Kris Kristofferson, Influential Singer-Songwriter, Dies at 88

US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)
US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)
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Kris Kristofferson, Influential Singer-Songwriter, Dies at 88

US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)
US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)

Kris Kristofferson, who became one of the most influential American singer-songwriters of his time with works such as "Me and Bobby McGee," as well as becoming a successful actor, died Saturday at the age of 88, according to a family statement.

Kristofferson had been suffering from memory loss since he was in his 70s. A family spokesperson said in a statement that Kristofferson died peacefully at his home in Maui, Hawaii, surrounded by family, but a cause of death was not listed.

Kristofferson was a Renaissance man - an athlete with a poet's sensibilities, a former Army officer and helicopter pilot, a Rhodes scholar who took a job as a janitor in what turned out to be a brilliant career move.

Kristofferson first established himself in the music world as a songwriter in the country music capital of Nashville - writing hits such as the Grammy-winning "Help Me Make It Through the Night,For the Good Times," and one-time girlfriend Janis Joplin's plaintive No. 1 hit, "Me and Bobby McGee."

In the early 1970s he became well-known as a performer with a rumbling, unpolished baritone, as well as an in-demand actor, notably opposite Barbra Streisand in "A Star Is Born," one of the most popular films of 1976.

Kristofferson was born in Brownsville, Texas, on June 22, 1936, and moved frequently because his father was a general in the Air Force. After graduating from Pomona College in California, where he played football and rugby, Kristofferson attended Oxford University on a Rhodes scholarship and then fulfilled the family tradition by joining the Army.

He went through the Army's elite Ranger School, learned to pilot helicopters and reached the rank of captain. In 1965 Kristofferson was offered a position teaching English - he was enthralled by the works of poet William Blake - at the US Military Academy in West Point, New York, but he turned it down in order to head to Nashville.

Kristofferson became a janitor at the Columbia Records studio because it would give him a chance to offer his songs to the big-name stars recording there. He also worked as a helicopter pilot ferrying workers between Louisiana oilfields and offshore drilling rigs.

During that time Kristofferson wrote some of his most memorable songs, including "Help Me Make It Through the Night," which he said he penned atop an oil platform.

"NOTHING LEFT TO LOSE"

Kristofferson's best songs were filled with seekers, wastrels and broken souls trying to find love, redemption or relief from the hangover that life had given them. The broken-hearted narrator of "Bobby McGee," a song Kristofferson said was inspired by the Federico Fellini film "La Strada," summed it up with the line, "Freedom's just another word for nothing left to lose."

"Kris brought (country music) kind of from the dark ages up to the present-day time, made it acceptable and brought great lyrics - I mean, the best possible lyrics," Willie Nelson, an early role model for Kristofferson, told CBS's "60 Minutes" in a 1999 interview. "Simple but profound."

Kristofferson recorded four albums with Rita Coolidge, the second of his three wives, in the 1970s and joined Nelson, Cash and Waylon Jennings in the country music super group the Highwaymen in the 1980s and '90s.

Kristofferson's rugged good looks led to roles in movies such as "Cisco Pike,Pat Garrett & Billy the Kid,The Sailor Who Fell from Grace with the Sea,Convoy,Heaven's Gate,Lone Star" and "Blade."

After his initial stardom, Kristofferson took on causes such as the United Farm Workers and spoke out against US government involvement in Nicaragua and El Salvador in the 1980s.

Kristofferson began experiencing debilitating memory loss in his mid-70s and his performances suffered for it. Doctors told him it appeared to be the onset of Alzheimer's disease or dementia, possibly brought on by blows to the head while boxing and playing football and rugby in his younger days.

But in 2016, his wife, Lisa, told Rolling Stone magazine that Kristofferson had been diagnosed with Lyme disease, which can cause memory problems, and that after treatment and stopping Alzheimer's medication, his memory began to return partially.

Kristofferson kept active with a 2016 tour that included performances with Nelson and stops in Europe. That year he also marked his 80th birthday by releasing "The Cedar Creek Sessions," an album featuring live versions of his best-known songs.

Kristofferson and his third wife, Lisa, whom he married in 1983, lived on the Hawaiian island of Maui for more than 30 years. He had eight children.



André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)

No one was expecting it. Late last year, André 3000 released his debut solo album, "New Blue Sun," 18 years after his legendary rap group Outkast's last studio album, "Idlewild."

But "New Blue Sun" has "no bars," he jokes. It's a divergence from rap because "there was nothing I was liking enough to rap about, or I didn't feel it sounded fresh. I'm not about to serve you un-fresh (expletive.)"

Instead, he offered up a six-track instrumental album of ambient alt-jazz — with special attention paid to the flute.

"The sound, that's how I got into it," he says of the instrument. "The portability, too. You can't tote around a piano and play in Starbucks."

He's also invested in the flute's history — like learning about Mayan flutes made from clay, a design he had re-created in cedarwood. "There’s all kinds of fables and, you know, indigenous stories that go along with playing the flute — playing like the birds or playing your heart like the wind — it kind of met (me) where I was in life," he says.

"Flutes — wind instruments in general — are the closest thing you get to actually hearing a human," he continues. "You're actually hearing the breath of a person."

"New Blue Sun" is a stunning collection, one that has earned André 3000 three new Grammy Award nominations: album of the year, alternative jazz, and instrumental composition. Those arrive exactly 25 years after the 1999 Grammys, where Outkast received their first nomination — for "Rosa Parks," from their third album, "Aquemini" — and 20 years after the group won album of the year for "Speakerboxxx/The Love Below."

"It matters because we all want to be acknowledged or recognized," André 3000 says of his new Grammy nominations. "It's a type of proof of connection, in some type of way ... especially with the Grammys, because it's voted on by a committee of musicians and people in the industry."

He's a bit surprised by the attention, too, given the type of album he created. "We have no singles on the radio, not even singles that are hot in the street," he says. "When you're sitting next to Beyoncé and Taylor Swift, these are highly, hugely popular music artists, I'm satisfied just because of that ... we won just to be a part of the whole conversation."

He theorizes that it may be because popular music listening habits are broadening. "A lot of artists are just trying different things. Even, you know, the album that Beyoncé is nominated for, it’s not her normal thing," he says of her country-and-then-some record, "Cowboy Carter.We’re in this place where things are kind of shifting and moving."

For André 3000, "New Blue Sun" has allowed him to "feel like a whole new artist," but it is also an extension of who he's always been. "Being on the road with Outkast and picking up a bass clarinet at a pawn shop in New York and just sitting on the back of the bus playing with it — these things have been around," he says.

He's also always embraced "newness," as he puts it, experimenting creatively "even if it sounds non-masterful."

"Even producing for Outkast, I was just learning these instruments. If I ... put my hands down and play ‘Ms. Jackson,’ I'm not knowing what I'm playing. But I like it," he says.

As for a new Outkast album, "I never say never," he says. "But I can say that the older I get, I feel like that time has happened."