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‘Shogun,’ ‘The Bear’ and ‘Baby Reindeer’ Are at the Top of the Queue as the Emmys Arrive

This image released by FX shows Hiroyuki Sanada in a scene from "Shogun." (Katie Yu/FX via AP)
This image released by FX shows Hiroyuki Sanada in a scene from "Shogun." (Katie Yu/FX via AP)
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‘Shogun,’ ‘The Bear’ and ‘Baby Reindeer’ Are at the Top of the Queue as the Emmys Arrive

This image released by FX shows Hiroyuki Sanada in a scene from "Shogun." (Katie Yu/FX via AP)
This image released by FX shows Hiroyuki Sanada in a scene from "Shogun." (Katie Yu/FX via AP)

“Shogun” could be in for an epic night, “The Bear” could clean up for the second time in less than a year, and “Baby Reindeer” has gone from dark horse to contender as the 76th Primetime Emmy Awards arrive on Sunday.

Back in their traditional mid-September spot after a single strike-delayed edition in January, the Emmys will air live on ABC from the Peacock Theater in downtown Los Angeles. The father and son duo of Eugene and Dan Levy, the winning stars of the 2020 Emmys with their show “Schitt's Creek,” will host.

Here's a look at the how the evening could play out across the major categories.

How to watch and stream the Emmys

The show begins at 8 p.m. Eastern and is being shown live on ABC, which is available with an antenna or through cable and satellite providers.

The Emmys can be also streamed live through live TV streaming services that include ABC in their lineup, like Hulu+ Live TV, YouTube TV and FuboTV. For those without a live TV streaming service, the show will be streaming Monday on Hulu.

Who's nominated for drama series at the Emmys

It may be impossible to slow the roll of “Shogun.”

With its 14 wins at the precursor Creative Arts Emmy Awards last weekend, the FX series about lordly politicking in feudal Japan has already set a record for most Emmys for a single season of a series.

On Sunday night it can extend its record by six, and industry prognosticators are predicting it will get them all.

The show seized all the Emmy power in the top categories by shifting from the limited series to the drama category in May when it began developing more seasons. And it was in some ways Emmy royalty from the start. During the golden age of the miniseries, the original 1980 “Shogun,” based on James Clavell's historical novel, won three including best limited series.

If it faces any competition at all for the best drama prize, it could come for the sixth and final season of “The Crown,” the only show among the nominees that has won before in a category recently dominated by the retired “Succession.”

Veteran screen star Hiroyuki Sanada, up for best actor, and Anna Sawai, up for best actress, are in position to become the first Japanese actors to win Emmys.

Sanada could face a challenge from Gary Oldman, who has been quietly creating one of his career defining roles on Apple TV+ as schlubby spy chief Jackson Lamb on “Slow Horses.”

Sawai's competition comes from Emmy luminary Jennifer Aniston of “The Morning Show,” who has only won once before in 10 nominations. Imelda Staunton could win her first for playing Queen Elizabeth II on “The Crown.”

The comedy landscape at the Emmys

This looks to be the year of FX, which is also in for a likely victory lap for “The Bear."

“The Bear” took most of the big comedy Emmys home in January for its first season, and is expected to do the same Sunday for its second, which includes nominations for best comedy series, best actor for Jeremy Allen White and best supporting actor for Ebon Moss-Bachrach.

Ayo Edebiri, reigning best supporting actress, moves to the lead actress category for a character who is essentially a co-lead on the culinary dramedy. That means she'll be up against Jean Smart, a two-time winner in the category for “Hacks” who is back in the competition after a year off.

Meryl Streep, among several Academy Award winners among the night's nominees, could win her fourth Emmy to go with her three Oscars. She's up for best supporting actress in a comedy for “Only Murders in the Building.”

Limited series categories at the Emmys

Another multiple Oscar winner, Jodie Foster, could get her first Emmy for best actress in a limited series for “True Detective: Night Country.”

The HBO show that features Foster as a police chief investigating mysterious deaths in the darkness of a north Alaskan winter was the top nominee among limited or anthology series. Kali Reis could become the first Indigenous woman to win an Emmy in the supporting actress category.

A few months ago it looked as though the show would vie with “Fargo” for the top prizes, but Netflix's darkly quirky “Baby Reindeer” surged on the eve of nominations and is now the popular pick for best limited series, best actor for creator and star Richard Gadd and best supporting actress for the woman who plays his tormentor, Jessica Gunning.

