Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
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Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)

Miami Beach residents and visitors can feel it coming in the air tonight — and the rest of the weekend — as “Miami Vice” cast and crew gather to celebrate the iconic television series’ 40th anniversary.

The show premiered on NBC on Sept. 16, 1984, and ran for five seasons. The “cocaine cowboy”-era crime drama, featuring Don Johnson and Philip Michael Thomas as undercover cops, was revolutionary in its use of pop culture, style and music and spawned a film reboot in 2006. And by filming the show primarily in South Florida, the series helped transform the image of Miami and Miami Beach in a way that would reverberate for decades.

Former cast members, including Edward James Olmos and Michael Madsen, met with fans Friday at the Royal Palm South Beach and were set to return Saturday. Also attending were Saundra Santiago, Olivia Brown, Bruce McGill, Joaquim De Almeida, Bill Smitrovich, Pepe Serna and Ismael East Carlo.

“It was not ‘Hill Street Blues.’ It was not ‘Police Story,’” Olmos said on Friday. “It was way different in artistic endeavor on all levels. The creativity, as far as music, writing, production value. The production value was so overwhelming. We spared nothing. I mean, these people were serious, and they spent a lot of time and money for each episode, and it shows.”

Olmos said that the show had a profound effect on introducing Miami to the world and creating an idealized version of South Beach that would later become a reality.

“When we were here, when we started the show in 1984, there was no South Beach,” Olmos said. “There was a South Beach, but it was dilapidated. The buildings were all literally falling into disrepair.”

Years before serious restoration efforts would transform South Beach into a center of fashion, music and tourism, Olmos said productions crews were painting the exteriors of the neighborhood’s historic Art Deco buildings themselves to make them look good on camera.

“We would paint the facades and put out tables, and we did what now became the reality of South Beach,” Olmos said.

While most television production was still being done in Los Angeles or New York in the 1980s, Olmos doubts the show would have been as successful if they had tried to fake South Florida in California.

“They could have never shot this anywhere else in the world,” Olmos said. “Look at the show from the very first episode, and as it went on, the beauty of Miami is unprecedented.”

Premiering just a few years after the launch of MTV, “Miami Vice” embraced contemporary style and music. Besides Jan Hammer’s original scoring, the producers regularly included songs from popular artists like Glenn Frey, Don Henley, Dire Straits and Foreigner.

Fred Lyle, an associate producer and music coordinator for “Miami Vice,” said the importance of music was evident from the first episode, as “In the Air Tonight” by Phil Collins plays while Johnson and Thomas cruise the streets of Miami in their Ferrari convertible.

“And that’s when ‘Miami Vice’ became different musically than anything else,” Lyle said. “Music was going over this scene, that scene. One song was helping to stitch the fabric of the narrative together.”

Aside from the show’s style, the stories and characters also had substance. Veteran television actor Bruce McGill has played countless cops, coaches and other authority figures over several decades, but he said his guest role as a burnt-out former detective in the second season of “Miami Vice” stands out compared to the straight-laced characters that comprise most of his career.

“It was a very good part that they allowed me to make better, to enhance, to ham it up a little,” McGill said. “And it was very satisfying.”

“Miami Vice” fan Matt Lechliter, 39, traveled all the way to Miami Beach from Oxnard, California, to celebrate the show’s anniversary.

“I wasn’t alive when it premiered, but it’s a part of me,” Lechliter said.

Lechliter said he remembers watching the later seasons and reruns with his parents as a child but really became a fan when he rediscovered the show about five years ago.

“I binge-watched it,” Lechliter said. “I was like, ‘Wow, this really is amazing.’ When I heard about this event, I said, ‘I’ve gotta go.’”

The anniversary celebration will continue through the weekend with career discussions, as well as bus and walking tours of filming locations.

The Miami Vice Museum is open to the public from Friday to Sunday, featuring a wide range of items never before displayed together since the show’s conclusion in 1989. The exhibit is being hosted at the Wilzig Erotic Art Museum.

And to kick off the celebration on Thursday, Miami Beach Mayor Steven Meiner met with cast and crew at the Avalon Hotel in South Beach to present a proclamation declaring Sept. 16, 2024, as “Miami Vice Day.”



