Whoopi Goldberg Plays the Baddie Onstage in ‘Annie’ This Holiday Season in New York

Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)
Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)
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Whoopi Goldberg Plays the Baddie Onstage in ‘Annie’ This Holiday Season in New York

Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)
Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)

Whoopi Goldberg is about to break two ironclad rules of show business — never work with animals or children.

The actor and TV host is slipping into the terrifying role of Miss Hannigan when the latest touring production of "Annie" lands in New York City for the holidays.

"I’m having the time of my life," the EGOT-winning Goldberg says between rehearsals as she readies to tell the tale of a spunky young orphan with her dog Sandy set during the Depression.

"I thought, ‘Who can we cast in that iconic role that would be right artistically and right for a large venue and right for an audience?’ And it just felt like she was the right person," says Carolyn Rossi Copeland, who is producing the new tour.

Goldberg will help lead the show at The Theater at Madison Square Garden from Dec. 11-Jan. 5. The tour has a deep connection to the first version of the hit show: It is being directed by Jenn Thompson, who at the age of 10 stepped into the role of Pepper in the original Broadway production.

"It’s been a really beautiful journey. I have a lot of ghosts I got to exorcise and revisit and reclaim," says Thompson, who for the new show has chipped away at the layers of productions and charted a course back to the original production.

"It had changed a lot over the years. It had gone through many revisions and alterations and it wasn’t even a conscious mission when I started but that’s where we ended up — kind of back at the beginning."

Goldberg laughs when she says she signed on before realizing how much was going to be required of her. "I’m rusty. I’m old," says the "The View" co-host.

"I got in the middle of it and I thought, maybe this is more than I can handle. And then a little voice said, ‘Really? You know, if you said this is more than I can handle to anyone, they would laugh you off the stage because it’s not.’ It’s exactly what I can handle."

Hannigan is a gin-swilling orphanage head who calls her charges "brats," denies them hot mush and threatens "your days are numbered." She has two great songs — "Easy Street" and "Little Girls."

The musical contains musical gems like "Tomorrow" and "It’s the Hard Knock Life." Martin Charnin’s lyrics, which earned him and songwriter Charles Strouse a Tony for best score in 1977, are playful and moving: "You’re never fully dressed/without a smile" and "No one cares for you a smidge/when you’re in an orphanage."

"I love the dark side of it," says Thompson. "There’s a lot of joy and there’s a lot of rage and they are in conversation with each other. And it’s what makes it a great musical in my mind."

"Annie" has been adapted many times for the screen, including a 1982 film version, another in 1999 and one in 2014 starring Quvenzhané Wallis, and a live TV version in 2021 on NBC with Harry Connick Jr. and Taraji P. Henson.

The tour after the new year will head to Maryland, Alabama, Illinois, Connecticut, Florida, Indiana, California, Washington, Pennsylvania, Georgia, Nebraska, Colorado, Texas and Wisconsin.

The musical was born in the wake of the Vietnam War and the Nixon administration and the creators have said they were seeking to offer some hope. "I think it is a story about survival and choosing the light when you are in the dark," says Thompson.

The musical first premiered on Broadway in 1977 and was revived in 1997 and 2012. The 1977 original show won the Tony Award as best musical and ran for 2,300 performances, inspiring tours and revivals that never went out of style. It last played New York on Broadway in 2012-14.

"The original show was just endowed with so much hope and optimism and the comedy in it was honest," says Copeland. "It’s really back to its roots. There’s no gags and gimmicks."

Others who have played Hannigan include Carol Burnett, Kathy Bates, Dorothy Loudon, Nell Carter, Katie Finneran, Jane Lynch and Henson. Goldberg says she's stayed away from watching any versions "so I wouldn’t copy other people."

Goldberg has a long history with New York theater, producing such shows as "Sister Act,Xanadu" and "Thoroughly Modern Millie," as well as performing in "Ma Rainey’s Black Bottom" and "A Funny Thing Happened on the Way to the Forum."

"I don’t sound like Cynthia Erivo," she says. "I don’t sound like Nicole Scherzinger. I don’t sound like anybody. I don’t sound like Audra McDonald. I just sound like me. And for ‘Annie,’ it’s the right sound."



