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Whoopi Goldberg Plays the Baddie Onstage in ‘Annie’ This Holiday Season in New York

Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)
Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)
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Whoopi Goldberg Plays the Baddie Onstage in ‘Annie’ This Holiday Season in New York

Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)
Whoopi Goldberg attends an event, July 20, 2024, in Los Angeles. (AP)

Whoopi Goldberg is about to break two ironclad rules of show business — never work with animals or children.

The actor and TV host is slipping into the terrifying role of Miss Hannigan when the latest touring production of "Annie" lands in New York City for the holidays.

"I’m having the time of my life," the EGOT-winning Goldberg says between rehearsals as she readies to tell the tale of a spunky young orphan with her dog Sandy set during the Depression.

"I thought, ‘Who can we cast in that iconic role that would be right artistically and right for a large venue and right for an audience?’ And it just felt like she was the right person," says Carolyn Rossi Copeland, who is producing the new tour.

Goldberg will help lead the show at The Theater at Madison Square Garden from Dec. 11-Jan. 5. The tour has a deep connection to the first version of the hit show: It is being directed by Jenn Thompson, who at the age of 10 stepped into the role of Pepper in the original Broadway production.

"It’s been a really beautiful journey. I have a lot of ghosts I got to exorcise and revisit and reclaim," says Thompson, who for the new show has chipped away at the layers of productions and charted a course back to the original production.

"It had changed a lot over the years. It had gone through many revisions and alterations and it wasn’t even a conscious mission when I started but that’s where we ended up — kind of back at the beginning."

Goldberg laughs when she says she signed on before realizing how much was going to be required of her. "I’m rusty. I’m old," says the "The View" co-host.

"I got in the middle of it and I thought, maybe this is more than I can handle. And then a little voice said, ‘Really? You know, if you said this is more than I can handle to anyone, they would laugh you off the stage because it’s not.’ It’s exactly what I can handle."

Hannigan is a gin-swilling orphanage head who calls her charges "brats," denies them hot mush and threatens "your days are numbered." She has two great songs — "Easy Street" and "Little Girls."

The musical contains musical gems like "Tomorrow" and "It’s the Hard Knock Life." Martin Charnin’s lyrics, which earned him and songwriter Charles Strouse a Tony for best score in 1977, are playful and moving: "You’re never fully dressed/without a smile" and "No one cares for you a smidge/when you’re in an orphanage."

"I love the dark side of it," says Thompson. "There’s a lot of joy and there’s a lot of rage and they are in conversation with each other. And it’s what makes it a great musical in my mind."

"Annie" has been adapted many times for the screen, including a 1982 film version, another in 1999 and one in 2014 starring Quvenzhané Wallis, and a live TV version in 2021 on NBC with Harry Connick Jr. and Taraji P. Henson.

The tour after the new year will head to Maryland, Alabama, Illinois, Connecticut, Florida, Indiana, California, Washington, Pennsylvania, Georgia, Nebraska, Colorado, Texas and Wisconsin.

The musical was born in the wake of the Vietnam War and the Nixon administration and the creators have said they were seeking to offer some hope. "I think it is a story about survival and choosing the light when you are in the dark," says Thompson.

The musical first premiered on Broadway in 1977 and was revived in 1997 and 2012. The 1977 original show won the Tony Award as best musical and ran for 2,300 performances, inspiring tours and revivals that never went out of style. It last played New York on Broadway in 2012-14.

"The original show was just endowed with so much hope and optimism and the comedy in it was honest," says Copeland. "It’s really back to its roots. There’s no gags and gimmicks."

Others who have played Hannigan include Carol Burnett, Kathy Bates, Dorothy Loudon, Nell Carter, Katie Finneran, Jane Lynch and Henson. Goldberg says she's stayed away from watching any versions "so I wouldn’t copy other people."

Goldberg has a long history with New York theater, producing such shows as "Sister Act,Xanadu" and "Thoroughly Modern Millie," as well as performing in "Ma Rainey’s Black Bottom" and "A Funny Thing Happened on the Way to the Forum."