‘Mercy’ Debuts Atop N.America Box Office, Dislodging ‘Avatar’

Chris Pratt attends the "Mercy" New York Premiere at AMC Lincoln Square Theater on January 20, 2026 in New York City. (Getty Images/AFP)
Chris Pratt attends the "Mercy" New York Premiere at AMC Lincoln Square Theater on January 20, 2026 in New York City. (Getty Images/AFP)
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‘Mercy’ Debuts Atop N.America Box Office, Dislodging ‘Avatar’

Chris Pratt attends the "Mercy" New York Premiere at AMC Lincoln Square Theater on January 20, 2026 in New York City. (Getty Images/AFP)
Chris Pratt attends the "Mercy" New York Premiere at AMC Lincoln Square Theater on January 20, 2026 in New York City. (Getty Images/AFP)

Sci-fi thriller "Mercy" starring Chris Pratt debuted atop the North American box office with $11 million in ticket sales, ending the five-week reign of "Avatar: Fire and Ash," industry estimates showed Sunday.

Pratt plays a man on trial for murdering his wife in the Amazon MGM Studios film, with his fate in the hands of an artificial intelligence judge.

The brutal winter storm hitting a large swath of the United States cut into the weekend totals, according to David A. Gross of Franchise Entertainment Research.

"Considering the extreme weather that's closing theaters across two-thirds of the US and keeping people home, it's a very good opening," Gross said of "Mercy."

"The final numbers may be lower on Monday after we see the effects of the cold and snow."

"Avatar: Fire and Ash," the third installment in James Cameron's blockbuster fantasy series, came in second in the United States and Canada with another $7 million, Exhibitor Relations said.

That puts its domestic box office haul at $378.5 million, with an additional $1 billion overseas, according to Box Office Mojo.

Disney's Oscar-nominated animated film "Zootopia 2" churned along, remaining in third place at $5.7 million and crossing the $400 million mark in the US and Canada.

In fourth place at $4.2 million was Lionsgate's "The Housemaid," an adaptation of Freida McFadden's best-selling novel about a young woman who is hired by a wealthy couple with dark secrets.

In fifth place was "28 Years Later: The Bone Temple," the fourth installment in the zombie horror series, at $3.6 million.


First Lady Melania Trump Previews New Film at Private White House Screening

Movie posters for the documentary "Melania" featuring US first lady Melania Trump are displayed in a New York City subway station, in New York, US, January 14, 2026. (Reuters)
Movie posters for the documentary "Melania" featuring US first lady Melania Trump are displayed in a New York City subway station, in New York, US, January 14, 2026. (Reuters)
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First Lady Melania Trump Previews New Film at Private White House Screening

Movie posters for the documentary "Melania" featuring US first lady Melania Trump are displayed in a New York City subway station, in New York, US, January 14, 2026. (Reuters)
Movie posters for the documentary "Melania" featuring US first lady Melania Trump are displayed in a New York City subway station, in New York, US, January 14, 2026. (Reuters)

First lady Melania Trump hosted a private White House screening on Saturday of a new film documenting her life in the 20 days leading up to President Donald Trump’s second inauguration, the White House said.

The movie, "Melania," is set for a global release on January 30. Saturday's showing was the first time the president, her family and close friends saw the film in full, said Marc Beckman, the first lady’s outside adviser and agent.

The film offers rare ‌behind-the-scenes access to ‌the first lady, who has kept a low ‌public ⁠profile during her ‌husband’s second term. The trailer opens on Inauguration Day in January 2025, showing her donning a navy wide-brimmed hat for the ceremony at the US Capitol. It also depicts her role as an adviser to the president, including a moment in which she encourages him to emphasize “peacemaker and unifier” in his inaugural address.

Saturday's East Room screening followed the president's tariff threat to Canada, defense of federal agents ⁠after a fatal shooting in Minnesota, and preparation for a winter storm barreling through the southern US.

About ‌70 people across the cultural spectrum attended, including ‍former professional boxer Mike Tyson, a person familiar ‍with the event said.

Other attendees included Amazon's CEO Andy Jassy, Amazon MGM Studios head Mike Hopkins, and film director Brett Ratner, as well as Larry Culp, the CEO of General Electric.

Beckman, who produced the film, oversaw the $40 million movie deal with Amazon MGM Studios, plus a follow-up documentary series set for release later this year focusing on some of Melania Trump's priorities, including ⁠children in foster care.

"This is not a political film at all," Beckman said in an interview this week, adding that the first lady spearheaded the film's creative direction.

The movie highlights her fashion choices, diplomatic engagements and the operations surrounding her Secret Service protection. Beckman said viewers also will see moments that capture the president's sense of humor.

