S. Korea Netflix Mega Hit 'Squid Game' Premieres in Seoul after Martial Law

Season 2 of "Squid Game" premieres in Seoul as South Korea grapples with a political crisis. Jung Yeon-je / AFP
Season 2 of "Squid Game" premieres in Seoul as South Korea grapples with a political crisis. Jung Yeon-je / AFP
TT
20

S. Korea Netflix Mega Hit 'Squid Game' Premieres in Seoul after Martial Law

Season 2 of "Squid Game" premieres in Seoul as South Korea grapples with a political crisis. Jung Yeon-je / AFP
Season 2 of "Squid Game" premieres in Seoul as South Korea grapples with a political crisis. Jung Yeon-je / AFP

Squid Game is back. Netflix's most popular show ever, a dystopian South Korean vision of divided society, premieres its highly-anticipated second season on Monday as Seoul battles real-life policial chaos.
The show's return comes just days after South Korea's President Yoon Suk Yeol triggered a national crisis by briefly declaring martial law, until he was forced into a dramatic reversal by determined lawmakers, who battled heavily-armed soldiers in parliament to vote it down, AFP said.
Yoon remains in office having survived an impeachment bid, with his party accused of staging a "second coup" to cling on to power, the opposition vowing to try to remove him again, and massive street protests expected this weekend.
"Squid Game", an ultra-violent tale exploring themes of division and inequality, is considered to be one of the most significant works in solidifying South Korea's status as a global cultural powerhouse, alongside the Oscar-winning film "Parasite" and K-pop megastars BTS.
Hwang Dong-hyuk, who wrote and directed both seasons of the show, said he was feeling "heavy-hearted" by what happened in his country ahead of the show's second season red carpet premiere on Monday, with global release set for December 26.
"It is extremely unfortunate and infuriating... that the entire nation cannot sleep due to such absurd circumstances," he said at a press conference in Seoul.
Due to the political chaos, South Koreans have had "to take to the streets, and must spend the end of the year filled with anxiety, fear, and depression," he said, adding he had stayed up all night to watch the martial law events unfold in live news broadcasts.
He urged "the person responsible" for the real-life drama, President Yoon, to accept responsibility "whether it is through impeachment or voluntary resignation."
'In the abyss'
Squid Game Season 2 introduces several new young characters, including a "crypto expert" who has amassed significant debt and a transgender person who cannot afford gender confirmation surgery.
The main protagonist, Seong Gi-hun, played by megastar Lee Jung-jae, returns and joins the game again.
The second season takes place -- spoiler alert -- three years after Gi-hun won first time around, and he is determined to bring down the organization responsible for the violent life-and-death games.
The original show, released in 2021, was a high point for the "Hallyu" or Korean wave -- the seemingly inexorable rise of South Korean content first noticed by many in the West after Psy's 2012 breakout hit song "Gangnam Style".
But embattled President Yoon has put all this at risk, 3,000 people in the film industry said in a statement this week.
Hallyu has "fallen into the abyss" thanks to Yoon's decision to declare martial law, the group, which includes luminaries like "Parasite" director Bong Joon-ho, said Sunday.
During the six hours of martial law, it was announced that "all media and publications shall be subject to the control of the Martial Law Command".
"No matter how much cinematic imagination is employed, what seems like a mere delusion has happened in reality," the statement by the South Koreans in the film industry said, calling for Yoon's exit and arrest.
"For Korean filmmakers, Yoon Suk Yeol is no longer the president. He is just a red-handed criminal for treason."
Most watched show
The show's first season was loosely inspired by South Korea's real-life tragedy of a crackdown on a 2009 Ssangyong Motor strike, which resulted in around 30 people taking their own lives or dying of stress-related causes.
The series highlighted some of the most marginalized individuals in the fiercely competitive South, like a North Korean defector and a laid-off, indebted worker.
The story unfolds as they compete in traditional children's games for a chance to win an unimaginable fortune in somewhat mysterious circumstances, with all losing players facing death.
The first season still holds the record as the streaming giant's most popular series of all time, boasting more than 330 million views as of Monday.
Hwang said Monday the reason why the first season of "Squid Game" was so successful was because it had "links" to the real-life "society we live in".
Even in the upcoming second season, viewers will be able to "find scenes that connect the absurd conflicts, divisions, and upheavals happening in our country and around the world," he said.
"Watching 'Squid Game' will not come across as something that is particularly detached from how we view the world."



Brian Wilson's Top Five Beach Boys Songs

Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
TT
20

Brian Wilson's Top Five Beach Boys Songs

Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File

From the carefree sound of California surf music to the sophistication of later darker works, here are five of the top hits penned by influential Beach Boys founder Brian Wilson.

'Surfin' USA' (1963)

"Surfin' USA" was the Beach Boys' first global hit, taken from their eponymous debut album. A youthful ode to sea, sun and girls, it became an anthem for the West Coast and beyond.

It demonstrated Brian Wilson's increasing songwriting prowess as well as the band's unique vocal sound achieved thanks to double tracking.

"We'll all be gone for the summer/ We're on safari to stay/ Tell the teacher we're surfin'/ Surfin' USA," it rang out.

Wilson intentionally set his lyrics to the music of "Sweet Little Sixteen," by Chuck Berry, leading Berry to take legal action.

'California Girls' (1965)

On the big hit of the summer of 1965, Wilson's cousin Mike Love burst into song to celebrate the sun-tanned women of California.

"I wish they all could be California girls," the band members sang in seemless harmony.

It was also the first song written by Wilson under the influence of LSD, "which could explain why the accompaniment seems to move in a slow, steady daze at odds with the song's bright, major-key melody," Rolling Stone magazine wrote.

'God Only Knows' (1966)

It took Wilson just 45 minutes to write "God Only Knows," the legendary eighth track on the album "Pet Sounds" which has gone down as one of the greatest love songs ever.

Sung by brother Carl Wilson, Brian's rival Paul McCartney declared it to be his favorite song of all time and said it reduced him to tears.

But the record company and other members of the group were wary at the new turn in style.

'Good Vibrations'(1966)

"Good Vibrations" was a massive commercial success, selling one million copies in the United States and topping charts there and in several other countries including the UK.

At the time the most expensive single ever made, the "pocket symphony" was recorded in four different studios, consumed over 90 hours of tape and included a complexity of keys, textures, moods and instrumentation.

The song was a far cry from the group's surf-and-sun origins and the enormity of the task brought Wilson to the brink. He was unable to go on and complete the album "Smile," of which the song was to have been the centerpiece.

- 'Til I die' (1971) -

On side B of the album "Surf's Up,'Til I die" was composed in 1969 by a depressed Wilson worn down by mental illness and addiction.

He wrote in his 1991 autobiography that it was perhaps the most personal song he had written for the Beach Boys.