Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
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Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)

Miami Beach residents and visitors can feel it coming in the air tonight — and the rest of the weekend — as “Miami Vice” cast and crew gather to celebrate the iconic television series’ 40th anniversary.

The show premiered on NBC on Sept. 16, 1984, and ran for five seasons. The “cocaine cowboy”-era crime drama, featuring Don Johnson and Philip Michael Thomas as undercover cops, was revolutionary in its use of pop culture, style and music and spawned a film reboot in 2006. And by filming the show primarily in South Florida, the series helped transform the image of Miami and Miami Beach in a way that would reverberate for decades.

Former cast members, including Edward James Olmos and Michael Madsen, met with fans Friday at the Royal Palm South Beach and were set to return Saturday. Also attending were Saundra Santiago, Olivia Brown, Bruce McGill, Joaquim De Almeida, Bill Smitrovich, Pepe Serna and Ismael East Carlo.

“It was not ‘Hill Street Blues.’ It was not ‘Police Story,’” Olmos said on Friday. “It was way different in artistic endeavor on all levels. The creativity, as far as music, writing, production value. The production value was so overwhelming. We spared nothing. I mean, these people were serious, and they spent a lot of time and money for each episode, and it shows.”

Olmos said that the show had a profound effect on introducing Miami to the world and creating an idealized version of South Beach that would later become a reality.

“When we were here, when we started the show in 1984, there was no South Beach,” Olmos said. “There was a South Beach, but it was dilapidated. The buildings were all literally falling into disrepair.”

Years before serious restoration efforts would transform South Beach into a center of fashion, music and tourism, Olmos said productions crews were painting the exteriors of the neighborhood’s historic Art Deco buildings themselves to make them look good on camera.

“We would paint the facades and put out tables, and we did what now became the reality of South Beach,” Olmos said.

While most television production was still being done in Los Angeles or New York in the 1980s, Olmos doubts the show would have been as successful if they had tried to fake South Florida in California.

“They could have never shot this anywhere else in the world,” Olmos said. “Look at the show from the very first episode, and as it went on, the beauty of Miami is unprecedented.”

Premiering just a few years after the launch of MTV, “Miami Vice” embraced contemporary style and music. Besides Jan Hammer’s original scoring, the producers regularly included songs from popular artists like Glenn Frey, Don Henley, Dire Straits and Foreigner.

Fred Lyle, an associate producer and music coordinator for “Miami Vice,” said the importance of music was evident from the first episode, as “In the Air Tonight” by Phil Collins plays while Johnson and Thomas cruise the streets of Miami in their Ferrari convertible.

“And that’s when ‘Miami Vice’ became different musically than anything else,” Lyle said. “Music was going over this scene, that scene. One song was helping to stitch the fabric of the narrative together.”

Aside from the show’s style, the stories and characters also had substance. Veteran television actor Bruce McGill has played countless cops, coaches and other authority figures over several decades, but he said his guest role as a burnt-out former detective in the second season of “Miami Vice” stands out compared to the straight-laced characters that comprise most of his career.

“It was a very good part that they allowed me to make better, to enhance, to ham it up a little,” McGill said. “And it was very satisfying.”

“Miami Vice” fan Matt Lechliter, 39, traveled all the way to Miami Beach from Oxnard, California, to celebrate the show’s anniversary.

“I wasn’t alive when it premiered, but it’s a part of me,” Lechliter said.

Lechliter said he remembers watching the later seasons and reruns with his parents as a child but really became a fan when he rediscovered the show about five years ago.

“I binge-watched it,” Lechliter said. “I was like, ‘Wow, this really is amazing.’ When I heard about this event, I said, ‘I’ve gotta go.’”

The anniversary celebration will continue through the weekend with career discussions, as well as bus and walking tours of filming locations.

The Miami Vice Museum is open to the public from Friday to Sunday, featuring a wide range of items never before displayed together since the show’s conclusion in 1989. The exhibit is being hosted at the Wilzig Erotic Art Museum.

And to kick off the celebration on Thursday, Miami Beach Mayor Steven Meiner met with cast and crew at the Avalon Hotel in South Beach to present a proclamation declaring Sept. 16, 2024, as “Miami Vice Day.”



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.