Ahead of the public theatrical release of the film next week, the president and first lady will attend a premiere on Thursday at the John F. Kennedy Center for the Performing Arts, renamed the Trump-Kennedy Center by the Trump-appointed board of directors.

The first lady is also ‌scheduled to ring the opening bell at the New York Stock Exchange on Wednesday to promote the film.


Robert Redford Remembered for His Mentorship of New Filmmakers at Sundance Gala

(FILES) Photo taken in May 1972 shows US actor Robert Redford (L) and director Sydney Pollack during the International Film Festival in Cannes. (Photo by AFP)
(FILES) Photo taken in May 1972 shows US actor Robert Redford (L) and director Sydney Pollack during the International Film Festival in Cannes. (Photo by AFP)
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Robert Redford Remembered for His Mentorship of New Filmmakers at Sundance Gala

(FILES) Photo taken in May 1972 shows US actor Robert Redford (L) and director Sydney Pollack during the International Film Festival in Cannes. (Photo by AFP)
(FILES) Photo taken in May 1972 shows US actor Robert Redford (L) and director Sydney Pollack during the International Film Festival in Cannes. (Photo by AFP)

Filmmakers and actors whose careers were shaped by Robert Redford and the Sundance Institute he founded reflected on his legacy as the godfather of independent cinema at a star-studded gala Friday night during the first Sundance Film Festival since his death.

The 2026 festival — its last in Utah, before relocating to Boulder, Colorado — is a love letter to the haven Redford established in the state decades ago for stories that didn't fit into the mainstream.

Even as the festival heads to its new home, the piece of Redford's legacy that his daughter said meant the most to him will remain in Utah: the institute's lab programs for writers and directors, The Associated Press said.

“When my dad could have created an empire, he created a nest,” said his daughter, Amy Redford. “The Sundance Institute was designed to support and protect and nourish and then set free.”

She said there was no place her father would rather be than sitting with a new filmmaker at the Sundance Mountain Resort he founded, about 34 miles (54 kilometers) south of Park City.

Generations of filmmakers credit Redford for their success

The labs, which started in 1981, bring emerging storytellers to the rustic resort in northern Utah to nurture their talents under expert guidance and away from the hustle and bustle of Hollywood. Three of the five best director nominees at this year's Academy Awards — Paul Thomas Anderson, Chloé Zhao and Ryan Coogler — came up through the labs.

Zhao, whose film “Hamnet” was nominated this week for eight Oscars, credited the screenwriting lab with jump-starting her career in 2012. Under the mentorship of Redford and program director Michelle Satter, she said she learned to trust her own vision and gained an invaluable community of creatives.

Other former participants, including director Nia DaCosta, shared memories of Redford riding his motorcycle on peaceful wooded paths and stopping to talk to them about their projects. He insisted each of them call him by his nickname, Bob.

“I remember once seeing him walk some of the other fellows from the directors lab, and he just looked so full of love and pride for us, for what he built,” DaCosta said. “And it was just very clear to me in that moment the depth to which he cared about this place and all of us.”

Sundance Film Festival regular Ethan Hawke recounted his first audition in front of Redford for the 1992 period drama “A River Runs Through It.” After forgoing sleep to prepare a lengthy monologue, Hawke said Redford pulled him aside to say he was too young for the part but would undoubtedly have a wonderful career.

Redford was an early champion of Hawke's work and became one of his greatest mentors. Hawke pledged Friday to “keep the fire that he started burning in ourselves" and share it with others.

‘Imagination is worth protecting’ Screenings at this year's festival were preceded by a short video tribute to Redford, which was repeatedly met with thunderous applause. Many volunteers wore buttons that read “Thank you Bob!”

Later in the festival will be a screening of his first truly independent film, the 1969 sports drama “Downhill Racer.”

Filmmaker Ava DuVernay's first taste of Sundance was as a publicist for other artists at the festival. In 2012, she got her own big break at Sundance with “Middle of Nowhere.” She later spent several years as a Sundance trustee and grew close to Redford, though she said she never felt quite right calling him Bob.

“Mr. Redford didn’t just establish a festival. He modeled a way to be, a way that matters, a way that says artists matter, that imagination is worth protecting,” DuVernay said. “The door that he built is still open, and it’s up to us to walk through and to maybe even build our own.”

For the first and likely the only time, she then said, "Thank you, Bob.”