In Hollywood, AI's No Match for Creativity, Say Top Executives

US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
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In Hollywood, AI's No Match for Creativity, Say Top Executives

US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP

Artificial intelligence is transforming Hollywood at a pace that has sent shockwaves through creative industries, but human creativity will always prevail, a leading executive at the cutting edge of that change told AFP.

The disruption was a dominant theme at this week's South by Southwest conference in Austin, Texas where veteran director Steven Spielberg made clear he was drawing a line in the sand.

"I've never used AI on any of my films yet. We have a writer's room. All the seats are occupied," Spielberg said. "I am not for AI if it replaces a creative individual."

Joshua Davies, chief innovation officer of Artlist -- an AI video platform that has most recently been positioning itself as a supplier of creative tools to filmmakers -- told AFP the technology would never eclipse the human creative.

If given the choice between something made using an AI told by a techie and a creative, "I know which one I would rather watch at the end," said Davies, who founded video editing software company FXhome before it was acquired by Artlist in 2021.

Davies acknowledged the industry's anxiety was not unfounded, with new video models having "struck fear in the hearts of everybody" -- not just over copyright and personality infringement, but over the fundamental question of how film and television production will look in a matter of years.

"If I was bringing out an Iron Man movie in 2027, 2028 -- would I be going to multiple visual effects houses, would I expect them to be utilizing AI? We're all kind of working out our way through that," he said.

Davies described the platform's AI video tools as a way to "fill in the bits that you can't shoot, or didn't shoot, or you don't have the budget to shoot," rather than a wholesale substitution for going out on location.

- 'Holy grail' -

Yet the timing is charged. Editors, visual effects artists and other Hollywood professions have watched the rapid advance of generative AI with alarm, fearing that tools capable of producing broadcast-quality footage at a fraction of traditional costs could hollow out entire job categories.

Major studios are actively evaluating how AI can be integrated into production pipelines, foreshadowing significant workforce changes across an industry that has already endured a bruising period following the covid pandemic and writers' and actors' strikes of 2023.

Artlist made headlines in February when it produced a Super Bowl LX spot in under five days using its own products, at a fraction of the multi-million-dollar cost typical of Big Game advertising.

Davies was keen to push back on the narrative that the ad represented the future of production without human involvement.

That wasn't what it was, he said. It was creatives "using the tool to get the very best out of it."

A self-described "techie guy," Davies said the platform's current obsession is on giving creators nuanced control over creating or editing footage -- something he described as the company's "holy grail."

Existing models, he said, handle simple static shots reasonably well but struggle with complex camera movements and consistent performance across multiple takes.

You can prompt an elaborate shot, but for now "you'll get something random" that you can't work with.

On cost, Davies cautioned against unrealistic expectations, suggesting AI would reduce production expenses significantly but not eliminate them.

Davies said his long-term hope was that AI would serve as a leveling force for independent filmmakers and content creators who currently lack the budgets to realize their ambitions.

"There are definitely YouTubers who make some of the best action work out there on no budget," he said.

"AI will level that playing field completely -- the story will be what matters."

He struck a cautiously optimistic note on the creative industry's direction, dismissing the most dystopian predictions.

"The idea that no one works at the end of it is the bit that doesn't hold any water with me," he said.

"There's been more and more of everything, not less and less -- and the cream rises to the top anyway, because the human element is what we crave."


BTS Say They’re ‘Just Country Kids’ Ahead of Comeback Mega-Gig

People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)
People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)
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BTS Say They’re ‘Just Country Kids’ Ahead of Comeback Mega-Gig

People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)
People walk past a billboard promoting a comeback concert of K-pop boy group BTS at Gwanghwamun Square in Seoul on March 17, 2026. (AFP)

K-pop megastars BTS still see themselves as "country kids from South Korea", according to a trailer for a new documentary released Tuesday ahead of their huge comeback concert this weekend.

More than a quarter of a million fans are expected to throng central Seoul on Saturday for BTS's open-air gig, the first performance in almost four years by the boy band seen as the biggest in the world.

A day before, the group's fifth studio album, "ARIRANG" -- named after a beloved folk song about longing and separation, something of an unofficial national anthem of South Korea -- will be released.

