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Taylor Swift Donates $5 Million Toward Hurricane Relief Efforts

FILE - Taylor Swift performs at Wembley Stadium as part of her Eras Tour June 21, 2024, in London. (Photo by Scott A Garfitt/Invision/AP, File)
FILE - Taylor Swift performs at Wembley Stadium as part of her Eras Tour June 21, 2024, in London. (Photo by Scott A Garfitt/Invision/AP, File)
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Taylor Swift Donates $5 Million Toward Hurricane Relief Efforts

FILE - Taylor Swift performs at Wembley Stadium as part of her Eras Tour June 21, 2024, in London. (Photo by Scott A Garfitt/Invision/AP, File)
FILE - Taylor Swift performs at Wembley Stadium as part of her Eras Tour June 21, 2024, in London. (Photo by Scott A Garfitt/Invision/AP, File)

Taylor Swift has donated $5 million to Feeding America to support relief efforts in the aftermath of Hurricanes Helene and Milton, The Associated Press reported.
The nonprofit announced the pop star's donation Wednesday with a “Thank You” graphic resembling a friendship bracelet, a favorite accessory that Swift's fans trade at her concerts.
Feeding America is “incredibly grateful” for the donation, CEO Claire Babineaux-Fontenot said in a statement.
“This contribution will help communities rebuild and recover, providing essential food, clean water, and supplies to people affected by these devastating storms," the statement continued. “Together, we can make a real impact in supporting families as they navigate the challenges ahead.”
The organization also encouraged fans and supporters to “join Taylor” in contributing to relief efforts.
Swift's longtime friends, actors Blake Lively and Ryan Reynolds, also donated $1 million to Feeding America to support the hurricane relief efforts. Babineaux-Fontenot said in a statement that the couple's “longtime support of Feeding America in times of crisis” has helped provide basic needs for several past natural disasters.
Swift has a long history of donating to nonprofits in the wake of natural disasters or tragic events, including a tornado that hit Tennessee in 2020 and a shooting in February 2024 at the Kansas City Chiefs’ Super Bowl victory parade.
Her philanthropic relationship with food banks became a quiet hallmark of her record-breaking Eras Tour, with the singer donating the equivalent of hundreds of thousands of meals to different food banks across cities she played in.

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South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
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South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)

Netflix's Korean cult-horror thriller "Hellbound" returned for its much anticipated second season with a world premiere at Busan International Film Festival, showcasing intense performances from the new cast members, particularly Moon Geun-young.

Created by Yeon Sang-ho, known for zombie flick "Train to Busan", the first season of "Hellbound" achieved critical and commercial success with its portrayal of a world where supernatural beings suddenly appear to tell people of their impending death, followed by monstrous entities that drag the condemned to hell.

Yeon, whose early works included a dark animated film about a Korean cult organization, elevates the dystopian thriller into a more philosophical realm in its second season, while still delivering the spectacle of creatures, violence, and collective religious hysteria.

"I believe that the concept of disaster in the work 'Hellbound' refers more to a mental or ideological catastrophe than to a physical disaster," director Yeon said at a BIFF event late Friday.

The show had to let go of actor Yoo Ah-in, who played a key character in season one, after he was charged with illegal drug use. Yoo was subsequently found guilty.

Kim Sung-cheol takes on the role of the charismatic leader of a cult that arose amid the horrific supernatural deaths that triggered a wave of social media frenzy, delivering a convincing portrayal of this intricate character.

But the most captivating -- and gut-wrenching -- performance of the second season arguably belongs to Moon Geun-young, a much beloved former teen actress in South Korea, who portrays a young wife gradually transforming into a deranged cult fanatic.

Yeon said he decided to cast Moon after seeing her in a 2021 TV drama where she portrayed a tormented wife who succumbs to alcoholism while caring for her alcoholic husband.

Moon did not attend this year's BIFF, but fellow cast member Kim Hyun-joo said: "Moon Geun-young made a tremendous contribution. I already knew (she was immensely talented), but I was pleasantly surprised and delighted by her performance."

The series was featured at BIFF in its big-screen theaters, even as the festival faces criticism from cinephiles for selecting a streaming title, "Uprising", also from Netflix, as its opening film this year.

Cineastes blame OTT streaming platforms for some of the challenges encountered by the traditional theater market and independent filmmakers.

"BIFF has been a key player in showcasing fresh Asian films by young, emerging talents in the region, and this has been their priority," Kay Heeyoung Kim, owner of the film studio K-Dragon, told AFP.

"But the lines between traditional independent cinema and big-budget streaming titles have blurred at this year's festival, which is unfortunate to see."

Yeon, who began his career as an independent animated filmmaker, along with his work "Hellbound," is credited with increasing the global visibility of South Korean content in recent years, alongside works like "Squid Game" and "Pachinko."