Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
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Actors and Fans Celebrate the ‘Miami Vice’ Television Series’ 40th Anniversary in Miami Beach

Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)
Ismael “East” Carlo, Joaquim de Almeida, Bill Smitrovich, guest, Edward James Olmos and Olivia Brown attend Miami Vice 40th Anniversary Reunion Opening Night Reception on September 12, 2024 in Miami Beach, Florida. (Getty Images/AFP)

Miami Beach residents and visitors can feel it coming in the air tonight — and the rest of the weekend — as “Miami Vice” cast and crew gather to celebrate the iconic television series’ 40th anniversary.

The show premiered on NBC on Sept. 16, 1984, and ran for five seasons. The “cocaine cowboy”-era crime drama, featuring Don Johnson and Philip Michael Thomas as undercover cops, was revolutionary in its use of pop culture, style and music and spawned a film reboot in 2006. And by filming the show primarily in South Florida, the series helped transform the image of Miami and Miami Beach in a way that would reverberate for decades.

Former cast members, including Edward James Olmos and Michael Madsen, met with fans Friday at the Royal Palm South Beach and were set to return Saturday. Also attending were Saundra Santiago, Olivia Brown, Bruce McGill, Joaquim De Almeida, Bill Smitrovich, Pepe Serna and Ismael East Carlo.

“It was not ‘Hill Street Blues.’ It was not ‘Police Story,’” Olmos said on Friday. “It was way different in artistic endeavor on all levels. The creativity, as far as music, writing, production value. The production value was so overwhelming. We spared nothing. I mean, these people were serious, and they spent a lot of time and money for each episode, and it shows.”

Olmos said that the show had a profound effect on introducing Miami to the world and creating an idealized version of South Beach that would later become a reality.

“When we were here, when we started the show in 1984, there was no South Beach,” Olmos said. “There was a South Beach, but it was dilapidated. The buildings were all literally falling into disrepair.”

Years before serious restoration efforts would transform South Beach into a center of fashion, music and tourism, Olmos said productions crews were painting the exteriors of the neighborhood’s historic Art Deco buildings themselves to make them look good on camera.

“We would paint the facades and put out tables, and we did what now became the reality of South Beach,” Olmos said.

While most television production was still being done in Los Angeles or New York in the 1980s, Olmos doubts the show would have been as successful if they had tried to fake South Florida in California.

“They could have never shot this anywhere else in the world,” Olmos said. “Look at the show from the very first episode, and as it went on, the beauty of Miami is unprecedented.”

Premiering just a few years after the launch of MTV, “Miami Vice” embraced contemporary style and music. Besides Jan Hammer’s original scoring, the producers regularly included songs from popular artists like Glenn Frey, Don Henley, Dire Straits and Foreigner.

Fred Lyle, an associate producer and music coordinator for “Miami Vice,” said the importance of music was evident from the first episode, as “In the Air Tonight” by Phil Collins plays while Johnson and Thomas cruise the streets of Miami in their Ferrari convertible.

“And that’s when ‘Miami Vice’ became different musically than anything else,” Lyle said. “Music was going over this scene, that scene. One song was helping to stitch the fabric of the narrative together.”

Aside from the show’s style, the stories and characters also had substance. Veteran television actor Bruce McGill has played countless cops, coaches and other authority figures over several decades, but he said his guest role as a burnt-out former detective in the second season of “Miami Vice” stands out compared to the straight-laced characters that comprise most of his career.

“It was a very good part that they allowed me to make better, to enhance, to ham it up a little,” McGill said. “And it was very satisfying.”

“Miami Vice” fan Matt Lechliter, 39, traveled all the way to Miami Beach from Oxnard, California, to celebrate the show’s anniversary.

“I wasn’t alive when it premiered, but it’s a part of me,” Lechliter said.

Lechliter said he remembers watching the later seasons and reruns with his parents as a child but really became a fan when he rediscovered the show about five years ago.

“I binge-watched it,” Lechliter said. “I was like, ‘Wow, this really is amazing.’ When I heard about this event, I said, ‘I’ve gotta go.’”

The anniversary celebration will continue through the weekend with career discussions, as well as bus and walking tours of filming locations.

The Miami Vice Museum is open to the public from Friday to Sunday, featuring a wide range of items never before displayed together since the show’s conclusion in 1989. The exhibit is being hosted at the Wilzig Erotic Art Museum.

And to kick off the celebration on Thursday, Miami Beach Mayor Steven Meiner met with cast and crew at the Avalon Hotel in South Beach to present a proclamation declaring Sept. 16, 2024, as “Miami Vice Day.”



Q&A: Lily Collins Is ‘Emily in Paris,’ Rome and Barcelona 

British-US actress Lily Collins poses during the photocall of the presentation of the Netflix series "Emily in Paris" season four in Paris, France, 12 September 2024. (EPA)
British-US actress Lily Collins poses during the photocall of the presentation of the Netflix series "Emily in Paris" season four in Paris, France, 12 September 2024. (EPA)
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Q&A: Lily Collins Is ‘Emily in Paris,’ Rome and Barcelona 

British-US actress Lily Collins poses during the photocall of the presentation of the Netflix series "Emily in Paris" season four in Paris, France, 12 September 2024. (EPA)
British-US actress Lily Collins poses during the photocall of the presentation of the Netflix series "Emily in Paris" season four in Paris, France, 12 September 2024. (EPA)

First Paris, now Rome and next Barcelona — Lily Collins is taking on two more European cities.

