‘Conclave’ Wins Best Picture at BAFTAs as ‘The Brutalist’ Takes Directing and Acting Prizes 

British actor Ralph Fiennes poses on the red carpet at the 2025 EE BAFTA Film Awards at the Royal Festival Hall in London, Britain, 16 February 2025. (EPA)
British actor Ralph Fiennes poses on the red carpet at the 2025 EE BAFTA Film Awards at the Royal Festival Hall in London, Britain, 16 February 2025. (EPA)
TT
20

‘Conclave’ Wins Best Picture at BAFTAs as ‘The Brutalist’ Takes Directing and Acting Prizes 

British actor Ralph Fiennes poses on the red carpet at the 2025 EE BAFTA Film Awards at the Royal Festival Hall in London, Britain, 16 February 2025. (EPA)
British actor Ralph Fiennes poses on the red carpet at the 2025 EE BAFTA Film Awards at the Royal Festival Hall in London, Britain, 16 February 2025. (EPA)

Papal thriller “Conclave” won four prizes including best picture on Sunday at the 78th British Academy Film Awards, where genre-bending musical “Emilia Pérez” proved that it’s still an awards contender despite a multipronged backlash that looked to have dented its chances.

At a ceremony where no film dominated, “The Brutalist” equaled the awards tally of “Conclave," scooping four trophies, including best director for Brady Corbet and best actor for Adrien Brody. Mikey Madison won the best actress prize for Brooklyn tragicomedy “Anora.”

“Conclave,” which stars Ralph Fiennes as a cardinal corralling conniving clergy as they elect a new pope, beat “Anora,” “The Brutalist,” “Emilia Pérez” and Bob Dylan biopic “A Complete Unknown” to the top prize. “Conclave” was also named outstanding British film and took trophies for editing and adapted screenplay.

Supporting performer prizes went to Kieran Culkin for “A Real Pain” and Zoe Saldaña for “Emilia Pérez,” which also won the award for best film not in the English language.

From the BAFTAs to the Oscars

Stars including Cynthia Erivo, Hugh Grant, Ariana Grande, Lupita Nyong’o, Timothée Chalamet and Saoirse Ronan walked the red carpet at London’s Royal Festival Hall for the awards, known as BAFTAs. The British prizes often provide clues about who will triumph at Hollywood’s Academy Awards on March 2, in an unusually hard-to-call awards season.

They also have a distinctly British accent. The ceremony kicked off with its kilt-wearing host, Scottish actor David Tennant, leading the audience in a rousing singalong of The Proclaimers’ anthem “I’m Gonna Be (500 Miles).”

Madison won the female acting trophy for her powerhouse performance as an exotic dancer entangled with a Russian oligarch's son in “Anora.” She beat Karla Sofía Gascón, Demi Moore for body-horror film “The Substance,” Ronan for “The Outrun,” Erivo for “Wicked” and Marianne Jean-Baptiste for “Hard Truths.”

Brody beat competition from Fiennes, Chalamet, who plays the young Dylan in “A Complete Unknown,” Grant for the horror film “Heretic,” Colman Domingo for prison drama “Sing Sing” and Sebastian Stan for his portrayal of a young Donald Trump in “The Apprentice.”

Brody, who plays a Hungarian-Jewish architect in the postwar United States, said “The Brutalist” carried a powerful message for our divided times.

“It speaks to the need for all of us to share in the responsibility of how we want others to be treated and how we want to be treated by others,” he said. “There's no place any more for antisemitism. There's no place for racism.”

“The Brutalist” also won prizes for its cinematography and musical score.

“A Real Pain,” about mismatched cousins on a trip to explore their roots, won the BAFTA for best original screenplay, as well as Culkin's acting award.

“I’d like to share this with my wife, who didn’t come because she didn’t think I’d win,” quipped writer-director Jesse Eisenberg, who also co-starred in the film.

Claymation caper “Wallace and Gromit: Vengeance Most Fowl” won awards for best animated feature and best family and children’s film.

Sci-fi epic “Dune: Part Two” won prizes for sound and visual effects, while blockbuster musical “Wicked” took the costume and production design trophies.

Rising stars and lifetime honors

Most BAFTA winners are chosen by 8,000 members of the UK academy of industry professionals, with one — the Rising Star Award — selected by public vote from a shortlist of nominees. This year's winner was David Jonsson, star of high finance TV drama series “Industry” and London rom-com “Rye Lane.”

“Star, I don’t know,” he said. “But rising, I guess.”

The prize for best British debut went to Rich Peppiatt, writer-director of Irish-language hip-hop drama “Kneecap.”

“Willow” and “Return of the Jedi” actor Warwick Davis received the academy’s top honor, the BAFTA Fellowship, for his screen career and work to create a more inclusive film industry.

The 3-foot, 6-inch (1.1-meter) actor founded a talent agency for actors under 5 feet tall, because, he said, “short actors weren’t known for their talent, just their height.”

“This is the best thing that’s ever happened to me — and I’ve been in ‘Star Wars,’” Davis said as he accepted his award.

This awards season has been clouded by last month’s devastating Los Angeles wildfires, and BAFTA chairwoman Sara Putt sent a message of strength to everyone affected,

The event was without a dash of royal glamour this year. Neither Prince William, who is honorary president of the British film academy, nor his wife Kate attended the ceremony, which coincided with school holidays for their three children.

William, 42, sent a video message, recorded during a visit to meet students at the London Screen Academy on Wednesday.

During the visit, the heir to the throne discussed his own viewing habits, saying he’d watched World War II drama “Darkest Hour” and had begun postapocalyptic TV drama “The Last of Us.” He said he found it “quite full on” and didn’t make it to the end.



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
TT
20

Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.