Fire Relief, Quincy Jones Tributes and New Talent Energize the 50th Annual Pre-grammy Benefit Gala

 Yolanda Adams performs during the Pre-Grammy gala, hosted by the Recording Academy and Clive Davis, in Beverly Hills, California, US, February 1, 2025. (Reuters)
Yolanda Adams performs during the Pre-Grammy gala, hosted by the Recording Academy and Clive Davis, in Beverly Hills, California, US, February 1, 2025. (Reuters)
TT

Fire Relief, Quincy Jones Tributes and New Talent Energize the 50th Annual Pre-grammy Benefit Gala

 Yolanda Adams performs during the Pre-Grammy gala, hosted by the Recording Academy and Clive Davis, in Beverly Hills, California, US, February 1, 2025. (Reuters)
Yolanda Adams performs during the Pre-Grammy gala, hosted by the Recording Academy and Clive Davis, in Beverly Hills, California, US, February 1, 2025. (Reuters)

Fifty years ago, the music mogul Clive Davis threw a party to celebrate the release of Arista Records’ first Grammy record of the year nominee: Barry Manilow’s "Mandy." Stevie Wonder showed up. So did John Denver and Elton John.

What was a one-off celebration for an enduring hit morphed into one of the best-known and most exclusive parties of the year: the annual pre-Grammy fundraising event hosted by Davis, held every year on the Saturday before the Sunday award show.

At the 2025 benefit gala, once again held at the Beverly Hilton hotel in Beverly Hills, California, Manilow performed his 1975 classic. He was introduced with a short video depicting him doing the same five decades prior.

"Can you believe I looked like that," Manilow joked after attendees watched both versions. "Can you believe Clive looked like that?"

There was a lot to celebrate across five decades, but in the direct aftermath of the devastating Los Angeles-area wildfires that destroyed more than 14,000 structures and displaced tens of thousands of people, efforts to raise awareness and donations punctuated the night.

A QR code was placed at every table and flashed on screens to encourage contributions to the Recording Academy and its affiliated MusiCares charity to aid the relief efforts. The evening, infamous for running into the wee hours of the morning, concluded at a respectable 11:30 p.m. to avoid distracting from the cause.

"This one is a little different," Recording Academy CEO Harvey Mason jr. said in his opening remarks. "We knew we could use this platform" to honor first responders and celebrate "the resilience of this community."

Since launching LA wildfire relief efforts, the academy has raised "almost $5 million in aid," he announced.

The tonal shift came as no surprise. The annual event was one of the few 2025 Grammy week events not canceled due to the fires.

Many performers and industry veterans used their time on stage to drive attention to relief efforts.

"Please take care of the people on the front lines, the first responders," the charismatic Post Malone said after a stripped-down arrangement of his 2018 track "Sunflower," the first double-diamond certified single at 20x platinum, which he described as his "only good song."

Sets were a mix of legendary talent, like Joni Mitchell moving some to tears with "Both Sides Now," and newer voices including Samara Joy and the 2025 best new artist nominees Doechii, Shaboozey, Teddy Swims and Benson Boone, the latter of which ended his performance with an athletic flip.

Sprinkled throughout the performances were tributes to the late, great producer Quincy Jones.

Michael Bublé covered "Fly Me to the Moon," Jennifer Hudson belted through Aretha Franklin's "(You Make Me Feel Like) A Natural Woman" and gospel singer Yolanda Adams ended the night with a powerfully heartfelt rendition of Whitney Houston's "I Will Always Love You."

Jody Gerson, chairman and CEO of Universal Music Publishing Group, was honored with the 2025 Grammy Salute to Industry Icons Award at the star-studded event.

"I have a confession. There were a few times early in my career where I crashed this party," she said, noting she received her first invitation in the early 2000s and being honored "deeply, deeply touched" her.

"Music can brighten our darkest days," Gerson said. "And we need artists to bring light now more than ever."

Gerson has broken the glass ceiling throughout her career. She is the first chairwoman of a global music company and the first woman named CEO of a major music publisher. The long list of superstars she has worked with include Malone, Bad Bunny, Justin Bieber, Lana Del Rey, Ariana Grande, Coldplay, Drake, Billie Eilish, Elton John, Kendrick Lamar and, of course, Taylor Swift.

"She is a true industry icon who rightly deserves celebration," said Universal Music Group CEO Lucian Grainge, who introduced Gerson. "She has completely transformed Universal Music Group publishing."

Gaining admittance to Davis’ event is notoriously challenging. The A-listers who made the cut this year included Jennifer Lopez, Babyface, Gayle King, Nancy Pelosi, Jack Antonoff, TEMS, Willow Smith, Berry Gordy, Paris Hilton, Alicia Keys, Swizz Beatz, Diane Warren, Gracie Abrams, John Stamos and Justin Tranter.



