Japan Celebrates Record Emmy Wins for ‘Shogun’ 

Hiroyuki Sanada, center, and the team from "Shogun" accept the award for outstanding drama series at the 76th Emmy Awards on Sunday, Sept. 15, 2024 at the Peacock Theater in Los Angeles. (Invision for the Television Academy/AP Content Services)
Hiroyuki Sanada, center, and the team from "Shogun" accept the award for outstanding drama series at the 76th Emmy Awards on Sunday, Sept. 15, 2024 at the Peacock Theater in Los Angeles. (Invision for the Television Academy/AP Content Services)
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Japan Celebrates Record Emmy Wins for ‘Shogun’ 

Hiroyuki Sanada, center, and the team from "Shogun" accept the award for outstanding drama series at the 76th Emmy Awards on Sunday, Sept. 15, 2024 at the Peacock Theater in Los Angeles. (Invision for the Television Academy/AP Content Services)
Hiroyuki Sanada, center, and the team from "Shogun" accept the award for outstanding drama series at the 76th Emmy Awards on Sunday, Sept. 15, 2024 at the Peacock Theater in Los Angeles. (Invision for the Television Academy/AP Content Services)

Japan erupted with joy Monday as the samurai series “Shogun” won a record 18 Emmys for its first season.

It took home prizes including Outstanding Drama Series, as star and co-producer Hiroyuki Sanada became the first Japanese actor to win the Emmy for best lead actor in a dramatic series. Co-star Anna Sawai won best actress in a dramatic series, also a first for Japan.

“You did it. You did it. Congratulations,” Takashi Yamazaki, director of “Godzilla Minus One,” wrote on social media.

People followed the awards live as the wins made national headlines. Entertainment media Oricon proudly reported that a work whose spoken lines were mostly in the Japanese language “made Emmy history.”

“The grand scale of Hollywood combined with the high quality of the production, including costuming, props and mannerisms; the collaboration between the Japanese professional team, headed by producer Sanada, and the local production team; as well as the acting that delivered a strong sense of reality, all came together,” the report said.

Actor Kento Kaku, who starred in the 2024 series “Like a Dragon: Yakuza,” said he was feeling inspired to pursue Hollywood dreams.

“After seeing how cool that was, who’s not going to want to take up the challenge,” he wrote on X.

Actress Tomoko Mariya said she broke into tears the moment Sanada’s win was announced.

“What hardships you must have endured, choosing to leave your entire career behind in Japan and going to America alone. But it has borne fruit,” she wrote, referring to Sanada’s move to Los Angeles 20 years ago.

The accolades for “Shogun” reflect not only the growing diversity in American entertainment, but also the legacy of Japan's “jidaigeki” samurai films, which have influenced directors worldwide.

The first Asian actor to win the Emmy for Best Lead Actor in a Dramatic Series was Lee Jung-jae, for the hit 2022 Korean series “Squid Game.”

Sanada is one of a handful of Japanese actors to land major Hollywood roles, including “The Last Samurai,” released in 2003, and “The 47 Ronin,” starring Keanu Reeves in 2013.

The role Sanada plays in “Shogun” was first portrayed by Toshiro Mifune in the 1980s.

Sanada, who also starred in Yoji Yamada ’s 2002 “Twilight Samurai,” alluded to those who went before him in his acceptance speech.

“I thank all those who supported and kept the legacy of jidaigeki alive,” he said in his speech in Japanese, clutching his trophy.

“The passion and dreams we inherited traveled across the seas and crossed borders.”



Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
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Francis Ford Coppola Sues Variety Over Story Alleging ‘Megalopolis’ Misconduct 

Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)
Francis Ford Coppola, the writer/director of "Megalopolis," poses at the premiere of the film at Roy Thomson Hall during the Toronto International Film Festival, Monday, Sept. 9, 2024, in Toronto. (AP)

Francis Ford Coppola has sued Variety, saying that a July story that said he ran an unprofessional set with impunity and touching and tried to kiss female extras during the production of his film “Megalopolis” was false and libelous.

