Beyoncé Wins Album of the Year at the 2025 Grammys for ‘Cowboy Carter’ 

Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
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Beyoncé Wins Album of the Year at the 2025 Grammys for ‘Cowboy Carter’ 

Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
Beyoncé accepts the award for album of the year for “Cowboy Carter” during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)

Beyoncé won album of the year for "Cowboy Carter" at Sunday's Grammys, delivering her — at last — the show’s elusive top award.

The superstar, who is both the most awarded and nominated artist in Grammys history, has been up for the category four times before and many feel she has been snubbed by its top honors.

In winning album of the year with "Cowboy Carter," Beyoncé has become the first Black woman to win the top prize in the 21st century. The last was Lauryn Hill with "The Miseducation of Lauryn Hill" 26 years ago. Before her was Natalie Cole and Whitney Houston. That means Beyoncé is only the fourth Black woman to win album of the year at the Grammys.

Members of the Los Angeles Fire Department presented Beyoncé with the trophy, one of several times the show reflected the recent wildfires that burned thousands of homes.

"It’s been many, many years," Beyoncé said in her speech. "I want to dedicate this to Ms. Martell," she said, referencing Linda Martell, the performer who became the first Black woman to play the Grand Ole Opry.

"We finally saw it happen, everyone," host Trevor Noah said, nodding to the long overdue achievement for one of music's transcendent artists.

Kendrick Lamar won song and record of the year for his diss track "Not Like Us," taking home two of the night's most prestigious awards.

"We're gonna dedicate this one to the city," Lamar said before shouting out Los Angeles area neighborhoods.

It is the second hip-hop single to ever win in the category. The first was Childish Gambino’s "This Is America."

The Weeknd mends fences

The Weeknd has mended his fractious relationship with the Grammy Awards with a surprise performance of his new single, "Cry For Me" and "Timeless" with Playboi Carti.

His decision is a direct reflection of the changes the Recording Academy has made to diversify its voting body, CEO Harvey Mason jr. said in his introduction. The Weeknd has been openly critical of the Grammys organization, dating back to 2020 when he wrote on Twitter: "The Grammys remain corrupt."

It was just one of many pleasant surprises Sunday night. Chappell Roan was named best new artist.

She read a speech from a notebook, speaking directly to major labels and the music industry, instructing them to "offer a living wage and healthcare, especially to developing artists." She described getting signed as a minor, getting dropped and entering the workforce during COVID-19 with no work experience and no health care. She asked them to treat artists like "valuable employees."

"Labels, we got you," she concluded her speech. "But do you got us?"

Country theme

In one of the biggest moments of the evening so far, Taylor Swift presented the award for best country album to Beyoncé. She became the first Black woman to ever win in the category.

"Genre is a cold word to keep us in our place as artists," she said in her speech. "I'm still in shock. Thank you so much for this honor."

Beyoncé entered the night as the leading nominee.

A little bit of the wild west, a little bit of West Hollywood. Roan brought a rocking version of her "Pink Pony Club" to the Grammy stage. Joined by a posse of dancing clown cowboys, she sang from atop a giant pink horse.

Los Angeles on the mind

In incorporating the wildfires throughout the show, the Grammys put the spotlight on the city’s resiliency.

Noah's opening speech was dedicated to those affected by the fires, promising a show that not only celebrates them, but one that also celebrates "the city that brought us so much of that music." The Grammys have also allotted ad time to be used by local businesses affected by the fires.

As the show neared its end, Noah announced that viewers had contributed $7 million to relief efforts Sunday night so far.

On a stage set up to look like the mountains of Los Angeles, the LA born-and-raised Billie Eilish and her brother/collaborator Finneas performed her hit "Birds of a Feather." It was one of a number of ways the show seeks to salute the city. "We love you LA," she told the crowd at the end of the set.

The show kicked off with a powerful opening performance of Randy Newman's "I Love LA" by Dawes — whose members were directly affected by the Eaton fire — backed by John Legend, Brad Paisley, Sheryl Crow, Brittany Howard and St. Vincent.

Star studded performances and victories

The first televised award went to Doechii for best rap album for "Alligator Bites Never Heal."

The tears were immediate. "This category was introduced in 1989. Two women have won, Lauryn Hill —" she said, correcting herself. "Three women have won. Lauryn Hill, Cardi B and Doechii."