‘Conclave’ Wins Best Picture at BAFTAs as ‘The Brutalist’ Takes Directing and Acting Prizes 

British actor Ralph Fiennes poses on the red carpet at the 2025 EE BAFTA Film Awards at the Royal Festival Hall in London, Britain, 16 February 2025. (EPA)
British actor Ralph Fiennes poses on the red carpet at the 2025 EE BAFTA Film Awards at the Royal Festival Hall in London, Britain, 16 February 2025. (EPA)
TT

‘Conclave’ Wins Best Picture at BAFTAs as ‘The Brutalist’ Takes Directing and Acting Prizes 

British actor Ralph Fiennes poses on the red carpet at the 2025 EE BAFTA Film Awards at the Royal Festival Hall in London, Britain, 16 February 2025. (EPA)
British actor Ralph Fiennes poses on the red carpet at the 2025 EE BAFTA Film Awards at the Royal Festival Hall in London, Britain, 16 February 2025. (EPA)

Papal thriller “Conclave” won four prizes including best picture on Sunday at the 78th British Academy Film Awards, where genre-bending musical “Emilia Pérez” proved that it’s still an awards contender despite a multipronged backlash that looked to have dented its chances.

At a ceremony where no film dominated, “The Brutalist” equaled the awards tally of “Conclave," scooping four trophies, including best director for Brady Corbet and best actor for Adrien Brody. Mikey Madison won the best actress prize for Brooklyn tragicomedy “Anora.”

“Conclave,” which stars Ralph Fiennes as a cardinal corralling conniving clergy as they elect a new pope, beat “Anora,” “The Brutalist,” “Emilia Pérez” and Bob Dylan biopic “A Complete Unknown” to the top prize. “Conclave” was also named outstanding British film and took trophies for editing and adapted screenplay.

Supporting performer prizes went to Kieran Culkin for “A Real Pain” and Zoe Saldaña for “Emilia Pérez,” which also won the award for best film not in the English language.

From the BAFTAs to the Oscars

Stars including Cynthia Erivo, Hugh Grant, Ariana Grande, Lupita Nyong’o, Timothée Chalamet and Saoirse Ronan walked the red carpet at London’s Royal Festival Hall for the awards, known as BAFTAs. The British prizes often provide clues about who will triumph at Hollywood’s Academy Awards on March 2, in an unusually hard-to-call awards season.

They also have a distinctly British accent. The ceremony kicked off with its kilt-wearing host, Scottish actor David Tennant, leading the audience in a rousing singalong of The Proclaimers’ anthem “I’m Gonna Be (500 Miles).”

Madison won the female acting trophy for her powerhouse performance as an exotic dancer entangled with a Russian oligarch's son in “Anora.” She beat Karla Sofía Gascón, Demi Moore for body-horror film “The Substance,” Ronan for “The Outrun,” Erivo for “Wicked” and Marianne Jean-Baptiste for “Hard Truths.”

Brody beat competition from Fiennes, Chalamet, who plays the young Dylan in “A Complete Unknown,” Grant for the horror film “Heretic,” Colman Domingo for prison drama “Sing Sing” and Sebastian Stan for his portrayal of a young Donald Trump in “The Apprentice.”

Brody, who plays a Hungarian-Jewish architect in the postwar United States, said “The Brutalist” carried a powerful message for our divided times.

“It speaks to the need for all of us to share in the responsibility of how we want others to be treated and how we want to be treated by others,” he said. “There's no place any more for antisemitism. There's no place for racism.”

“The Brutalist” also won prizes for its cinematography and musical score.

“A Real Pain,” about mismatched cousins on a trip to explore their roots, won the BAFTA for best original screenplay, as well as Culkin's acting award.

“I’d like to share this with my wife, who didn’t come because she didn’t think I’d win,” quipped writer-director Jesse Eisenberg, who also co-starred in the film.

Claymation caper “Wallace and Gromit: Vengeance Most Fowl” won awards for best animated feature and best family and children’s film.

Sci-fi epic “Dune: Part Two” won prizes for sound and visual effects, while blockbuster musical “Wicked” took the costume and production design trophies.

Rising stars and lifetime honors

Most BAFTA winners are chosen by 8,000 members of the UK academy of industry professionals, with one — the Rising Star Award — selected by public vote from a shortlist of nominees. This year's winner was David Jonsson, star of high finance TV drama series “Industry” and London rom-com “Rye Lane.”

“Star, I don’t know,” he said. “But rising, I guess.”

The prize for best British debut went to Rich Peppiatt, writer-director of Irish-language hip-hop drama “Kneecap.”

“Willow” and “Return of the Jedi” actor Warwick Davis received the academy’s top honor, the BAFTA Fellowship, for his screen career and work to create a more inclusive film industry.

The 3-foot, 6-inch (1.1-meter) actor founded a talent agency for actors under 5 feet tall, because, he said, “short actors weren’t known for their talent, just their height.”

“This is the best thing that’s ever happened to me — and I’ve been in ‘Star Wars,’” Davis said as he accepted his award.

This awards season has been clouded by last month’s devastating Los Angeles wildfires, and BAFTA chairwoman Sara Putt sent a message of strength to everyone affected,

The event was without a dash of royal glamour this year. Neither Prince William, who is honorary president of the British film academy, nor his wife Kate attended the ceremony, which coincided with school holidays for their three children.

William, 42, sent a video message, recorded during a visit to meet students at the London Screen Academy on Wednesday.

During the visit, the heir to the throne discussed his own viewing habits, saying he’d watched World War II drama “Darkest Hour” and had begun postapocalyptic TV drama “The Last of Us.” He said he found it “quite full on” and didn’t make it to the end.