‘Beetlejuice Beetlejuice’ Is No. 1 Again; Conservative Doc ‘Am I Racist’ Cracks Box Office Top 5

US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
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‘Beetlejuice Beetlejuice’ Is No. 1 Again; Conservative Doc ‘Am I Racist’ Cracks Box Office Top 5

US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)

Moviegoers said yes to more “Beetlejuice Beetlejuice” this weekend.

After its monster opening, the Tim Burton sequel easily topped the domestic box office charts again with $51.6 million in ticket sales, according to studio estimates Sunday. Down only 54% from a week earlier, the North American gross for the Warner Bros. release is already at $188 million. Internationally, it added $28.7 million, bringing its worldwide total to a staggering $264.3 million.

“To drop just 54% is really impressive and indicative of a pretty solid word of mouth,” said Paul Dergarabedian, the senior media analyst for Comscore. “Audiences are enjoying the film.”

While its hold was strong, “Beetlejuice Beetlejuice” didn’t have much in the way of major new competition. Fresh offerings included the James McAvoy horror “Speak No Evil,” a satirical documentary following right wing podcaster Matt Walsh; and a new Dave Bautista action pic, “The Killer's Game.”

Second place in weekend ticket sales went to “Speak No Evil,” a remake of a 2022 Danish horror film about an unsuspecting family who decides to spend a weekend with new friends in the country. McAvoy stars in it, along with Mackenzie Davis and Scoot McNairy. With positive reviews and a shrewd release date of Friday the 13th, the Blumhouse production released by Universal Pictures made an estimated $11.5 million from 3,375 locations.

“Deadpool & Wolverine ” landed in third place in its eighth weekend with another $5.2 million. The Disney and Marvel blockbuster is now up to $621.5 million in North America and $1.3 billion globally.

The Daily Wire movie “Am I Racist?” placed fourth at the box office, with an estimated $4.7 million from only 1,517 theaters. Described as a mockumentary in the style of “Borat,” the movie has conservative columnist Walsh going undercover as a “DEI trainee.” Walsh had a similar gimmick, pretending to be a gender studies professor, in the 2022 movie “What is a Woman?” Both were directed by Justin Folk.

“Am I Racist?” cost a reported $3 million to make. To release it, the Daily Wire — the Ben Shapiro co-founded company — partnered with SDG Releasing, a distribution company founded by writers Cary Solomon and Chuck Konzelman, who promise the “lowest fees in the business.” Among the trailers playing before “Am I Racist?" is another film targeting conservative audiences: The upcoming Dinesh D'Souza movie “Vindicating Trump.”

Rounding out the top five was “Reagan,” the Showbiz Direct release starring Dennis Quaid as the former president, which added another $3 million in its third weekend, bringing its total domestic total to $23.3 million.

“The Killer's Game," meanwhile, debuted in sixth place with $2.6 million. Bautista stars as a hit man with a terminal illness in the action comedy, which got dismal reviews.

Next weekend, theaters will get the Optimus Prime origin pic “Transformers One,” but it may be a quiet few weeks at the box office until “Joker: Folie à Deux” dances its way onto the big screen on Oct. 4.



Timothee Chalamet Channels Young Bob Dylan in 'A Complete Unknown'

FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo
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Timothee Chalamet Channels Young Bob Dylan in 'A Complete Unknown'

FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo

Timothee Chalamet likened his journey to playing music legend Bob Dylan to an athletic feat. It turned into a marathon that stretched longer than the actor had expected.
Chalamet signed up to play Dylan in 2019. Then came a global pandemic and labor strikes in Hollywood, forcing two extended delays to filming.
"A Complete Unknown," the movie about Dylan's quick rise to stardom in the early 1960s, will finally be released in theaters on Wednesday, Christmas Day, by Walt Disney's Searchlight Pictures.
The disruptions gave the "Dune" actor more time to work out how to translate the towering figure to the big screen. Chalamet learned to play guitar and harmonica and worked with a vocal coach to evolve from his smooth "Wonka" singing to Dylan's distinctive, nasal voice, Reuters reported.
"It was the most I've ever taken on," Chalamet said in an interview, comparing the preparation to "the climbing of a steep hill."
"A Complete Unknown" chronicles Dylan's arrival in New York in 1961 at age 19, his rapid ascent in folk music circles with songs such as "Blowin' in the Wind," and his divisive turn to electric rock music in 1965. The movie's title is taken from a line in the Dylan hit "Like a Rolling Stone."
Chalamet said he immersed himself in whatever video he could find of Dylan in the early '60s, a time of political and social upheaval in the United States.
"There's a finite amount of material available, especially in this period," Chalamet said. "At some point you can turn every page over. Not to say that I have, but if I haven't I've come damn close to it."
In the summer of 2023, Chalamet said, "I felt like I hit a runner's high" in the preparation.
"I felt like my muscles were strong and I was well prepared, and that every day was sort of just chipping away slowly at this bigger thing," he said.
Just as Chalamet was ready, Hollywood actors went on strike, and he worried that funding or casting might fall apart. The final go-ahead to start filming came in March 2024.
DYLAN WEIGHS IN
The real-life Dylan provided input on the script to director James Mangold but never met or spoke with Chalamet, though he recently described the star as "a brilliant actor."
"I'm sure he's going to be completely believable as me. Or a younger me. Or some other me," Dylan wrote on social media platform X.
Chalamet's performance has earned praise from critics and predictions that he could garner his second Oscar nomination. He and co-star Edward Norton were nominated for Golden Globes.
Other co-stars include Elle Fanning, who plays girlfriend Suze Rotolo who appeared on the cover of the album "The Freewheelin' Bob Dylan" but goes by the name Sylvie Russo in the film.
Monica Barbaro portrays singer Joan Baez, who had already landed on the cover of Time magazine when her career intersected with Dylan's. At the time, Baez was trying to figure out how to use her platform as an activist.
"Bob came in and was kind of a mess of a boy, but also an absolute poet and brilliant lyricist, and was putting words to all of these things that she felt," Barbaro said. "On top of his charisma, I think, she just was sort of magnetized to him."
Norton plays Pete Seeger, a banjo player and prominent singer of protest music who mentored Dylan.
"I think a lot of people have lost sight of who these people actually were and what they did and what they sounded like," Norton said. "If we can get some people tuning in again, that's probably worth the whole enterprise."
Chalamet agreed.
Dylan is "one of these names that is iconic to my generation," the 28-year-old said. "You know the name, but because he's such an elusive figure and a reclusive figure ... a lot of people my age don't know the music."
"This felt like an opportunity to be a bridge in some way and bring life to this amazing period," he added.