As the star and producer of “Emily in Paris,” she’s been playing the unlucky-in-love marketing executive, breaking hearts (including her own) in France for the past three seasons of the Netflix show.

That changes in part two of the fourth season when, in her usual dramatic fashion, Emily heads to Italy. The cast, including Philippine Leroy-Beaulieu, Lucas Bravo, Ashley Park and Camille Razat, were all in Rome this week to premiere the new episodes releasing Thursday. Getting away from Paris is something there might be more of in future seasons, as writer and creator Darren Star says he’s happy to take this show on the road.

Although he rules out changing the title.

“No, it’s ‘Emily in Paris,’” says Star. “But Emily can have experiences in other cities and I think Rome is a part of the show now. It really is.”

Barcelona comes into play this October when Collins makes her West End debut opposite Álvaro Morte of “Money Heist” in a stage thriller named after the Spanish city.

Luckily, filming “Emily in Paris” in public places has helped give the actor the boost to become a leading lady on the stage.

“It did give me a bit more confidence, an understanding of performing in front of a large crowd this year,” Collins says. “It just ironically happened to be the year that I would then be doing theater right after.”

In a recent interview with The Associated Press in Rome, Collins explains why it’s the right time for her London stage debut and how filming in Rome allowed her to channel Audrey Hepburn’s on-screen Italian adventure in “Roman Holiday.” It has been edited for brevity and clarity.

AP: Would you ever play Audrey Hepburn?

COLLINS: Yes. I mean, I love her. There is no ever replicating her, but she is someone that I’ve grown up admiring.

AP: There were two distinct nods to her (in part two) — “Roman Holiday” and “Charade” — did I miss anything?

COLLINS: No, I think those were (the) two. “Roman Holiday” — there’s an essence of her the whole time. Because if you’re here — how can you not, you know?

AP: What was it like filming those scenes around Rome with the Vespa...

COLLINS: Stunning.

AP: I imagine you had to go round quite a few times?

COLLINS: We went around so many times, which was funny because then tourists, of course, are noticing that there’s this massive machine and then a car with a Vespa attached to it. And then we are going on an actual Vespa. But then there’s also the transport vehicle. So like, what are they filming? And then once they figured out it was our show, it was fun.

It was also surreal because you’re going around the Colosseum and everything in Rome is beautiful and ancient. And I was pinching myself, but it was amazing to be able to explore another city. I’d been to Paris before the show, so playing (Emily) who was coming to it fresh, was a character. Whereas this time, I’d been to Rome but never fully explored or been here for a long period of time. So it was a whole new adventure, but genuinely for me as well. And it was more of a vacation mode for Emily, which I was happy for her. I was like, “You go, girl. You get a little vacay.”

AP: Do you think this could continue?

COLLINS: I definitely hope so. We’re just, you know, waiting (crosses her fingers). But it would be really nice to explore more of Italy. I think there’s so much here. But I don’t know.

AP: I want to ask you about moving from the TV show to theater.

COLLINS: I’m very excited. But of course, I’m also nervous. And it’s a whole new world for me. I did theater as a kid, but this is something I’ve been dreaming of my whole life. And the West End is the West End. But it really feels just surreal and I love my team that we’re working with. I think it’s a beautiful, beautiful script. And the theater is one of a kind, I love the Duke of York (Theatre) and our director (Lynette Linton). It’s a wonderful, wonderful group.

AP: So that’s Lily in Barcelona.

COLLINS: Yes exactly (laughing). All the different cities around Europe.

AP: How does it fit in around your TV work and the show?

COLLINS: It’s all about timing as well because ... doing theater is something I’ve always wanted to do. But it is a time commitment that when you’re doing something like “Emily in Paris,” that is also the biggest time commitment. It’s making sure that it fits in at the right time. But it also isn’t just about that. It’s the project. When I read “Barcelona,” I went, “This is it.” And, “How do I make this happen? What time do we have? How do we make it happen with the theater?” You know? So it was a bit of a Tetris-type of thing, but to me it’s a different medium, it’s a different skill set, it’s a different experience.

This season, because “Emily in Paris” is more known, when you’re out and about in the streets, it does become a bit of live theater because you can’t control people watching all the time. And so sometimes there are scenes, when you’re near (Emily’s) apartment building or you’re in Rome or you’re in the mountains skiing, where there’s hundreds of people that just show up to watch. And so it is a bit like theater. You are performing for an audience that weirdly doesn’t know the storyline, though, so it’s a little bit the same and a little bit different. It’s like, “But you won’t see this for a few months, so please don’t spoil it!” Whereas with theater, it’s in the moment.