Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
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Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)

You’d be hard pressed to find an upcoming film weirder than “Rumours.”

The biting commentary on the emptiness of political statements and the performances politicians put on starts off as a straight political satire focusing on the G7 world leaders, but then slips into a world of slow-yet-terrifying zombies; a mysterious, giant brain found in the middle of a forest with unexplained origins; and an AI chatbot bent on entrapment.

It goes from provocative to absurd within a few short scenes, with the G7 leaders no longer the subject of criticism, but the butt of the joke.

And that’s kind of the whole point, according to its star and executive producer, Cate Blanchett.

“We’re all in such a state of heightened anxiety and fear with what’s going on with climate, what’s going on with the global political situation. We feel like we’re on the precipice of a world war and there’s a lot of people in positions of power who seem to be relishing that moment,” Blanchett told The Associated Press.

She plays a fictional chancellor of Germany named Hilda Orlmann, the host of the conference who's more focused on optics than action.

“I think the audience will come to it with a need for some kind of catharsis. And because the film is ridiculous and terrifying ... I think they’ll be able to laugh at the absurdity of the situation we found ourselves in. I think it’s a very generous film in that way,” she said.

The three directors, Guy Maddin and brothers Evan and Galen Johnson, said they wanted the film to feel like it had a “generic wash of political disrespect” and to include some resonant critiques, but they didn’t want viewers to feel like they were leaving a lecture hall as they walked out of the theater.

“I’m preachy enough when I talk to people. I don’t want to make a movie that’s preachy, you know? I just favor movies that aren’t that. That just hit me with a little mystery of ... ‘What are you doing or seeing? What am I experiencing?’” Evan Johnson, who wrote the script, as well as co-directed, said.

As for the more absurd plotlines, Maddin said he and his collaborators share “a compulsion to come up with an original recipe.”

And original it certainly is. In its straightforward opening act, leaders from the Group of 7 meet for their annual summit and try to draft a provisional statement for an unnamed crisis. Then, as the evening goes on and they struggle to string together a couple, meaningful sentences, they find themselves abandoned and subject to attack from “bog people,” or well-preserved mummified bodies from thousands of years ago. Hijinks — and hilarity — ensue from there.

Nikki Amuka-Bird, who plays the fictionalized British Prime Minister Cardosa Dewindt, said that while reading the script, she kept asking herself, “What’s happening?” But the ridiculous plotline — including the apocalyptic invasion of zombie-like “bog people” — was only part of the reason why she took on the project.

“This kind of total courage to genre splice in this way takes away any kind of apprehension or fear you might have about it because their (the directors’) tongues are firmly in their cheeks the whole time,” Amuka-Bird said. “It’s a really imaginative exercise and it’s just fantastic to work with directors who can be that bold and take chances like that.”

The cast is rounded out by a starry ensemble: Roy Dupuis is a melodramatic Canadian prime minister, Charles Dance is an American president with an inexplicable British accent, Denis Ménochet is a paranoid French president and Alicia Vikander makes an appearance as a frenetic leader from the European Commission.

The title of the movie, Blanchett said, is meant to invoke the revered Fleetwood Mac album of the same name, which was made at a time when the bandmembers were reportedly “all sleeping together and bickering and breaking up,” she said.

“What was surprising about it is you think, ‘OK, this is a film about the G7,’ but it’s like a sort of a daytime soap opera with these sort of trysts and liaisons and petty squabbles,” Blanchett said. “It was such an unusual way to look at the mess we’re all in and the leadership that’s led us here.”



‘Game of Thrones’ Dragon-Forged Iron Throne Fetches Nearly $1.5 Million at Auction

The replica was made of plastic and molded from the original screen-used version, then finished off with metallic paint and jewel embellishments. (Heritage Auctions)
The replica was made of plastic and molded from the original screen-used version, then finished off with metallic paint and jewel embellishments. (Heritage Auctions)
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‘Game of Thrones’ Dragon-Forged Iron Throne Fetches Nearly $1.5 Million at Auction

The replica was made of plastic and molded from the original screen-used version, then finished off with metallic paint and jewel embellishments. (Heritage Auctions)
The replica was made of plastic and molded from the original screen-used version, then finished off with metallic paint and jewel embellishments. (Heritage Auctions)

"Game of Thrones" fans came out in droves to bid on hundreds of costumes, props and other items from the series in an auction that raked in over $21 million.

From Thursday through Saturday, the Heritage Auctions event in Dallas featured over 900 lots including suits of armor, swords and weapons, jewelry and several other items of significance from the HBO series.

The top-dollar item was the very thing the characters in the series vied for throughout its eight-season run: the Iron Throne. After a six-minute bidding war, the throne sold for $1.49 million.

The replica was made of plastic and molded from the original screen-used version, then finished off with metallic paint and jewel embellishments. In the series, the throne was forged with dragon breath that melted the swords of a thousand vanquished challengers and became a symbol of the struggle for power throughout the show's run.

Heritage Auctions said in a statement Sunday that the event brought in $21.1 million from more than 4,500 bidders. The auction marked Heritage’s second-best entertainment event, just shy of the record set by a Debbie Reynolds sale it held in 2011.

Heritage Executive Vice President Joe Maddalena said in a statement he knew the auction would resonate.

"These are extraordinary treasures made by Emmy-winning costume designers and prop makers, who worked tirelessly to adapt George R.R. Martin’s wonderful novels," Maddalena said. "People wanted a piece of that ‘Game of Thrones’ magic."

Beyond the coveted Iron Throne, over 30 other lots commanded six-figure price tags.

Jon Snow’s signature sword, Longclaw, wielded onscreen by Kit Harington, sold for $400,000 and his night's watch ensemble, featuring a heavy cape, went for $337,500. Both items kicked off prolonged bidding wars.

Starting bids ranged from $500 to $20,000, but several items went for thousands of dollars more. Such was the case for several cloaks and dresses worn by Emilia Clarke as Daenerys Targaryen and Lena Headey as Cersei Lannister.

A gray suede ensemble worn by Daenerys sold for $112,500, exactly $100,000 over its starting bid, and the red velvet dress Cersei wears in her final appearance on the show went for $137,500, which was $122,500 over its starting bid.

Suits of armor also proved popular, especially when they included sought-after weapons. Jaime Lannister’s black-leather armor ensemble fetched $275,000 and his Kingsguard armor — including his iconic Oathkeeper longsword — went for $212,500. Queensguard armor worn by the character Gregor "The Mountain" Clegane sold for $212,500.

In an interview when the auction was announced in September, Jay Roewe, HBO’s senior vice president of global incentives and production planning, said the sale speaks to the series' staying power five years after its finale.

"‘Game of Thrones’ was a zeitgeist moment in our culture. It was a zeitgeist moment in high-end television. It was a zeitgeist moment in terms of HBO," he said. "It’s impacted the culture."