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Liam Payne’s Manager, Hotel Staff Failed ‘Vulnerable’ Singer before Death, Judge Says

British singer-songwriter Liam Payne poses on the red carpet on arrival for the BRIT Awards 2019 in London on February 20, 2019. (AFP)
British singer-songwriter Liam Payne poses on the red carpet on arrival for the BRIT Awards 2019 in London on February 20, 2019. (AFP)
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Liam Payne’s Manager, Hotel Staff Failed ‘Vulnerable’ Singer before Death, Judge Says

British singer-songwriter Liam Payne poses on the red carpet on arrival for the BRIT Awards 2019 in London on February 20, 2019. (AFP)
British singer-songwriter Liam Payne poses on the red carpet on arrival for the BRIT Awards 2019 in London on February 20, 2019. (AFP)

An Argentine judge argued that the manager of former One Direction singer Liam Payne and employees of the hotel where he was staying failed the popstar in the moments before his death and allowed charges against them to proceed, according to a statement from the prosecutor's office on Monday.

Payne fell to his death from a hotel balcony in Buenos Aires in October.

Payne's manager as well as the manager of the hotel and its head of reception are charged with manslaughter in relation to the former pop superstar's death. They face up to five years in prison if convicted.

A hotel employee and a local waiter are accused of plying Payne with cocaine during his stay, and face up to 15 years in prison. The judge in her decision on Friday ordered them jailed ahead of their trial.

"Taking Payne up to his room in the state he was in was to put his life at risk," the judge said in her decision, which was released with the prosecutor's statement. "It was obvious that he was vulnerable."

Payne's autopsy showed that at the time of his death he had "large quantities" of cocaine and alcohol in his system, according to the statement.

Payne allegedly purchased cocaine at least four times from the hotel employee and waiter over a three-day period.

Footage from the lobby of the Casa Sur hotel in the posh Palermo neighborhood showed that minutes before Payne's death on Oct. 16 he was seen unconscious and being carried up to his room by three people.

The hotel receptionist headed the group, and was then seen with the hotel manager in the hallway outside Payne's room, according to the statement.

"Payne's consciousness was altered and there was a balcony in the room. The proper thing to do was to leave him in a safe place and in company until a doctor arrived," the judge said.

She added that evidence showed that Payne attempted to leave his room through the balcony but due to the state he was in he fell.

Payne's manager, identified only by his initials "RLN," left the hotel less than an hour before the fall. The judge argued that he should not have entrusted the hotel employees with Payne's wellbeing.

The judge barred the manager, who is a US citizen, from leaving Argentina.

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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.