Will Smith introduced a tribute to the late, great, legendary producer Quincy Jones. "In his 91 years, Q touched countless lives, but I have to say he changed mine forever," he said. "You probably wouldn’t even know who Will Smith was without Quincy Jones."

Jones died in November at age 91. Kicked off by Cynthia Erivo, accompanied by Herbie Hancock on piano, the "Wicked" star sang Frank Sinatra’s "Fly Me to the Moon." Then came Lainey Wilson and Jacob Collier with "Let the Good Times Roll," followed by Stevie Wonder and Hancock busting out "Bluesette" and "We Are The World." For the latter, they were joined by student singers from two schools that were lost in the LA-area fires.

Then, Janelle Monae with an inspired rendition of "Don’t Stop 'Til You Get Enough," channeling Michael Jackson in a sparkly tuxedo and an effortless moonwalk.

The Beatles’ "Now and Then," which used AI technology, took home best rock performance. Sean Lennon accepted the award on behalf of his father John Lennon. "As far as I’m concerned, it’s the best band of all time," he said of the Beatles.

First time winners were abundant. They included Carpenter, Roan, Doechii, Charli xcx, songwriter Amy Allen, Música Mexicana star Carin León, French metal band Gojira and country folk artist Sierra Ferrell.

The Red Hot Chili Peppers’ Anthony Kiedis and Chad Smith led the crowd in a short singalong of their hit "Under the Bridge," reminding the crowd to "support their friends and neighbors as they rebuild their lives," said Kiedis. Then they presented the best pop vocal album award to Carpenter for "Short n' Sweet."

"I really wasn’t expecting this," she said. "This is, woo, my first Grammy so I’m going to cry." (She’s now won two, but the earlier award was handed out at a pre-telecast ceremony that many artists don’t attend.) She also performed.

In a tense political climate Shakira won Latin pop album for "Las Mujeres Ya No Lloran" and gave a powerful, short speech. "I want to dedicate this award to all my immigrant brothers and sisters in this country," she said.

Lady Gaga and Bruno Mars teamed up for a cover of "California Dreamin’." Later, SZA presented them with the award for best pop duo/group performance for "Die With A Smile."



‘The Devil Wears Prada’ Struts to 1st Place with $77 Million Debut

People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)
People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)
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‘The Devil Wears Prada’ Struts to 1st Place with $77 Million Debut

People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)
People walk below an electronic billboard advertising the movie "The Devil Wears Prada 2" at a shopping mall in Beijing on May 2, 2026, on the second day of a five-day national May Day holiday. (Photo by GREG BAKER / AFP)

Twenty years after the original, the sequel to “The Devil Wears Prada” made a splash in its first weekend in theaters.

Driven largely by women, “The Devil Wears Prada 2” earned $77 million in the US and Canada, and $156.6 million internationally, according to studio estimates Sunday. It easily topped the box office and bumped “Michael” to second place, though the musical biopic held well in its second weekend, falling only 44%.

The Walt Disney Co.’s 20th Century Studios opened “The Devil Wears Prada 2” in 4,150 locations in North America. Women made up about 76% of the ticket buyers, according to PostTrak exit polls; 74% said they would “definitely recommend” the movie to friends.

According to The Associated Press, critics were a bit mixed on the sequel, which finds Anne Hathaway’s Andy Sachs working once more for Meryl Streep’s Miranda Priestly at the fictional “Runway” magazine in a much-depleted media landscape.

The movie cost a reported $100 million to produce — a significant boost from the first movie’s $35 million production budget. But as filmmaker David Frankel told AP recently, “As it turns out, you know, by the time you finish paying all the biggest movie stars in the world, you still end up with basically the same budget for making the movie as we did the first one.”

Stars Streep, Hathaway, Emily Blunt and Stanley Tucci have been on a fashion-forward global publicity blitz for weeks, with glamorous stops in Tokyo, London and New York. Even Anna Wintour, the inspiration for the Prada-clad devil, has been involved this time, appearing with Hathaway on the Oscars stage and with Streep on the cover of “Vogue.”

