Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
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Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)

Mariah Carey relishes the fact that she has become culturally synonymous with Christmas — thanks in part to the longevity of her iconic song “All I Want for Christmas Is You,” and its ubiquity every year when the holidays roll around.
But the Grammy winner admits she initially wasn’t sure about doing a Christmas record when her label pitched it. “I was a little bit apprehensive,” she recalls, reflecting on her album, “Merry Christmas,” turning 30 this month.
Ahead of her appearance at Sunday’s American Music Awards and an upcoming Christmas tour that kicks off in November, Carey spoke with The Associated Press about the advice she would give to young artists navigating fame and the use of her song, “Always Be My Baby,” in Ari Aster’s 2023 horror comedy, “Beau Is Afraid.”
The interview has been edited for clarity and brevity.
AP: What has it been like to celebrate nearly 20 years of “The Emancipation of Mimi” and reflect on this album’s legacy? CAREY: I think “The Emancipation of Mimi” is one of my albums where there were different boundaries that got pushed aside and I was really happy about that because I needed to come back, apparently. And so, it was a comeback. But it’s one of my favorite albums. And celebrating it this year and this celebration of “Mimi” was really fun because I never get to do those songs. I never do them. And this this time I did.
AP: Because of that kind of underdog feeling, you felt some artistic liberty and empowerment that maybe you hadn’t before? CAREY: Yeah, I feel like people were ready to re-embrace me. And, you know, how did I feel about that? I mean, I feel like the album “Charmbracelet” was a very good album too, but not everybody knew that album. So, you know, when “We Belong Together” came out after “It’s Like That,” which didn’t do as well but still did pretty well. Whatever.
AP: “It’s Like That” is a great song. CAREY: It’s a good song. And I love performing it. You know, I go through stages with these albums. It’s interesting.
AP: Your first Christmas album, “Merry Christmas,” is turning 30 this month. That was obviously a formative record for you and your career. Do you remember anything about its inception? CAREY: So that was the record company saying, “You should do a Christmas album.” And I was like, “I don’t know that I should at this juncture.” Because, you know, I was very young and was just starting out and I felt like people do Christmas albums later in their lives. But now people have started to do them whenever, like right at the top of their career. So, I mean, what was I feeling like? I was a little bit apprehensive and then I was like, “I love this.” And I decorated the studio and just had the best time.
AP: Chappell Roan has made headlines for speaking out about how she is grappling with sudden fame. As someone who has been in the public eye for so long, do you have advice for young artists who are dealing with this? CAREY: Well, I have been through my share of dramas and it’s not fun because you grow up thinking, “I want to be famous.” I mean, really with me, it was always, “I want to be a singer. I want to write songs.” But “I want to be famous” was right there with it. I feel like it was probably because I didn’t feel like I was good enough on my own because of the things I went through growing up. And that’s not a good way to feel, you know?
But my advice would be try your hardest to go into this industry with a love of your talent or what’s really real for you. You know, if it’s like, “I want to be famous. I want to run around with those people, whoever they are, the famous people,” then it’s probably not the best idea.
AP: Have you seen Ari Aster’s “Beau Is Afraid” with Joaquin Phoenix? CAREY: Yes. I had to approve that. I thought it was interesting the way they used my song, “Always Be My Baby.” That was interesting. I mean, it didn’t really match with the movie, but, you know, I was just being edgy by saying, “You know, okay, fine.” It was very different. I mean, I wasn’t reluctant, but I thought, “This is something way different than I’ve done ever.”



Kris Kristofferson, Influential Singer-Songwriter, Dies at 88

US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)
US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)
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Kris Kristofferson, Influential Singer-Songwriter, Dies at 88

US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)
US actor musician Kris Kristofferson attends the premiere of "Dreamer" at the Mann Village theater on October 9, 2005 in Westwood, California. (AFP)

Kris Kristofferson, who became one of the most influential American singer-songwriters of his time with works such as "Me and Bobby McGee," as well as becoming a successful actor, died Saturday at the age of 88, according to a family statement.

