Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
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Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)

A movie documentary that uses only Lego pieces might seem an unconventional choice. When that documentary is about renowned musician-producer Pharrell Williams, it's actually sort of on-brand.

“Piece by Piece” is a bright, clever song-filled biopic that pretends it's a behind-the-scenes documentary using small plastic bricks, angles and curves to celebrate an artist known for his quirky soul. It is deep and surreal and often adorable. Is it high concept or low? Like Williams, it's a bit of both.

Director Morgan Neville — who has gotten more and more experimental exploring other celebrity lives like Fred Rogers in “Won’t You Be My Neighbor?,” “Roadrunner: A Film About Anthony Bourdain” and “Steve! (Martin): A Documentary in Two Pieces” — this time uses real interviews but masks them under little Lego figurines with animated faces. Call this one a documentary in a million pieces.

The filmmakers try to explain their device — “What if nothing is real? What if life is like a Lego set?” Williams says at the beginning — but it's very tenuous. Just submit and enjoy the ride of a poor kid from Virginia Beach, Virginia, who rose to dominate music and become a creative director at Louis Vuitton.

Williams, by his own admission, is a little detached, a little odd. Music triggers colors in his brain — he has synesthesia, beautifully portrayed here — and it's his forward-looking musical brain that will make him a star, first as part of the producing team The Neptunes and then as an in-demand solo producer and songwriter.

There are highs and lows and then highs again. A verse Williams wrote for “Rump Shaker” by Wreckx-N-Effect when he was making a living selling beats would lead to superstars demanding to work with him and partner Chad Hugo — Kendrick Lamar, Justin Timberlake, Snoop Dogg, Busta Rhymes, Gwen Stefani, Missy Elliott and Jay-Z. All those superstars sit for interviews and have hysterically been depicted as Lego minifigures, right down to No Doubt's Adrian Young's mohawk. (Take my money, Lego.)

We also learn something about his wife, Helen, and his anguish over being a solo artist, an opportunity he spurned when it was his for the taking. Ultimately, we learn to understand his futuristic approach to fashion and music. “What I am is a maverick,” he says. No one will question him on that.

The 3D world the filmmakers have made is astonishing, with waves of clear Lego pieces washing up on a beach made of slats of Lego baseplates and Williams' collection of cool beats depicted as bouncing bricks with lights in them. There's Lego McDonald's nuggets, Lego pretzels, singing Lego fish and a Lego Anna Wintour, chilly and haughty in plastic, too.

Lego, while seemingly a restrictive medium — the hands are clips and everyone's walking is robotic since there are no Lego knees — can also, apparently, in the right hands soar, and here they do, with Williams in one gorgeous dream sequence watching the Earth's lights as a distant astronaut. It is when the filmmakers make Lego appear as water and music that are their crowning achievements.

Music credits are notoriously hard to pin down — Williams claims to have created McDonald's notoriously mysterious jingle “I'm lovin' it” — and the filmmakers try to cover any misinformation with a simple disclaimer in the end credits: “Not everything in this film is 100% accurate. For example, Pharrell never went to space.”

There are also some extraordinary moments that snap by but likely took months to make, like a Lego glimpse of the “I Have A Dream” speech by the Rev. Martin Luther King Jr. at the Lincoln Memorial and protest footage from Black Lives Matter figurines shouting “Don’t shoot!”

The documentary lags a little during Williams' way up and rushes the years on top, although recreations of some of the music videos he fueled are too funny. Why he and Hugo broke up is papered over and the filmmakers struggle to find an ending, making several stutter steps.

“I think we're done,” are the last words we hear as the filmmakers finally give up. But they've left behind a trippy, sweet portrait of a genius, forever in building blocks.



Celine Dion Wows Paris Fashion Week with Surprise Gig

 Celine Dion performs during a public show named "Express Your Worth", organized by French cosmetics group L'Oreal at Place Joffre during Paris Fashion Week in Paris, France, September 28, 2026. (Reuters)
Celine Dion performs during a public show named "Express Your Worth", organized by French cosmetics group L'Oreal at Place Joffre during Paris Fashion Week in Paris, France, September 28, 2026. (Reuters)
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Celine Dion Wows Paris Fashion Week with Surprise Gig

 Celine Dion performs during a public show named "Express Your Worth", organized by French cosmetics group L'Oreal at Place Joffre during Paris Fashion Week in Paris, France, September 28, 2026. (Reuters)
Celine Dion performs during a public show named "Express Your Worth", organized by French cosmetics group L'Oreal at Place Joffre during Paris Fashion Week in Paris, France, September 28, 2026. (Reuters)

Celine Dion kicked off Paris Fashion Week in style on Monday, stepping onto the catwalk beneath the Eiffel Tower and belting out "I'm Alive" to a delighted crowd in a surprise performance.

The Canadian superstar took to the runway at the end of L'Oreal's annual show, emerging in a sleek black gown to rapturous applause at one of the fashion calendar's most glamorous openings.

Smiling with her hair loose, the singer performed her 2002 hit before being joined by a star-studded cast of L'Oreal ambassadors including Viola Davis, Simone Ashley, Aja Naomi King and Eva Longoria.

The Quebec-born star recently launched a much-publicized return to the stage with a 26-show run in the French capital, with 16 set for September and October and a further 10 planned for May 2027.

Paris Fashion Week, dedicated to women's spring-summer collections, runs until October 6.

With Dior, Tom Ford, Schiaparelli and Givenchy still to unveil their latest creations, Dion could yet be spotted in the front row of some of the season's biggest shows.