The suit, which seeks at least $15 million from the entertainment trade publication, was filed in Los Angeles Superior Court on Wednesday, two weeks before the director's long-dreamed-of and self-financed epic is to be released in US theaters.

The suit calls the 85-year-old director of “The Godfather” and “Apocalypse Now” a “creative genius” and says others are “jealous” and therefore tell “knowing and reckless falsehoods.”

It says Variety's “writers and editors, hiding behind supposedly anonymous sources, accused Coppola of manifest incompetence as a motion picture director, of unprofessional behavior on the set of his most recent production, Megalopolis, of setting up some type of scheme so that anyone on the set who had a complaint of harassment or otherwise had nowhere to lodge a complaint, and of hugging topless actresses on the set. Each of these accusations was false.”

The lawsuit also names the story's reporters, Brent Lang and Tatiana Siegel, as defendants.

It repeatedly says Variety was either knowingly publicizing falsehoods or showing reckless disregard for the truth, echoing a standard for libel established by the US Supreme Court.

A Variety spokesperson, Jeffrey Schneider, told The Associated Press, “While we will not comment on active litigation, we stand by our reporters.”

Coppola said in a statement Thursday that nothing in his career compares to the difficult yet triumphant efforts to make “Megalopolis.”

“It was a collaboration of hundreds of artists, from extras to box office stars, to whom I consistently displayed the utmost respect and my deepest gratitude,” Coppola said. “To see our collective efforts tainted by false, reckless and irresponsible reporting is devastating.”

The July 26 story used anonymous reports and videos from crew members of the shooting for “Megalopolis” of a nightclub scene in an Atlanta concert hall in February, 2023. The story said Coppola tried to kiss young female extras and “appeared to act with impunity” on the set. It said the film's financial arrangements meant “there were none of the traditional checks and balances in place.”

In one video, Coppola, wearing a white suit, walks through a dancing crowd, stopping to apparently lean into several young women to hug them, kiss them on the cheek or whisper to them. Another video shows him leaning into a woman who pulls away and shakes her head.

All of the women have tops on, and the Variety story mentions “topless” extras only in reference to an original report on the allegations in the Guardian.

In a subsequent story about a week later, which is mentioned only parenthetically in Coppola's lawsuit, one of the women, Lauren Pagone, spoke to Variety and agreed to be identified, saying Coppola left her “in shock” when he touched, hugged and kissed her without her consent.

Pagone said she came forward because another of the extras, Rayna Menz, said in Variety's sister publication Deadline that Coppola did nothing to make her or anyone else on the set uncomfortable.

Pagone also filed a lawsuit Monday against Coppola in Georgia, alleging that her treatment on the set amounted to civil assault and civil battery.

Asked for a specific response to that lawsuit, a Coppola representative said there would be no immediate comment beyond the director's broader statement.

The AP does not typically name people who say they have been sexually abused unless they come forward publicly as Pagone has.

Asked about the touching and kissing allegations by The AP before the lawsuit was filed, Coppola said, “I don’t even want to (talk about it). It’s a waste of time.”

Later in the same interview, without being asked about the subject again, Coppola said, “I’m very respectful of women. I always have been. My mother taught me — she was a little nuts — she said, ‘Francis if you ever make a pass at a girl, that means you disrespect her.’ So I never did.”

The lawsuit takes particular issue with an assertion in the Variety story that Coppola inadvertently got into a shot and ruined it. The suit says Coppola was well aware that some camera angles would include him, and that he was supposed to appear in the scene anyway.

“The average reader would understand that Coppola was so aged and infirm that he no longer knew how to direct a motion picture,” the suit says.

“Megalopolis” is a Roman epic set in a futuristic New York starring Adam Driver and Nathalie Emmanuel. Coppola sold off pieces of his considerable wine empire to largely finance it himself.