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Taylor Swift, Travis Kelce Attend Game 1 of ALCS at Yankee Stadium

Oct 14, 2024; Bronx, New York, USA; Recording artist Taylor Swift and Kansas City Chiefs tight end Travis Kelce watch game one of the ALCS for the 2024 MLB Playoffs between the New York Yankees and the Cleveland Guardians at Yankee Stadium. Credit: Vincent Carchietta-Imagn Images
Oct 14, 2024; Bronx, New York, USA; Recording artist Taylor Swift and Kansas City Chiefs tight end Travis Kelce watch game one of the ALCS for the 2024 MLB Playoffs between the New York Yankees and the Cleveland Guardians at Yankee Stadium. Credit: Vincent Carchietta-Imagn Images
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Taylor Swift, Travis Kelce Attend Game 1 of ALCS at Yankee Stadium

Oct 14, 2024; Bronx, New York, USA; Recording artist Taylor Swift and Kansas City Chiefs tight end Travis Kelce watch game one of the ALCS for the 2024 MLB Playoffs between the New York Yankees and the Cleveland Guardians at Yankee Stadium. Credit: Vincent Carchietta-Imagn Images
Oct 14, 2024; Bronx, New York, USA; Recording artist Taylor Swift and Kansas City Chiefs tight end Travis Kelce watch game one of the ALCS for the 2024 MLB Playoffs between the New York Yankees and the Cleveland Guardians at Yankee Stadium. Credit: Vincent Carchietta-Imagn Images

Turns out, Taylor and Travis like to watch a little baseball, too.
Pop superstar Taylor Swift and her boyfriend, Kansas City Chiefs tight end Travis Kelce, were at Yankee Stadium on Monday night for Game 1 of the American League Championship Series between the Cleveland Guardians and New York Yankees, The Associated Press reported.
The famous couple sat together in a suite down the right-field line, in the second row above postseason bunting and a flag commemorating the Yankees' 1932 World Series championship.
Kelce, a Westlake, Ohio, native who went to high school in Cleveland Heights, sported a dark baseball cap with the words Midnight Rodeo on it. Swift also wore a hat on a 50-degree night in the Bronx.
Kelce, who turned 35 on Oct. 5, grew up rooting for Kenny Lofton and Cleveland in the 1990s. Kelce threw a wild ceremonial first pitch before the Guardians' season opener last year.
It was the second major sporting event for Swift and Kelce in New York City over the past five-plus weeks. The couple also sat in a box to watch the men's final at the US Open tennis tournament on Sept. 8 in Queens.
Kelce and the Chiefs, the two-time defending Super Bowl champions, had a bye this weekend after opening the season 5-0. Their next game is Sunday at San Francisco, a rematch of last season's Super Bowl.

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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.