'Smile 2' Nicely Targets Pop Star Fame with the Terrific Naomi Scott

This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
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'Smile 2' Nicely Targets Pop Star Fame with the Terrific Naomi Scott

This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)
This image released by Paramount Pictures shows Naomi Scott in a scene from "Smile 2." (Paramount Pictures via AP)

In an early scene in “Smile 2,” the fictional pop superstar Skye Riley is in her drug dealer's apartment. “Do you believe in weird stuff?” he asks her, between doing lines of coke.
You certainly will after this horror romp — writer-director Parker Finn's second movie that suddenly opens up the franchise with the promises of multiple directions in the future. Not for that drug dealer, though: He soon smiles at her demonically as he repeatedly slams a 35-pound gym weight into his head, making it hamburger, The Associated Press said.
“Smile 2” lands as unsettling grins are plastered on pumpkins and politicians alike as we approach Halloween and Election Day, and the psychotic, overly made-up leads of “Joker: Folie à Deux” have been putting up a brave face at their terrible box-office numbers.
So it's the perfect time for a sequel to 2020's “Smile,” which bridged the gap between elevated art horror and straight-out, unapologetic slasher. Finn this time takes on fame, a better tonal fit than the generational trauma of the first. It's a meditation on breakdowns in the public eye, with a side dish of body horror.
We start six days after the last movie but they are barely connected — a single character for a few minutes — as we watch a demon that forces its victims to smile before meeting a gruesome end working its way into the low-level drug game.
The evil entity will eventually glom onto our heroine, Skye, a fictional Grammy-winning pop superstar akin to if Lady Gaga and Miley Cyrus had a baby. We meet her a year after a horrific car crash she was in that killed her famous boyfriend and left her with a Vicodin addiction and rumors about whether she had anything to do with it. That drug dealer has now infected Skye, but she has no idea what's in store (or in score, the terrific work of Cristobal Tapia de Veer).
One thing to really beam about is leading lady Naomi Scott going for it all-out, all snot, smeared blood and wide-eyed, full on-fear. Scott manages to pour her humanity into the part — diva, whimpering, defiant, strung out, panicked. She even sings on the soundtrack — songs that are credible hits.
The smile demon collides with Skye as she's about to launch a comeback tour and the pressure is on. Finn is at his best here, mocking confessional TV interviews — a Drew Barrymore cameo, a nice touch — full of self-work and apologies: “I let you down and I promise this will never happen again.” Her management demands that she show up “smile and read from the teleprompter.” Skye's mom — on the payroll — is little help: “You need to stay hydrated,” she tells her after Skye is clearly in torment.
Finn has become a much more assured filmmaker and uses humor so well here, from nasty gangsters enjoying pumpkin Frappuccinos to our heroine Googling “Does vomit have DNA?” He's still fond of jump-scares and blood spurting and gross-out tricks, like a body dragged by a truck until it's just a smear with entrails. One delightful moment has Skye chased by demonic backup dancers, a Bob Fosse-meets-"Thriller" sequence.
Finn also has a ball putting his heroines into cringe-worthy situations. In the first movie, a murdered cat got bundled into a kid’s birthday present. In this one, it's a impromptu speech in front of music industry types that goes horrifically off the rails. He's got a deeper target: How do we quiet those voices in our heads that say we're no good?
Finn's script sometime lags as he searches for an ending for “Smile 2,” seemingly in two minds, before basically delivering both, kicking up dream sequences and alternate timelines like a squid pumping out ink to cover its tracks. Over two hours ends up being too long.
But he has found a great satirical target, given life to a third film easily and showcased another rising star to watch. That's a reason to, well, smile about.
“Smile 2,” a Paramount Pictures release that lands in movie theaters on Friday, is rated R for “strong bloody violent content, grisly images, language throughout and drug use.” Running time: 127 minutes. Three stars out of four.



Ariana Grande Hosts 'SNL' for the First Time since the Last Female Presidential Nominee

Ariana Grande. (Reuters)
Ariana Grande. (Reuters)
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Ariana Grande Hosts 'SNL' for the First Time since the Last Female Presidential Nominee

Ariana Grande. (Reuters)
Ariana Grande. (Reuters)

Ariana Grande took the New York 30 Rock stage at “Saturday Night Live” for the third time as host and found herself in familiar circumstances.
“The last time I hosted was in 2016, and we were right on the verge of electing our first female president,” the 31-year-old singer and actor said in her monologue. “So, I guess, second time’s the charm?"
Grande, who first hosted in 2014, was doing it for the first time without also serving as musical guest — a role that fell to Stevie Nicks — and promised not to sing, before breaking into a song, The Associated Press said.
The theme continued as she vowed during the tune not to do her signature impressions of Britney Spears, Miley Cyrus and Gwen Stefani, before throwing out a bit of each. She would do a much longer version of Celine Dion in a sketch later in the show.
Grande hosted in promotion of her movie musical “Wicked,” the “Wizard of Oz” prequel set to be released next month.
She said playing the good witch Glinda as she does in the film is the dream of every theater kid like her, after “losing their virginity.”
Grande's episode comes amid a ratings spike for the sketch institution, likely brought on by its 50th season, and election season. Last month's season premiere brought in the most viewers since 2020.
Just as in the first two episodes of the new season, Maya Rudolph played Vice President Kamala Harris in the night's cold open, leading a group of former cast members returning as guest stars, including Andy Samberg as Harris' husband Doug Emhoff and Dana Carvey as President Joe Biden.
They teamed up for an election edition of “The Family Feud," taking on team Trump.
Kenan Thompson, the longest-tenured cast member in the show's history who began in 2003, reprised his long-running role as “Feud” host Steve Harvey and asked Rudolph-as-Harris about her recent media blitz.
“It’s been a hell of a week," she said. "I went on Howard Stern to reach the horny cab drivers, I went on ‘The View’ for the horny moms, and I also went on the podcast ‘Call Her Daddy’ because I have a message for young women: You need to go to the ballot box if you want the government out of your ballot box.”
Current cast member James Austin Johnson returned as Donald Trump, saying his opponent is "going to be horrible at this game. She’s a very low IQ person. The whole world is laughing at her because they don’t respect her.”
The 76-year-old Nicks was the “SNL” musical guest for the first time in more than 40 years. She opened with her brand new single, “The Lighthouse,” but the look of the performance was classic Stevie, with an abundance of rings and scarves and the singer draped in black. For her second song, she reached back with “Edge of Seventeen” from 1981.
Michael Keaton is set to host next week with musical guest Billie Eilish. John Mulaney and Chappell Roan are set for the following Saturday.
The onset of season 50 already has brought reflection and nostalgia in many forms, including “Saturday Night,” a movie comedy dramatizing the minutes before the first episode of the Lorne Michaels-helmed sketch institution on Oct. 11, 1975.
A three-hour primetime special on Feb. 16 is set to serve as the official 50th season celebration.