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Jon M. Chu’s Immersive ‘Wicked’ Readies for Release

US singer and actor Ariana Grande (L) and British actor and singer Cynthia Erivo (R) on the green carpet at the UK premiere of "'Wicked" at the Royal Festival Hall in London, Britain, 18 November 2024. (EPA)
US singer and actor Ariana Grande (L) and British actor and singer Cynthia Erivo (R) on the green carpet at the UK premiere of "'Wicked" at the Royal Festival Hall in London, Britain, 18 November 2024. (EPA)
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Jon M. Chu’s Immersive ‘Wicked’ Readies for Release

US singer and actor Ariana Grande (L) and British actor and singer Cynthia Erivo (R) on the green carpet at the UK premiere of "'Wicked" at the Royal Festival Hall in London, Britain, 18 November 2024. (EPA)
US singer and actor Ariana Grande (L) and British actor and singer Cynthia Erivo (R) on the green carpet at the UK premiere of "'Wicked" at the Royal Festival Hall in London, Britain, 18 November 2024. (EPA)

The worldwide premiere tour for "Wicked" landed in London on Monday for a final outing ahead of the musical film's release, with director Jon M. Chu saying he hopes audiences will be moved by the spectacle.

The London leg of the tour, with previous stops in Sydney, Los Angeles, Mexico City and New York, was called "Emerald City," and featured a green carpet flanked with decorations inspired by the capital city of the Land of Oz.

Under a persistent drizzle, lead actors Ariana Grande and Cynthia Erivo and their co-stars Jonathan Bailey, Michelle Yeoh, Jeff Goldblum and Ethan Slater greeted screaming fans.

Chu was happy to soak in the atmosphere after missing the Los Angeles premiere due to the birth of his fifth child.

"It's a lot of emotions. We've worked many years on this movie. I worked just a little bit on the baby. To have them come out at the same time, that has to be a sign from somewhere to say that this movie is blessed," he said in an interview.

"Wicked" is based on Stephen Schwartz's musical of the same name, adapted from the 1995 book by Gregory Maguire. It tells the story of the green-skinned young woman Elphaba (Erivo) who goes on to become the Wicked Witch of the West from the classic children's novel "The Wizard of Oz".

Pop star Grande plays the privileged and popular Glinda whom Elphaba befriends at university.

"This is Wizard of Oz, this is Oz. It's iconic in cinematic history. We didn't want to disappoint," said Chu.

"We wanted to immerse people in the Land of Oz. We wanted to make you touch it and feel it in ways that you haven't been able to do. We wanted to make a big spectacle on the scale of 'Ben-Hur' and 'Lawrence of Arabia'."

The second installment of the two-part film series is slated for release in November 2025.

"We've shot part two. I'm cutting it right now, and it's a doozy. It's very exciting. If you like part one, get ready for a whole new ride!" Chu promised.

"Wicked" begins its global cinematic rollout on Nov. 20.

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Dwayne Johnson’s $200 Million-plus Christmas Pic Opens to $34.1 Million

Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards
Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards
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Dwayne Johnson’s $200 Million-plus Christmas Pic Opens to $34.1 Million

Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards
Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards

Moviegoers were not exactly feeling the Christmas spirit this weekend, or at least not based on their attendance at “Red One” showings.
The big budget, star-driven action comedy with Dwayne Johnson and Chris Evans sold $34.1 million in tickets in its first weekend in theaters, according to studio estimates Sunday. It easily topped a box office populated mostly by holdovers.
For traditional studios, a $34.1 million debut against a $200 million-plus production budget would be a clear indication of a flop. Some even peg the budget closer to $250 million. But “Red One” is an Amazon MGM Studios release with the luxury of playing the long game rather than relying solely on global box office where Johnson tentpoles often overperform. The film may have a life on Prime Video for years to come, The Associated Press reported.
“Red One,” in which Johnson plays Santa’s bodyguard, was originally built to go straight-to-streaming. It was greenlit prior to Amazon's acquisition of MGM. One interpretation of its lifecycle is that the theatrical earnings are not only just a bonus, but an additive gesture toward struggling theaters looking for a consistent stream of new films.
“Amazon has 250 million plus worldwide subscribers to the platform. It’s similar to the way Netflix, I think, looks at stuff for their platform,” said Kevin Wilson, head of distribution for Amazon MGM Studios. “There’s a there’s a massive value for a movie like this in terms of how many eyeballs you’re going to get.”
The first major studio holiday release since 2018, “Red One” opened on 4,032 screens, including IMAX and other large formats, on an otherwise quiet weekend for major releases.
“We’re really happy with the results," Wilson said. “I think when you look at the theatrical marketplace that's sometimes unforgiving, especially for original films, this is a good result for us.”
Since 2020, only seven films that weren't sequels or based on another piece of intellectual property have opened over $30 million (including “Oppenheimer” and “Nope.”)
Warner Bros. is handling the overseas release, where it has made an estimated $50 million in two weekends from 75 territories and 14,783 screens.
Still, it’s certainly not a theatrical hit in North America. Even “Joker: Folie à Deux” made slightly more in its first weekend. “Red One,” directed by Jake Kasdan and produced by Johnson’s Seven Bucks, was roundly rejected by critics, with a dismal 33% Rotten Tomatoes score. Jake Coyle, in his review for The Associated Press, wrote that it “feels like an unwanted high-priced Christmas present.”
Audiences were kinder than they were to “Joker 2,” giving it an A- CinemaScore, suggesting, perhaps, that the idea of it becoming a perennial holiday favorite is not so off-base.
“Red One” is also overperforming in the middle of the country, Wilson said, and perhaps will have a nice holdover over Thanksgiving as a different option to the behemoths on the way.
Sony's “Venom: The Last Dance” added $7.4 million this weekend's box office to take second place, bringing its domestic total to $127.6 million. Globally, its total stands at $436.1 million.
Lionsgate's “The Best Christmas Pageant Ever” landed in third with $5.4 million. That much more modestly budgeted Christmas movie has already nearly doubled its $10 million production budget in two weeks. Fourth place went to A24’s Hugh Grant horror “Heretic,” with $5.2 million, bumping its total gross to $20.4 million.
Universal and DreamWorks Animation’s “The Wild Robot” rounded out the top five in its eighth weekend in theaters with an additional $4.3 million. The animated film surpassed $300 million worldwide.
This weekend is a bit of a stopover before the Thanksgiving tentpoles arrive. Next week, “Wicked” and “Gladiator II” face off in theaters with “Moana 2”, which also stars Johnson, sailing in the Wednesday before the holiday.
“Gladiator II” also got a bit of a head start internationally, where it opened in 63 markets this weekend to gross $87 million. That's a record for filmmaker Ridley Scott and for an R-rated international release from Paramount. It opens in the US and Canada on Nov. 22.