"I don’t sound like Cynthia Erivo," she says. "I don’t sound like Nicole Scherzinger. I don’t sound like anybody. I don’t sound like Audra McDonald. I just sound like me. And for ‘Annie,’ it’s the right sound."

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Entertainment

Tom Cruise Touts ‘Wild’ Dark Comedy ‘Digger’ to Theater Owners

Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)
Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)
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Tom Cruise Touts ‘Wild’ Dark Comedy ‘Digger’ to Theater Owners

Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)
Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)

Tom Cruise said he took four decades of acting to get to a place where he could play the eccentric oil tycoon at the center of an upcoming dark comedy, "Digger."

Cruise introduced the first images from the movie on Tuesday at the CinemaCon convention of theater owners in Las Vegas.

They showed the 63-year-old transformed into the character Digger Rockwell, an older man with thinning gray hair, a beer belly, a Southern accent and a fondness ‌for cats.

In ‌the movie, Rockwell inadvertently unleashes an ecological disaster that ‌carries ⁠the world to ⁠the brink of nuclear war, before scrambling to try and save the planet.

"It took 40 years to be able to put on the boots of Digger Rockwell and play the many, many layers of this character," Cruise said. "The movie is wild, it's funny, and I can't wait for you all to see it."

The Warner Bros movie is set ⁠to debut in theaters in October.

Cruise was joined on ‌stage by the film's director, four-time Oscar ‌winner Alejandro Inarritu.

The maker of "Birdman" and "The Revenant" said he and Cruise first discussed ‌the film seven years ago.

Cruise, who was filming "Top Gun: Maverick" ‌at the time, said he had been an admirer of Inarritu's films and rushed over to the director's house on his motorcycle when he asked to meet.

"We know that he is fearless: the stunts, the planes, the jumps," Inarritu ‌said of Cruise. "But I have to say, I think this is another kind of fearless. This ⁠role possibly could ⁠be (his) most challenging," adding, "It was a high-wire act."

Cruise kicked off a celebrity-studded presentation of upcoming films from Warner Bros, the studio coming off a year of commercial success and 11 Oscars. It is in the process of being sold to Paramount Skydance in $110-billion deal.

Zendaya, Timothee Chalamet and Jason Momoa touted "Dune: Part Three," the conclusion to the sci-fi series due for release in December. The film is set 17 years after the events of the second "Dune" movie.

"The years don't seem to have been kind to anyone on Dune," Zendaya said, explaining where the series picks up. "It's been a really difficult, challenging, ungentle and unkind few years, and I think there's so much left still to fight for."

Entertainment

Billy Crystal Will Return to Broadway in One-Man Show About the House He Lost to LA Wildfires

Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)
Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)
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Billy Crystal Will Return to Broadway in One-Man Show About the House He Lost to LA Wildfires

Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)
Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)

Billy Crystal will return to Broadway this fall in a very intimate one-man show that will take the audience into his family's longtime Los Angeles home that was leveled in wildfires.

“860,” written and performed by the Tony- and Emmy-winner, will begin previews this October at a theater to be revealed later. The title comes from the street address for the home Crystal and his family lived in for 46 years, a house lost in last year's devastating Palisades fires.

“I invite you to come inside 860 and I’ll tell you all the funny and touching things that happened there, not only in my career but to our family,” Crystal said in a statement. “It’s a joyous and heartfelt visit, about how with the love of family and friends and your inner strength, you can get through tough times.”

This is Crystal’s first return to Broadway following his “Mr. Saturday Night,” which he premiered in 2022 and earned Tony nominations for best book and lead actor in a musical. Scott Ellis will direct his new work.

Crystal has had success with one-man shows before. He turned his memoir “700 Sundays” into a stage show — in 2004 and revived in 2013 — that won him a Drama Desk Award in 2005.

The Palisades and Eaton fires erupted in Jan. 7, 2025, killing 31 people and destroying about 13,000 homes and other residential properties. The fires burned for more than three weeks and clean-up efforts took about seven months.

