Dwayne Johnson’s $200 Million-plus Christmas Pic Opens to $34.1 Million

Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards
Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards
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Dwayne Johnson’s $200 Million-plus Christmas Pic Opens to $34.1 Million

Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards
Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards

Moviegoers were not exactly feeling the Christmas spirit this weekend, or at least not based on their attendance at “Red One” showings.
The big budget, star-driven action comedy with Dwayne Johnson and Chris Evans sold $34.1 million in tickets in its first weekend in theaters, according to studio estimates Sunday. It easily topped a box office populated mostly by holdovers.
For traditional studios, a $34.1 million debut against a $200 million-plus production budget would be a clear indication of a flop. Some even peg the budget closer to $250 million. But “Red One” is an Amazon MGM Studios release with the luxury of playing the long game rather than relying solely on global box office where Johnson tentpoles often overperform. The film may have a life on Prime Video for years to come, The Associated Press reported.
“Red One,” in which Johnson plays Santa’s bodyguard, was originally built to go straight-to-streaming. It was greenlit prior to Amazon's acquisition of MGM. One interpretation of its lifecycle is that the theatrical earnings are not only just a bonus, but an additive gesture toward struggling theaters looking for a consistent stream of new films.
“Amazon has 250 million plus worldwide subscribers to the platform. It’s similar to the way Netflix, I think, looks at stuff for their platform,” said Kevin Wilson, head of distribution for Amazon MGM Studios. “There’s a there’s a massive value for a movie like this in terms of how many eyeballs you’re going to get.”
The first major studio holiday release since 2018, “Red One” opened on 4,032 screens, including IMAX and other large formats, on an otherwise quiet weekend for major releases.
“We’re really happy with the results," Wilson said. “I think when you look at the theatrical marketplace that's sometimes unforgiving, especially for original films, this is a good result for us.”
Since 2020, only seven films that weren't sequels or based on another piece of intellectual property have opened over $30 million (including “Oppenheimer” and “Nope.”)
Warner Bros. is handling the overseas release, where it has made an estimated $50 million in two weekends from 75 territories and 14,783 screens.
Still, it’s certainly not a theatrical hit in North America. Even “Joker: Folie à Deux” made slightly more in its first weekend. “Red One,” directed by Jake Kasdan and produced by Johnson’s Seven Bucks, was roundly rejected by critics, with a dismal 33% Rotten Tomatoes score. Jake Coyle, in his review for The Associated Press, wrote that it “feels like an unwanted high-priced Christmas present.”
Audiences were kinder than they were to “Joker 2,” giving it an A- CinemaScore, suggesting, perhaps, that the idea of it becoming a perennial holiday favorite is not so off-base.
“Red One” is also overperforming in the middle of the country, Wilson said, and perhaps will have a nice holdover over Thanksgiving as a different option to the behemoths on the way.
Sony's “Venom: The Last Dance” added $7.4 million this weekend's box office to take second place, bringing its domestic total to $127.6 million. Globally, its total stands at $436.1 million.
Lionsgate's “The Best Christmas Pageant Ever” landed in third with $5.4 million. That much more modestly budgeted Christmas movie has already nearly doubled its $10 million production budget in two weeks. Fourth place went to A24’s Hugh Grant horror “Heretic,” with $5.2 million, bumping its total gross to $20.4 million.
Universal and DreamWorks Animation’s “The Wild Robot” rounded out the top five in its eighth weekend in theaters with an additional $4.3 million. The animated film surpassed $300 million worldwide.
This weekend is a bit of a stopover before the Thanksgiving tentpoles arrive. Next week, “Wicked” and “Gladiator II” face off in theaters with “Moana 2”, which also stars Johnson, sailing in the Wednesday before the holiday.
“Gladiator II” also got a bit of a head start internationally, where it opened in 63 markets this weekend to gross $87 million. That's a record for filmmaker Ridley Scott and for an R-rated international release from Paramount. It opens in the US and Canada on Nov. 22.



Comedian Conan O'Brien to Host Oscars

(FILES) US television host and comedian Conan O'Brien visits the briefing room of the White House December 15, 2023, in Washington, DC. (Photo by Brendan Smialowski / AFP)
(FILES) US television host and comedian Conan O'Brien visits the briefing room of the White House December 15, 2023, in Washington, DC. (Photo by Brendan Smialowski / AFP)
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Comedian Conan O'Brien to Host Oscars

(FILES) US television host and comedian Conan O'Brien visits the briefing room of the White House December 15, 2023, in Washington, DC. (Photo by Brendan Smialowski / AFP)
(FILES) US television host and comedian Conan O'Brien visits the briefing room of the White House December 15, 2023, in Washington, DC. (Photo by Brendan Smialowski / AFP)

Comedian Conan O'Brien, a former late-night television host, will be the emcee for the Oscars for the first time, taking over from fellow funnyman Jimmy Kimmel, organizers said Friday.
O'Brien, 61, will preside over Hollywood's biggest night next March, hoping to maintain -- and even perhaps improve -- on an uptick in ratings seen earlier this year, AFP reported.
"America demanded it and now it's happening: Taco Bell's new Cheesy Chalupa Supreme. In other news, I'm hosting the Oscars," O'Brien quipped in a statement from the Academy of Motion Picture Arts and Sciences.
Academy CEO Bill Kramer and President Janet Yang called O'Brien "the perfect person to help lead our global celebration of film with his brilliant humor, his love of movies and his live TV expertise."
"His remarkable ability to connect with audiences will bring viewers together to do what the Oscars do best -- honor the spectacular films and filmmakers of this year," they said in the statement.
Executive producers Raj Kapoor and Katy Mullan hailed O'Brien as "incredibly witty, charismatic and funny."
O'Brien, a five-time Emmy winner, hosted several late-night talk shows, including "The Tonight Show," and currently hosts the podcast "Conan O'Brien Needs a Friend." He previously served as a writer for "Saturday Night Live."
Kimmel first hosted the Oscars in 2017 and 2018. He was then brought back in 2023 after the previous year's ceremony featured actor Will Smith's infamous on-stage slap of Chris Rock. Kimmel also hosted the gala this past March.
Almost 20 million tuned in for the last Oscars -- a welcome upward trend for organizers of live awards shows, which have been shedding viewers as they compete for viewers with streamers and social media highlight clips.
The 97th Academy Awards will be held on March 2, 2025 at the Dolby Theatre in Hollywood.