The first movie opened in June 2006 and would go on to earn over $326 million worldwide, not adjusted for inflation. And perhaps more importantly, it firmly became part of the culture thanks in part to its ever-quotable likes (“gird your loins,” “groundbreaking,” “that’s all”).

Legacy sequels are never a sure thing, but this time anticipation was high: According to Nielsen, streaming viewership for “The Devil Wears Prada” was up 428% from March 2026 to April 2026.

Second place went to Lionsgate’s Michael Jackson biopic “Michael,” which made $54 million in its second weekend in North America, where it’s playing on 3,955 screens. Its running worldwide total is already $423.9 million.

Universal Pictures is handling the international release.

This weekend marks the start of Hollywood’s summer movie season, a crucial 18-week corridor that runs through Labor Day and often accounts for around 40% of the annual box office. There are often Marvel blockbusters programmed as the season's kickoff, but the combined power of “The Devil Wears Prada 2” and “Michael” wasn't a shabby substitute.

“This is a really solid weekend,” said Paul Dergarabedian, the head of marketplace trends for Comscore. “It’s this irresistible combination that more than makes up for the fact that there’s not a Marvel movie to kick off the summer movie season.”

“Prada” alone actually did better business than last year’s summer kickoff Marvel movie, “Thunderbolts.” There were several other new films in theaters this weekend as well, including the Adam Scott-led horror movie “Hokum,” Andy Serkis’s animated adaptation of “Animal Farm” and the Aaron Eckhart- and Ben Kingsley-led survival movie “Deep Water.”

They all opened behind “The Super Mario Galaxy Movie,” which made $12.1 million in its fifth weekend, and “Project Hail Mary,” which made $8.6 million in its seventh weekend. Neon's “Hokum” led the newcomers with $6.4 million, rounding out the top five, followed by the very poorly reviewed “Animal Farm” with $3.4 million. “Deep Water” opened to $2.2 million.

In the top four movies, Dergarabedian has noticed a trend: “Over the past couple of months, moviegoers have really embraced pure, escapist entertainment,” he said.

The annual box office is currently running about 14% up from last year, with about $2.8 billion in domestic ticket sales to date.


Shakira Thrills Crowd of 2 Million with Free Concert on Brazil's Copacabana Beach

Colombian singer Shakira (C) performs during a concert on Copacabana Beach in Rio de Janeiro, Brazil, 02 May 2026. EPA/ANDRE COELHO
Colombian singer Shakira (C) performs during a concert on Copacabana Beach in Rio de Janeiro, Brazil, 02 May 2026. EPA/ANDRE COELHO
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Shakira Thrills Crowd of 2 Million with Free Concert on Brazil's Copacabana Beach

Colombian singer Shakira (C) performs during a concert on Copacabana Beach in Rio de Janeiro, Brazil, 02 May 2026. EPA/ANDRE COELHO
Colombian singer Shakira (C) performs during a concert on Copacabana Beach in Rio de Janeiro, Brazil, 02 May 2026. EPA/ANDRE COELHO

Colombian superstar Shakira gave a free concert on Copacabana Beach in Rio de Janeiro on Saturday night, an event that the city's mayor said drew 2 million people to one of the world’s most iconic waterfronts.

The performance followed similar shows by Madonna in 2024 and Lady Gaga last year, which also were attended by huge crowds that danced on the sprawling sands.

For Shakira, it was part of her “Las Mujeres Ya No Lloran,” or “Women No Longer Cry,” world tour named after her 2024 album.

Shakira's set kicked off around 11 p.m., more than an hour after the scheduled slot, to her fans screaming with excitement and frantic applause as skywriting drones flew overhead, spelling out in the sky, “I love you Brazil” in Portuguese.

The megastar spoke fondly about the first time she came to Brazil, some three decades ago.

“I arrived here when I was 18 years old, dreaming about singing for you,” Shakira told the crowd shortly after coming on stage. “And now look at this. Life is magical.”

The much-loved pop star sang fan favorites such as “Hips Don’t Lie,” “La Tortura” and “La Bicicleta." She ended with “BZRP Music Sessions #53/66,” which followed her separation from Spanish soccer player Gerard Piqué.

She also took the time to celebrate women’s resilience during the show. “Us women, every time we fall we get up a little wiser,” she said.