Re-Released ‘Avengers: Endgame’ Snaps-up N. America Box Office Lead

 This image released by Marvel Studios shows a scene from "Avengers: Endgame." (Marvel Studios/Disney via AP)
This image released by Marvel Studios shows a scene from "Avengers: Endgame." (Marvel Studios/Disney via AP)
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Re-Released ‘Avengers: Endgame’ Snaps-up N. America Box Office Lead

 This image released by Marvel Studios shows a scene from "Avengers: Endgame." (Marvel Studios/Disney via AP)
This image released by Marvel Studios shows a scene from "Avengers: Endgame." (Marvel Studios/Disney via AP)

"Avengers: Endgame" dusted competitors in the North American weekend box office, as the 2019 superhero film was re-released in a bid to drum up support for the franchise.

The film holds the title of the second-highest grossing film ever, after earning $2.8 billion, driven by an ensemble cast including Robert Downey Jr., Josh Brolin and Scarlett Johansson.

Over the weekend, the encore presentation of the Walt Disney film took in $26 million in North America, for a global total of $86 million, according to estimates by Exhibitor Relations, a tracking firm.

The re-release comes ahead of the planned December 18 debut of "Avenger: Doomsday," with audiences eager to see four new post-credit scenes setting up the forthcoming film.

"As a marketing exercise, it's an effective way to build early word-of-mouth," said veteran industry watcher David A. Gross.

Taking second place was Sony's "Resident Evil," with an estimated $23.3 million in North America, for a global total over its first two weeks of over $196 million.

"Heart of the Beast," starring Brad Pitt as a former soldier and his loyal but traumatized combat dog as they survive in the Alaskan wilderness, brought in an estimated $20 million on the continent for Paramount on its opening weekend.

Also debuting over the weekend was "Primetime," starring Robert Pattinson as reality TV host Chris Hansen. The film is based on a real-life US show from the mid-2000s called "To Catch a Predator" in which Hansen and his production staff lured would-be pedophiles into sting operations where police were waiting to make on-screen arrests.

The film brought in an estimated $19.2 million for A24 over the weekend.

"Forgotten Island" an animated family film, however, underperformed over the weekend, bringing in just $12.8 million for Universal on its opening weekend.

"This is a weak opening for an original animation film from one of the major labels," Gross said, while noting that reviews were overwhelmingly positive.


MTV VMAs Are Here with Taylor Swift Making History, Madonna Leading the Nods

Madonna appears at an awards ceremony on May 4, 2019, in New York. (AP)
Madonna appears at an awards ceremony on May 4, 2019, in New York. (AP)
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MTV VMAs Are Here with Taylor Swift Making History, Madonna Leading the Nods

Madonna appears at an awards ceremony on May 4, 2019, in New York. (AP)
Madonna appears at an awards ceremony on May 4, 2019, in New York. (AP)

The 2026 MTV Video Music Awards are here and Swifties, it looks like the night is already yours.

Earlier this week it was announced that Taylor Swift will receive the inaugural Artist Director Honors, becoming the most awarded artist in VMA history.

Swift is currently tied with Beyoncé for the title of most-awarded musician in VMA history. They have 30 each. Eminem is the male artist with the most VMAs with 15. The new award, which according to the VMAs is meant to recognize artists “whose work behind the camera has expanded the possibilities of music video and advanced the art of visual storytelling,” will bring her total to 31.

She will also debut the music video for her new song, “Patient Zero,” during the award show. Swift directed the visual, which stars Colin Farrell and Dakota Johnson.

“Patient Zero” is also her first single since marrying Kansas City Chiefs tight end Travis Kelce at Madison Square Garden in July.

Snoop Dogg, a 13-time VMAs nominee and three-time winner, will host. Snoop made his debut on the VMAs stage in 1994. He closed the show in 1999 with Dr. Dre and Eminem and returned for a tribute to the Notorious B.I.G. and again for a performance with Eminem in 2022.

Madonna leads the 2026 MTV Video Music Award nominations. The pop superstar has been nominated in every decade of her musical career. She has 19 competitive MTV VMA wins and in 1986 became the first solo female artist to receive the Video Vanguard Award.

She is up for 11 awards at this year’s ceremony, including video, artist and song of the year, as well as best collaboration, dance, direction, art direction, cinematography, editing, choreography and visual effects.

Taylor Swift follows with the second-most nominations with nine. She is up for video and artist of the year as well as best pop, direction, art direction, cinematography, editing, choreography and visual effects.

Madonna and Swift are followed by Ariana Grande and Sabrina Carpenter with seven nods each to their names, as well as Bruno Mars, PinkPantheress and Zara Larsson with five. Blackpink’s LISA has four and Shakira, Tate McRae, GENER8ION and Yung Lean are tied for three.

Madonna will open the show. It will mark her first performance at the VMAs in 23 years.

Kacey Musgraves will pay homage to the late, great Dolly Parton. The country music icon, whose soaring vibrato vocals, poignant songwriting and sparkling costumes defined her rise from a log cabin in the Tennessee mountains to the height of stardom and acclaim, died in Nashville of cancer in August. She was 80.

Raye, Sombr and Teddy Swims will pay tribute to George Michael, who died 10 years ago on Christmas Day. He was 53.

It's double duty for Raye, who also will perform solo.

Other performers include GENER8ION with Yung Lean, Shaboozey with Gunna, as well as Lisa and Sienna Spiro.

Alex Warren, Belmont Cameli, Charli xcx, Ciara Miller, David Corenswet, Ella Bright, Isabel May, Jeff Probst, Rachel Dratch, Teyana Taylor, Tyla and Troye Sivan will present.