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One Direction Singer Liam Payne Dead after Falling from Buenos Aires Hotel Balcony

FILE - One Direction members, from right, Liam Payne and Harry Styles perform on ABC's "Good Morning America" at Rumsey Playfield/SummerStage on Tuesday, Aug. 4, 2015, in New York. (Photo by Charles Sykes/Invision/AP, File)
FILE - One Direction members, from right, Liam Payne and Harry Styles perform on ABC's "Good Morning America" at Rumsey Playfield/SummerStage on Tuesday, Aug. 4, 2015, in New York. (Photo by Charles Sykes/Invision/AP, File)
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One Direction Singer Liam Payne Dead after Falling from Buenos Aires Hotel Balcony

FILE - One Direction members, from right, Liam Payne and Harry Styles perform on ABC's "Good Morning America" at Rumsey Playfield/SummerStage on Tuesday, Aug. 4, 2015, in New York. (Photo by Charles Sykes/Invision/AP, File)
FILE - One Direction members, from right, Liam Payne and Harry Styles perform on ABC's "Good Morning America" at Rumsey Playfield/SummerStage on Tuesday, Aug. 4, 2015, in New York. (Photo by Charles Sykes/Invision/AP, File)

Former One Direction singer Liam Payne was found dead after the 31-year-old fell from his third-floor room balcony at a hotel in Buenos Aires, Argentine police said on Wednesday.
Police said in a statement that they were called to the CasaSur hotel in the capital's leafy Palermo neighborhood after being notified of an "aggressive man who could be under the effects of drugs and alcohol", reported Reuters.
When they arrived, the hotel manager reported he had heard a loud noise from the inner courtyard and the police found that a man had fallen from the balcony of his room, the statement said.
In audio related to the case obtained from the Buenos Aires security ministry, a worker can be heard asking for police help.
"When he is conscious he is destroying the entire room and we need you to send someone," the worker said, adding that the guest's life was at risk because the room had a balcony.
Shooting to global fame as part of one of the best-selling boy bands of all time, Payne - like his band mates Harry Styles, Zayn Malik, Niall Horan and Louis Tomlinson - went on to pursue a solo career after they went on an "indefinite hiatus" in 2016. Payne's last single was "Teardrop", released in March this year.
While many of the details surrounding the circumstances of his death remain unclear, Payne had spoken publicly about his struggles with mental health and using alcohol to cope with the pressures of fame.
His death led to an outpouring of grief from music industry stars and fans, including those among the crowd who gathered outside the hotel.
Violeta Antier said she had come straight away after being told Payne had died.
"I saw him two weeks ago at a Niall (Horan) concert, another One Direction member. He was there, I saw him," she said.
"He was ok."
Payne attended an Oct. 2 concert by Horan in Buenos Aires. The two had posted videos together and with fans.
American singer Charlie Puth was among those expressing their grief.
"I am in shock right now. Liam was always so kind to me," he said on Instagram. "He was one of the first major artists I got to work with. I cannot believe he is gone."
Payne auditioned for the British version of X Factor for a second time in 2010 at the age of 16 and was put into a group with his future band mates by music mogul Simon Cowell.
Cowell told Rolling Stone in a 2012 interview that he'd "always backed" Payne at the time of his first audition in 2008 but he didn't quite make it because he had been too young.
"But I always knew that with confidence he would be a valuable member of this band, so I had no hesitation in bringing him back," he said.
The band may have finished third in X Factor that year but it went on to have more than 29 hits on Billboard's Hot 100 with six in the top 10, including "What Makes You Beautiful", "Story of My Life" and "Live While We're Young".
Payne's co-writing credits include "Story of My Life" and "Night Changes".
He teamed up with Rita Ora on the 2018 song "For You" and released his first studio album LP1 in 2019.
According to Celebrity Net Worth, Payne's One Direction and solo career helped garner him a net worth of some $70 million.
Payne had a son named Bear with British TV personality and Girls Aloud singer Cheryl.
Last year, he published a video to fans on his YouTube channel in which he spoke about his family, making new art and performing again after having given up alcohol. He thanked supporters for sticking with him through difficult times.
Earlier on Wednesday, Payne had appeared to post on Snapchat about his trip in Argentina, talking about riding horses, playing polo, and looking forward to returning home to see his dog.
"It's a lovely day here in Argentina," he said in the video.

 

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Movie Review: From Bumper to Bumper, ‘F1’ Is Formula One Spectacle 

Brad Pitt, from left, Lewis Hamilton, and Damson Idris attend the world premiere of "F1 The Movie" on Monday, June 16, 2025, in Times Square in New York. (Photo by Evan Agostini/Invision/AP)
Brad Pitt, from left, Lewis Hamilton, and Damson Idris attend the world premiere of "F1 The Movie" on Monday, June 16, 2025, in Times Square in New York. (Photo by Evan Agostini/Invision/AP)
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Movie Review: From Bumper to Bumper, ‘F1’ Is Formula One Spectacle 

Brad Pitt, from left, Lewis Hamilton, and Damson Idris attend the world premiere of "F1 The Movie" on Monday, June 16, 2025, in Times Square in New York. (Photo by Evan Agostini/Invision/AP)
Brad Pitt, from left, Lewis Hamilton, and Damson Idris attend the world premiere of "F1 The Movie" on Monday, June 16, 2025, in Times Square in New York. (Photo by Evan Agostini/Invision/AP)

The wide-screen spectacle of Formula One gets a gleaming, rip-roaring workout in Joseph Kosinski’s “F1,” a fine-tuned machine of a movie that, in its most riveting racing scenes, approaches a kind of high-speed splendor.