Gadd's category also includes Andrew Scott for Netflix's “Ripley," and Jon Hamm, who has two shots at winning his second Emmy between his nomination here for “Fargo” and for supporting actor in a drama for “The Morning Show.”

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Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
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Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)

Francis Ford Coppola has sued Variety, saying that a July story that said he ran an unprofessional set with impunity and touching and tried to kiss female extras during the production of his film “Megalopolis” was false and libelous.

The suit, which seeks at least $15 million from the entertainment trade publication, was filed in Los Angeles Superior Court on Wednesday, two weeks before the director's long-dreamed-of and self-financed epic is to be released in US theaters.

The suit calls the 85-year-old director of “The Godfather” and “Apocalypse Now” a “creative genius” and says others are “jealous” and therefore tell “knowing and reckless falsehoods.”

It says Variety's “writers and editors, hiding behind supposedly anonymous sources, accused Coppola of manifest incompetence as a motion picture director, of unprofessional behavior on the set of his most recent production, Megalopolis, of setting up some type of scheme so that anyone on the set who had a complaint of harassment or otherwise had nowhere to lodge a complaint, and of hugging topless actresses on the set. Each of these accusations was false.”

The lawsuit also names the story's reporters, Brent Lang and Tatiana Siegel, as defendants.

It repeatedly says Variety was either knowingly publicizing falsehoods or showing reckless disregard for the truth, echoing a standard for libel established by the US Supreme Court.

A Variety spokesperson, Jeffrey Schneider, told The Associated Press, “While we will not comment on active litigation, we stand by our reporters.”

Coppola said in a statement Thursday that nothing in his career compares to the difficult yet triumphant efforts to make “Megalopolis.”

“It was a collaboration of hundreds of artists, from extras to box office stars, to whom I consistently displayed the utmost respect and my deepest gratitude,” Coppola said. “To see our collective efforts tainted by false, reckless and irresponsible reporting is devastating.”

The July 26 story used anonymous reports and videos from crew members of the shooting for “Megalopolis” of a nightclub scene in an Atlanta concert hall in February, 2023. The story said Coppola tried to kiss young female extras and “appeared to act with impunity” on the set. It said the film's financial arrangements meant “there were none of the traditional checks and balances in place.”

In one video, Coppola, wearing a white suit, walks through a dancing crowd, stopping to apparently lean into several young women to hug them, kiss them on the cheek or whisper to them. Another video shows him leaning into a woman who pulls away and shakes her head.

All of the women have tops on, and the Variety story mentions “topless” extras only in reference to an original report on the allegations in the Guardian.

In a subsequent story about a week later, which is mentioned only parenthetically in Coppola's lawsuit, one of the women, Lauren Pagone, spoke to Variety and agreed to be identified, saying Coppola left her “in shock” when he touched, hugged and kissed her without her consent.

Pagone said she came forward because another of the extras, Rayna Menz, said in Variety's sister publication Deadline that Coppola did nothing to make her or anyone else on the set uncomfortable.

Pagone also filed a lawsuit Monday against Coppola in Georgia, alleging that her treatment on the set amounted to civil assault and civil battery.

Asked for a specific response to that lawsuit, a Coppola representative said there would be no immediate comment beyond the director's broader statement.

The AP does not typically name people who say they have been sexually abused unless they come forward publicly as Pagone has.

Asked about the touching and kissing allegations by The AP before the lawsuit was filed, Coppola said, “I don’t even want to (talk about it). It’s a waste of time.”

Later in the same interview, without being asked about the subject again, Coppola said, “I’m very respectful of women. I always have been. My mother taught me — she was a little nuts — she said, ‘Francis if you ever make a pass at a girl, that means you disrespect her.’ So I never did.”

The lawsuit takes particular issue with an assertion in the Variety story that Coppola inadvertently got into a shot and ruined it. The suit says Coppola was well aware that some camera angles would include him, and that he was supposed to appear in the scene anyway.

“The average reader would understand that Coppola was so aged and infirm that he no longer knew how to direct a motion picture,” the suit says.

“Megalopolis” is a Roman epic set in a futuristic New York starring Adam Driver and Nathalie Emmanuel. Coppola sold off pieces of his considerable wine empire to largely finance it himself.