Kristofferson had been suffering from memory loss since he was in his 70s. A family spokesperson said in a statement that Kristofferson died peacefully at his home in Maui, Hawaii, surrounded by family, but a cause of death was not listed.

Kristofferson was a Renaissance man - an athlete with a poet's sensibilities, a former Army officer and helicopter pilot, a Rhodes scholar who took a job as a janitor in what turned out to be a brilliant career move.

Kristofferson first established himself in the music world as a songwriter in the country music capital of Nashville - writing hits such as the Grammy-winning "Help Me Make It Through the Night,For the Good Times," and one-time girlfriend Janis Joplin's plaintive No. 1 hit, "Me and Bobby McGee."

In the early 1970s he became well-known as a performer with a rumbling, unpolished baritone, as well as an in-demand actor, notably opposite Barbra Streisand in "A Star Is Born," one of the most popular films of 1976.

Kristofferson was born in Brownsville, Texas, on June 22, 1936, and moved frequently because his father was a general in the Air Force. After graduating from Pomona College in California, where he played football and rugby, Kristofferson attended Oxford University on a Rhodes scholarship and then fulfilled the family tradition by joining the Army.

He went through the Army's elite Ranger School, learned to pilot helicopters and reached the rank of captain. In 1965 Kristofferson was offered a position teaching English - he was enthralled by the works of poet William Blake - at the US Military Academy in West Point, New York, but he turned it down in order to head to Nashville.

Kristofferson became a janitor at the Columbia Records studio because it would give him a chance to offer his songs to the big-name stars recording there. He also worked as a helicopter pilot ferrying workers between Louisiana oilfields and offshore drilling rigs.

During that time Kristofferson wrote some of his most memorable songs, including "Help Me Make It Through the Night," which he said he penned atop an oil platform.

"NOTHING LEFT TO LOSE"

Kristofferson's best songs were filled with seekers, wastrels and broken souls trying to find love, redemption or relief from the hangover that life had given them. The broken-hearted narrator of "Bobby McGee," a song Kristofferson said was inspired by the Federico Fellini film "La Strada," summed it up with the line, "Freedom's just another word for nothing left to lose."

"Kris brought (country music) kind of from the dark ages up to the present-day time, made it acceptable and brought great lyrics - I mean, the best possible lyrics," Willie Nelson, an early role model for Kristofferson, told CBS's "60 Minutes" in a 1999 interview. "Simple but profound."

Kristofferson recorded four albums with Rita Coolidge, the second of his three wives, in the 1970s and joined Nelson, Cash and Waylon Jennings in the country music super group the Highwaymen in the 1980s and '90s.

Kristofferson's rugged good looks led to roles in movies such as "Cisco Pike,Pat Garrett & Billy the Kid,The Sailor Who Fell from Grace with the Sea,Convoy,Heaven's Gate,Lone Star" and "Blade."

After his initial stardom, Kristofferson took on causes such as the United Farm Workers and spoke out against US government involvement in Nicaragua and El Salvador in the 1980s.

Kristofferson began experiencing debilitating memory loss in his mid-70s and his performances suffered for it. Doctors told him it appeared to be the onset of Alzheimer's disease or dementia, possibly brought on by blows to the head while boxing and playing football and rugby in his younger days.

But in 2016, his wife, Lisa, told Rolling Stone magazine that Kristofferson had been diagnosed with Lyme disease, which can cause memory problems, and that after treatment and stopping Alzheimer's medication, his memory began to return partially.

Kristofferson kept active with a 2016 tour that included performances with Nelson and stops in Europe. That year he also marked his 80th birthday by releasing "The Cedar Creek Sessions," an album featuring live versions of his best-known songs.

Kristofferson and his third wife, Lisa, whom he married in 1983, lived on the Hawaiian island of Maui for more than 30 years. He had eight children.