Kosinski, who last endeavored to put moviegoers in the seat of a fighter jet in “Top Gun: Maverick,” has moved to the open cockpits of Formula One with much the same affection, if not outright need, for speed. A lot of the same team is back. Jerry Bruckheimer produces. Ehren Kruger, a co-writer on “Maverick,” takes sole credit here. Hans Zimmer, a co-composer previously, supplies the thumping score.

And, again, our central figure is an older, high-flying cowboy plucked down in an ultramodern, gas-guzzling conveyance to teach a younger generation about old-school ingenuity and, maybe, the enduring appeal of denim.

But whereas Tom Cruise is a particularly forward-moving action star, Brad Pitt, who stars as the driving-addicted Sonny Hayes in “F1,” has always been a more arrestingly poised presence. Think of the way he so calmly and half-interestedly faces off with Bruce Lee in Quentin Tarantino’s “Once Upon a Time ... in Hollywood.” In the opening scene of “F1,” he’s sleeping in a van with headphones on when someone rouses him. He splashes some water on his face and walks a few steps over to the Daytona oval, where he quickly enters his team’s car, in the midst of a 24-hour race. Pitt goes from zero to 180 mph in a minute.

Sonny, a long-ago phenom who crashed out of Formula One decades earlier and has since been racing any vehicle, even a taxi, he can get behind the wheel of, is approached by an old friend, Ruben Cervantes (Javier Bardem) about joining his flagging F1 team, APX. Sonny turns him down at first but, of course, he joins and “F1” is off to the races.

The title sequence, exquisitely timed to the syncopated rhythms of Zimmer’s score, is a blistering introduction. The hotshot rookie driver Noah Pearce (Damson Idris) is just running a practice lap, but Kosinski, his camera adeptly moving in and out of the cockpit, uses the moment to plunge us into the high-tech world of Formula One, where every inch of the car is connected to digital sensors monitored by a watchful team. Here, that includes technical director Kate McKenna (Kerry Condon) and Kaspar Molinski (Kim Bodnia), the team’s chief.

Verisimilitude is of obvious importance to the filmmakers, who bathe this very Formula One-authorized film in all the sleek operations and globe-trotting spectacle of the sport. That Apple, which produced the film, would even go for such a high-priced summer movie about Formula One is a testament to the upswing in popularity of a sport once quite niche in America, and of the halo effects of both the Netflix series “Formula 1: Drive to Survive” and the seven-time world champion Lewis Hamilton, an executive producer on “F1.”

Whether “F1” pleases diehards, I’ll leave to more ardent followers of the circuit. But what I can say definitively is that Claudio Miranda knows how to shoot it. The cinematographer, who has shot all of Kosinski’s films as well as wonders like Ang Lee’s “Life of Pi,” brings Formula One to vivid, visceral life. When “F1” heads to the big races, Miranda is always simultaneously capturing the zooming cars from the asphalt while backgrounding it with the sweeping spectacle of a course like the UK’s fabled Silverstone Circuit.

OK, you might be thinking, so the racing is good; is there a story? There’s what I’d call enough of one, though you might have to go to the photo finish to verify that. When Sonny shows up, and rapidly turns one practice vehicle into toast, it’s clear that he’s going to be an agent of chaos at APX, a low-ranking team that’s in heavy debt and struggling to find a car that performs.

This gives Pitt a fine opportunity to flash his charisma, playing Sonny as an obsessive who refuses any trophy and has no real interest in money, either. The flashier, media-ready Noah watches Sonny's arrival with skepticism, and the two begin more as rivals than teammates. Idris is up to the mano-a-mano challenge, but he’s limited by a role ultimately revolving around and reducing to a young Black man learning a lesson in work ethic.

A relationship does develop, but “F1” struggles to get its characters out of the starting blocks, keeping them closer to the cliches they start out as. The actor who, more than anyone, keeps the momentum going is Condon, playing an aerodynamics specialist whose connection with Pitt’s Sonny is immediate. Just as she did in between another pair of headstrong men in “The Banshees of Inisherin,” Condon is a rush of naturalism.

If there’s something preventing “F1” from hitting full speed, it’s its insistence on having its characters constantly voice Sonny’s motivations. The same holds true on the race course, where broadcast commentary narrates virtually every moment of the drama. That may be a necessity for a sport where the crucial strategies of hot tires and pit-stop timing aren't quite household concepts. But the best car race movies — from “Grand Prix” to “Senna” to “Ferrari” — know when to rely on nothing but the roar of an engine.

“F1” steers predictably to the finish line, cribbing here and there from sports dramas before it. (Tobias Menzies plays a board member with uncertain corporate goals.) When “F1” does, finally, quiet down, for one blissful moment, the movie, almost literally, soars. It's not quite enough to forget all the high-octane macho dramatics before it, but it's enough to glimpse another road “F1” might have taken.