People attend a concert by Colombian singer Shakira on Copacabana Beach in Rio de Janeiro, Brazil, 02 May 2026. EPA/ANTONIO LACERDA

According to The Associated Press, Rio Mayor Eduardo Cavaliere said on X that 2 million people attended the performance. “The She-Wolf made history in Rio,” he posted, referring to Shakira's 2009 hit.

When Shakira first performed in Brazil in the 1990s, she established an amazing connection with the Brazilian public, according to Felipe Maia, an ethnomusicologist pursuing a doctoral degree in popular music and digital technologies at Paris Nanterre University.

That success in Brazil “has a lot to do with the fact that she comes from Colombia, a country whose culture has many similarities with Brazil,” Maia said, adding that Saturday’s performance “crowns the relationship she has had with Brazil for a very long time.”

Erica Monteiro, a 38-year-old accountant, said she has listened to Shakira since childhood.

“For me she represents the strength of our Latino community,” Monteiro said ahead of the concert. “We’re treated as if we were inferior but in fact we have much more strength.”

Heading home after Saturday's show, Hellem Souza da Silva said Shakira's performance, like Bad Bunny's concerts in Sao Paulo in February, helped consolidate Brazil's Latino identity.

These artists “are making it clear that Brazil, Puerto Rico, Colombia and other countries are part of Latin America. And that America is not the United States,” she said.


Netflix to Give Greta Gerwig’s ‘Narnia’ Wide Theatrical Release, Marking a First

Cast member Greta Gerwig poses on the red carpet for the screening of the movie "Jay Kelly" in competition, at the 82nd Venice Film Festival, in Venice, Italy, August 28, 2025. (Reuters)
Cast member Greta Gerwig poses on the red carpet for the screening of the movie "Jay Kelly" in competition, at the 82nd Venice Film Festival, in Venice, Italy, August 28, 2025. (Reuters)
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Netflix to Give Greta Gerwig’s ‘Narnia’ Wide Theatrical Release, Marking a First

Cast member Greta Gerwig poses on the red carpet for the screening of the movie "Jay Kelly" in competition, at the 82nd Venice Film Festival, in Venice, Italy, August 28, 2025. (Reuters)
Cast member Greta Gerwig poses on the red carpet for the screening of the movie "Jay Kelly" in competition, at the 82nd Venice Film Festival, in Venice, Italy, August 28, 2025. (Reuters)

Netflix on Friday said it would put filmmaker Greta Gerwig’s "Narnia: The Magician’s Nephew" movie in wide theatrical release next year, where it will play exclusively for more than 45 days - a first for the streaming service.

Written and directed by Gerwig, the film is the first adaptation of C.S. Lewis’ 1955 book, which explores the origins of Narnia. It will be released in theaters on February 12 and made available on the streaming service on April 2.

This marks a ‌departure for ‌Netflix, which typically releases movies exclusively on its ‌streaming ⁠service. There have ⁠been some exceptions, including for movies with the potential to win an Academy Award. Movies must debut in theaters to be eligible for consideration for an Oscar.

Netflix said it opted for a wide theatrical release for "Narnia" because of the series' broad appeal across generations and geographies.

Theater owners applauded Netflix's decision. “This is welcome ⁠news," Cinema United President Michael O'Leary said in ‌a statement, adding, "Greta Gerwig's 'Narnia: The Magician’s ‌Nephew' is a movie audiences will want to see on the big ‌screen. Now they’ll have that opportunity.”

Netflix has shown an ‌increasing willingness to embrace the theatrical experience, last year releasing a sing-along version of its popular animated film, "KPop Demon Hunters" in movie theaters.

During the pursuit of Warner Bros. Discovery, Netflix CEO Ted Sarandos also ‌said the company would continue to release Warner Bros movies in theaters and honor the traditional 45-day ⁠window of ⁠exclusivity.

"Narnia" was originally scheduled to be released for two weeks in IMAX theaters, starting on Thanksgiving. Gerwig lauded Netflix for opting to offer the film more widely.

"I cannot wait for people to see the film in theaters on February 12 and on Netflix on April 2,” Gerwig said.

Adam Aron, chairman and CEO of AMC Entertainment, said the nation's largest theater chain would "throw everything we have" to support Netflix.

"We are in their corner fully," Aron wrote on the social media platform X. "We are and will be all in."