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'Wicked' Tops SAG Awards Nominations Where Many Big-Names Are Shut out

This image released by Universal Pictures shows Cynthia Erivo, left, and Ariana Grande in a scene from the film "Wicked." (Universal Pictures via AP)
This image released by Universal Pictures shows Cynthia Erivo, left, and Ariana Grande in a scene from the film "Wicked." (Universal Pictures via AP)
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'Wicked' Tops SAG Awards Nominations Where Many Big-Names Are Shut out

This image released by Universal Pictures shows Cynthia Erivo, left, and Ariana Grande in a scene from the film "Wicked." (Universal Pictures via AP)
This image released by Universal Pictures shows Cynthia Erivo, left, and Ariana Grande in a scene from the film "Wicked." (Universal Pictures via AP)

"Wicked" topped nominations to the 31st Screen Actors Guild Awards on Wednesday, landing a leading five nominations including best ensemble, and individual nods for Cynthia Erivo, Ariana Grande and Jonathan Bailey.

Out-of-control wildfires that swept across Los Angeles and Southern California on Tuesday night forced the Screen Actors Guild to cancel its plans to announce the nominations live Wednesday morning. The nominations were instead issued by press release by SAG, which last year began a multiyear deal with Netflix to stream the awards.

The smash hit musical "Wicked" saw its Oscar chances rise in the SAG nominations, which came the morning after the film was celebrated by the National Board of Review Awards in New York. "Wicked" even scored a nod for best stunt ensemble.

The other nominees for best ensemble are: "Anora,Conclave,Emilia Pérez" and "A Complete Unknown."

It was an especially strong showing for the Bob Dylan drama "A Complete Unknown." It came away with four nominations, including Timothée Chalamet for best male actor, and supporting nods for both Edward Norton and Monica Barbaro.

The best male lead nominees were largely as expected: Adrien Brody ("The Brutalist"), Daniel Craig ("Queer"), Colman Domingo ("Sing Sing"), Ralph Fiennes ("Conclave") and Chalamet.

Coming off her rousing victory at the Golden Globes, Demi Moore was among the nominees for best female actor in a leading role for "The Substance." She was joined by Erivo, "Emilia Perez" breakout Karla Sofía Gascón, Mikey Madison of "Anora" and Pamela Anderson for "The Last Showgirl."

That surprisingly left out some big names. Angelina Jolie ("Maria") missed out, as did Nicole Kidman ("Babygirl"). A few of the most acclaimed actresses of the year, Marianne Jean-Baptiste ("Hard Truths") and Globe-winner Fernanda Torres ("I’m Still Here"), also were overlooked.

"The Last Showgirl" had more to celebrate, too, with an unexpected nomination for Jamie Lee Curtis in supporting female actor. Her fellow nominees are: Barbaro, Grande, Danielle Deadwyler ("The Piano Lesson") and Zoe Saldana ("Emilia Perez").

Jeremy Strong was nominated for his supporting performance as Roy Cohn in the Donald Trump film "The Apprentice," but his co-star, Sebastian Stan, went unnominated for both "The Apprentice" and "A Different Man." The other nominees for best supporting male actor were: Bailey, Norton, Yura Borisov ("Anora") and the category frontrunner, Kieran Culkin ("A Real Pain").

A few widely forecast supporting performance were snubbed there, too, including Denzel Washington ("Gladiator II") and Guy Pearce ("The Brutalist").

The SAG Awards are among the most closely watched Oscar bellwethers. Their picks don’t always align exactly with those of the film academy, but they often do.

The last three best ensemble winners — "Oppenheimer,Everything Everywhere All at Once,CODA" — all went on to win best picture at the Academy Awards. All but one of the SAG acting winners of the last three years has also won at the Oscars. The sole exception was Lily Gladstone, who won SAG’s award for female actor last year for "Killers of the Flower Moon," but the Oscar trophy went to Emma Stone ("Poor Things") at the Oscars.

While some overlooked performances might still land an Oscar nomination, any eventual Academy Award winner, including the best picture recipient, is almost surely coming from those nominated Wednesday. That's bad news for "The Brutalist," which triumphed at the Globes but missed out on a SAG ensemble nomination.