At the televised fundraising concert FireAid, held at the end of January 2025, Crystal appeared as the first host in the same clothes he was wearing when he fled his family home.

Crystal said he returned to the wreckage of his home and began to wail: “I had not cried like that since I was 15 and I was told that my father had just died.” His daughters soon found a rock in the wreckage with the word “Laughter” engraved in it.

Crystal made a name for himself first in comedy, from stand-up to TV’s “Soap” to the films “When Harry Met Sally” and “City Slickers.” Then in 1992, he got serious with the movie “Mr. Saturday Night,” which he directed, co-wrote and starred in.

Entertainment

Inside the Fireproof Vault Housing US Movie History

Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)
Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)
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Inside the Fireproof Vault Housing US Movie History

Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)
Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)

Once upon a time in the golden days of Hollywood, the movies were bigger, the stars brighter and the celluloid they were filmed on was, well, explosive.

Which is why the US Library of Congress maintains a special, fireproof vault in Virginia, near Washington, DC.

There, the highly combustible nitrate film used from the dawn of cinema in the 1890s until the early 1950s has a permanent home, rarely accessed by the public but toured by AFP.

Lost movies on the volatile but durable medium are still being discovered and preserved in the facility. And thanks to digitization, the lost treasures can also be safely viewed for the first time in decades.

Some 145,000 film reels are stored in strictly fireproof conditions in a vast, chilly vault at the library's National Audio-Visual Conservation Center in Culpeper, Virginia.

It is crammed with cinematic treasures that rekindle warm memories of an era when movies ruled.

The vault's leader, George Willeman, reeled off the names of classics with negatives there: "Casablanca," Frank Capra-directed films like "Mr. Smith Goes to Washington," and the grand-daddy of all action movies, "The Great Train Robbery" from 1903.

Down a spartan corridor so long it seemed to recede into the distance, he unlocked a series of cell-like steel doors.

Inside each of the 124 cells -- there's one dedicated just to the Disney archive -- were floor-to-ceiling cubby holes.

Each one held film canisters containing negatives and prints, all arranged meticulously: packed tight to prevent canisters from opening, but far enough apart to prevent any fire from spreading.

Since being set up in 2007 in a former US Federal Reserve building in the foothills of the Blue Ridge Mountains, the vault has maintained a perfect no-fire record.

- Film nerds' delight -

Nitrate film is just part of the center's collection of more than six million items of moving images and recorded sound. They also have supporting scripts, posters and photos.

Willeman, who sports a button badge with the invocation to "Experience Nitrate," said the Library of Congress began preserving the medium when in the 1960s, "it was discovered that so much film was being lost" due to fires and defunct companies throwing negatives away.

With the American Film Institute, the library began collecting and copying nitrate film, including the holdings of big Hollywood studios - RKO, Warner Brothers, Universal, Columbia and Walt Disney.

They also tapped the personal collections of film icons like movie impresario and silent era star Mary Pickford and motion pictures inventor Thomas Edison, whose early studio produced hundreds of films.

"We're 50 some years in, and it (the collection) just keeps growing," Willeman said.

With the arrival of digital media, the mission has expanded beyond preservation for purists and cinema historians -- who say movies just look better on nitrate footage -- to putting old films online.

"Now we can make them available for everybody, which to me, being the film nerd I've been since, like, third grade, is just amazing."

Nitrate film made by early artisans often preserves better than the later safety film, said Courtney Holschuh, nitrate archive technician.

At a workstation with no light bulbs or exposed batteries -- either of which could ignite dust or gas from vintage film -- Holschuh recounted how last September she carefully peeled apart a cache of 10 vintage reels donated by a retired schoolteacher.

There were 42 different titles on the reels -- only 26 of which have been identified. They included a lost film, "Gugusse and the Automaton," by French cinema pioneer Georges Melies.

"So much of our early film history is still out there for us to see and to experience," Willeman said.