the Guardian.

In a subsequent story about a week later, which is mentioned only parenthetically in Coppola's lawsuit, one of the women, Lauren Pagone, spoke to Variety and agreed to be identified, saying Coppola left her “in shock” when he touched, hugged and kissed her without her consent.

Pagone said she came forward because another of the extras, Rayna Menz, said in Variety's sister publication Deadline that Coppola did nothing to make her or anyone else on the set uncomfortable.

Pagone also filed a lawsuit Monday against Coppola in Georgia, alleging that her treatment on the set amounted to civil assault and civil battery.

Asked for a specific response to that lawsuit, a Coppola representative said there would be no immediate comment beyond the director's broader statement.

The AP does not typically name people who say they have been sexually abused unless they come forward publicly as Pagone has.

Asked about the touching and kissing allegations by The AP before the lawsuit was filed, Coppola said, “I don’t even want to (talk about it). It’s a waste of time.”

Later in the same interview, without being asked about the subject again, Coppola said, “I’m very respectful of women. I always have been. My mother taught me — she was a little nuts — she said, ‘Francis if you ever make a pass at a girl, that means you disrespect her.’ So I never did.”

The lawsuit takes particular issue with an assertion in the Variety story that Coppola inadvertently got into a shot and ruined it. The suit says Coppola was well aware that some camera angles would include him, and that he was supposed to appear in the scene anyway.

“The average reader would understand that Coppola was so aged and infirm that he no longer knew how to direct a motion picture,” the suit says.

“Megalopolis” is a Roman epic set in a futuristic New York starring Adam Driver and Nathalie Emmanuel. Coppola sold off pieces of his considerable wine empire to largely finance it himself.



‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.


Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)
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Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)

There are giants, and then there is Donna Summer. The Queen of Disco and then some, known for such timeless tunes as “Love to Love You Baby,” “I Feel Love,” “Bad Girls,” “Dim All the Lights,” “On the Radio” and “She Works Hard for the Money,” has been posthumously inducted into the Songwriters Hall of Fame, the hall said.

Summer, who died in 2012 at age 63, was welcomed into the Songwriters Hall on Monday at a ceremony at The Butterfly Room at Cecconi’s in Los Angeles. It was led by Academy Award-winning songwriter Paul Williams. Summer's husband, Bruce Sudano and their daughters Brooklyn Sudano and Amanda Sudano Ramirez were in attendance.

“Donna Summer is not only one of the defining voices and performers of the 20th century; she is one of the great songwriters of all time who changed the course of music,” said Williams in a statement. “She wrote timeless and transcendent songs that continue to captivate our souls and imaginations, inspiring the world to dance and, above all, feel love.”

Summer's smooth blend of R&B, soul, pop, funk, rock, disco and electronica launched numerous chart-topping hits in the ‘70s and ’80s as well as three multiplatinum albums. She won five Grammys. She was unstoppable — both as a performer and a writer.

“It’s important to me because I know how important it was for Donna,” said Sudano in a press release. “The backstory is, with all the accolades that she received over her career, being respected as a songwriter was always the thing that she felt was overlooked. So, for her to be accepted into the Songwriters Hall of Fame I know that she’s very happy ... somewhere.”

The Songwriters Hall of Fame was established in 1969. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

The annual Songwriters Hall of Fame gala does not usually include posthumous inductions; those are reserved for separate events.

Songwriter Pete Bellotte — known for his work with Summer on “Hot Stuff,” “I Feel Love” and “Love To Love You Baby” — is a current nominee for the 2026 Songwriters Hall of Fame class. “Love To Love You Baby” was co-written with Summer and producer Giorgio Moroder. One of Summer's best-known hits, the song has been sampled many times, including in tracks by Beyoncé, LL Cool J and Timbaland.

The 2026 inductees will be announced in early 2026.