The documentary, "BTS: The RETURN", will be released on Netflix on March 27, chronicling the seven-member group's comeback after completing their military service, widely seen as a grueling experience for young conscripts.

"We are still just country kids from South Korea," the group's leader RM says in the trailer.

"We are trying to find out what makes us BTS," the 31-year-old added.

At the height of their fame prior to their hiatus, BTS frequently ranked among the most popular artists on music streaming platform Spotify, mixing with the likes of Taylor Swift and Justin Bieber.

After visiting the White House, releasing hugely successful English-language albums and performing at famous venues around the world, the group has chosen a historic stage at home for the grand comeback this weekend.

The concert will be staged at Seoul's sweeping Gwanghwamun Square, near the historic Gyeongbokgung Palace.

The area is also where many of South Korea's political protests have taken place, including those following former president Yoon Suk Yeol's declaration of martial law in December 2024.

The trailer featured the melody from "Arirang" the folk song, which is associated by many with themes of resilience and enduring longing.

"Arirang is a song imbued with han," an unidentified BTS member says in the trailer, referring to the Korean term for an unresolved grief rooted in the country's history, including war, division and family separation.


Oscar-Winner Sean Penn Skips Ceremony to Visit Kyiv

In this handout photograph taken and released by the Ukrainian Presidential Press Service on March 16, 2026, Ukraine's President Volodymyr Zelensky (L) meets with US actor Sean Penn (R) at his office in Kyiv, amid the Russian invasion of Ukraine. (Handout / Ukrainian Presidential Press Service / AFP)
In this handout photograph taken and released by the Ukrainian Presidential Press Service on March 16, 2026, Ukraine's President Volodymyr Zelensky (L) meets with US actor Sean Penn (R) at his office in Kyiv, amid the Russian invasion of Ukraine. (Handout / Ukrainian Presidential Press Service / AFP)
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Oscar-Winner Sean Penn Skips Ceremony to Visit Kyiv

In this handout photograph taken and released by the Ukrainian Presidential Press Service on March 16, 2026, Ukraine's President Volodymyr Zelensky (L) meets with US actor Sean Penn (R) at his office in Kyiv, amid the Russian invasion of Ukraine. (Handout / Ukrainian Presidential Press Service / AFP)
In this handout photograph taken and released by the Ukrainian Presidential Press Service on March 16, 2026, Ukraine's President Volodymyr Zelensky (L) meets with US actor Sean Penn (R) at his office in Kyiv, amid the Russian invasion of Ukraine. (Handout / Ukrainian Presidential Press Service / AFP)

Sean Penn, who won an Oscar for best supporting actor for "One Battle After Another" on Sunday, was in Ukraine on Monday where he met President Volodymyr Zelensky in a show of support for the war-torn country.

An AFP reporter saw the "Mystic River" star getting out of a black car in central Kyiv earlier Monday, wearing sunglasses and carrying a box of cigarettes.

Penn -- a vocal advocate for Ukraine who has visited the country several times -- on Sunday won his third acting Oscar but was not at the ceremony.

"We can say that he's in Ukraine, but it's his personal visit; that's how he sees it, that he needs to be in Ukraine," a senior Ukrainian official told AFP, adding: "He just wants to support Ukraine."

Penn -- who co-directed a 2023 documentary about Zelensky -- met the Ukrainian president on Monday.

"Sean, thanks to you, we know what a true friend of Ukraine is," Zelensky said on social media, posting a picture of the pair sat down in the president's office.

"You have stood with Ukraine since the first day of the full-scale war. This is still true today," Zelensky said.

In an interview with AFP in February, Zelensky listed "One Battle After Another", starring Penn, among his most recently watched movies and said he "liked it".

A second source told AFP that the actor was also "planning to go to the front" in eastern Ukraine.

The film Penn co-directed, an admiring portrait of Zelensky about his rise from comedian to war leader when Russia invaded in 2022, premiered at the Berlin film festival in 2023.

In 2025, Penn and rock star Bono made an impassioned plea at the Cannes film festival for the West to stand by Ukraine, posing for pictures on the red carpet with Ukrainian soldiers.