The Screen Actors Guild Awards will be held Feb. 23 at the Shrine Auditorium in Los Angeles. The ceremony, to be hosted by Kristen Bell. will be streamed live on Netflix. In addition to the competitive awards, Jane Fonda will be presented with the guild’s Life Achievement Award.

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Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
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Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)

Actor Blake Lively sued "It Ends With Us" director Justin Baldoni and several others tied to the romantic drama on Tuesday, alleging harassment and a coordinated campaign to attack her reputation for coming forward about her treatment on the set.

The federal lawsuit was filed in New York just hours after Baldoni and many of the other defendants in Lively's suit sued The New York Times for libel for its story on her allegations, saying the newspaper and the star were the ones conducting a coordinated smear campaign.

The lawsuits are major developments in a story emerging from the surprise hit film that has already made major waves in Hollywood and led to discussions of the treatment of female actors both on sets and in media.

Lively's suit said that Baldoni, the film's production company Wayfarer Studios and others engaged in "a carefully crafted, coordinated, and resourced retaliatory scheme to silence her, and others, from speaking out."

She accuses Baldoni and the studio of embarking on a "multi-tiered plan" to damage her reputation following a meeting in which she and her husband, actor Ryan Reynolds, addressed "repeated sexual harassment and other disturbing behavior" by Baldoni and a producer Jamey Heath, who is also named in both lawsuits.

The plan, the suit said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.

The alleged mistreatment on set included comments from Baldoni on the bodies of Lively and other women on the set.

Baldoni's attorney Bryan Freedman did not immediately respond to a request for comment on Lively's lawsuit. But he previously called the same allegations "completely false, outrageous and intentionally salacious."

Lively's lawsuit comes the same day as the libel lawsuit filed in Los Angeles Superior Court by Baldoni and others against the Times seeking at least $250 million. The Times stood by its reporting and said it plans to "vigorously defend" against the lawsuit.

Others who are defendants in Lively's suit and plaintiffs in the libel suit include Wayfarer and crisis communications expert Melissa Nathan, whose text message was quoted in the headline of the Dec. 21 Times story: "‘We Can Bury Anyone’: Inside a Hollywood Smear Machine."

Written by Megan Twohey, Mike McIntire and Julie Tate, the story was published just after Lively filed a legal complaint with the California Civil Rights Department, a predecessor to her new lawsuit.

The libel lawsuit says the newspaper "relied almost entirely on Lively’s unverified and self-serving narrative, lifting it nearly verbatim while disregarding an abundance of evidence that contradicted her claims and exposed her true motives. But the Times did not care."

A spokesperson for the Times, Danielle Rhoades, said in a statement that "our story was meticulously and responsibly reported."

"It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article. To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error," the statement said.

But Baldoni's lawsuit says that "If the Times truly reviewed the thousands of private communications it claimed to have obtained, its reporters would have seen incontrovertible evidence that it was Lively, not Plaintiffs, who engaged in a calculated smear campaign."

Lively is not a defendant in the libel lawsuit. Her lawyers said in a statement that "Nothing in this lawsuit changes anything about the claims advanced in Ms. Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today."

The romantic drama "It Ends With Us," an adaptation of Colleen Hoover’s bestselling 2016 novel, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni. Baldoni took a backseat in promoting the film while Lively took centerstage along with Reynolds, who was on the press circuit for "Deadpool & Wolverine" at the same time.

Lively came to fame through the 2005 film "The Sisterhood of the Traveling Pants," and bolstered her stardom on the TV series "Gossip Girl" from 2007 to 2012. She has since starred in films including "The Town" and "The Shallows."

Baldoni starred in the TV comedy "Jane the Virgin," directed the 2019 film "Five Feet Apart" and wrote "Man Enough," a book pushing back against traditional notions of masculinity. He responded to concerns that "It Ends With Us" romanticized domestic violence, telling the AP at the time that critics were "absolutely entitled to that opinion."

He was dropped by his agency, WME, immediately after Lively filed her complaint and the Times published its story. The agency represents both Lively and Reynolds.

Baldoni's attorney, Freedman, said in a statement on the libel suit that "the New York Times cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites."

"In doing so, they pre-determined the outcome of their story, and aided and abetted their own devastating PR smear campaign designed to revitalize Lively’s self-induced floundering public image and counter the organic groundswell of criticism amongst the online public," he added. "The irony is rich."