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‘Beetlejuice Beetlejuice’ Scares Off 'Transformers' for 3rd Week as Box Office No. 1

Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
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‘Beetlejuice Beetlejuice’ Scares Off 'Transformers' for 3rd Week as Box Office No. 1

Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)
Michael DeLuca, from top left, Catherine O'Hara, Monica Bellucci, Tim Burton, Michael Keaton, Jenna Ortega, Winona Ryder, Arthur Conti, Amy Nuttall, Burn Gorman, Alfred Gough, Miles Millar, Tommy Harper, from bottom left, Justin Theroux, Pamela Abdy, and Willem Dafoe arrive at the premiere of "Beetlejuice Beetlejuice" on Thursday, Aug. 29, 2024, in London. (Photo by Scott Garfitt/Invision/AP)

It’s a three-peat for “Beetlejuice Beetlejuice.”
The Tim Burton legacy sequel to his 1988 horror comedy topped the North American box office charts for the third straight weekend with $26 million in ticket sales, according to studio estimates Sunday.
It edged out the animated new release “Transformers: One,” which brought in $25 million. The Optimus Prime origin story from Paramount Pictures features the voices of Chris Hemsworth, Brian Tyree Henry and Scarlett Johansson.
“Beetlejuice Beetlejuice,” a Warner Bros. release with Michael Keaton and Winona Ryder returning as stars, has earned more than $226 million domestically in its three weeks after a monster opening of $110 million — the third best of the year — and a second weekend of $51.6 million, The Associated Press reported.
Third place went to the James McAvoy horror “Speak No Evil,” which came in at $5.9 million in its second week for a total of $21.5 million.
On the whole, the box office was in a quiet phase that is expected to break when “Joker: Folie à Deux” dances its way onto the big screen on Oct. 4.
The year’s second-highest grosser “Deadpool & Wolverine” remained in the top 5 in its ninth weekend with another $3.9 million and a domestic total of $627 million. Only Pixar's “Inside Out 2” has earned more.
The Demi Moore-starring, Coralie Fargeat-directed body horror “The Substance," which made a splash at the Cannes Film Festival, brought in $3.1 million on limited screens in its first weekend for the sixth spot.
The Daily Wire movie “Am I Racist?” — in which conservative columnist Matt Walsh goes undercover as a “DEI trainee” — stayed in the top 10 after a fourth place finish last week, earning $2.9 million for seventh place and a two-week total of $9 million.
Estimated ticket sales for Friday through Sunday at US and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."