Robert Pattinson Reminds Audiences That Accents Are a Signature of His Performances in ‘Mickey 17’ 

This image released by Warner Bros. Pictures shows actors Anamaria Vartolomei, left, and Robert Pattinson, center, with filmmaker Bong Joon Ho on the set of "Mickey 17." (Jonathan Olley/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows actors Anamaria Vartolomei, left, and Robert Pattinson, center, with filmmaker Bong Joon Ho on the set of "Mickey 17." (Jonathan Olley/Warner Bros. Pictures via AP)
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Robert Pattinson Reminds Audiences That Accents Are a Signature of His Performances in ‘Mickey 17’ 

This image released by Warner Bros. Pictures shows actors Anamaria Vartolomei, left, and Robert Pattinson, center, with filmmaker Bong Joon Ho on the set of "Mickey 17." (Jonathan Olley/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows actors Anamaria Vartolomei, left, and Robert Pattinson, center, with filmmaker Bong Joon Ho on the set of "Mickey 17." (Jonathan Olley/Warner Bros. Pictures via AP)

Often when Robert Pattinson gets a script, one of the first things he does — to the annoyance of his girlfriend, Suki Waterhouse — is try on different voices to bring his character to life.

"I've always had that sort of response to a script," he reflected, but said it became a practice while making his 2014 film, "The Rover.I think I feel very uncomfortable just doing something in my own accent. And for a while I felt like just doing an American accent felt like I was acting more."

It's unsurprising, then, that when he was offered a starring role in "Mickey 17" — director Bong Joon Ho's first feature film since his Oscar-winning "Parasite" — Pattinson's wheels immediately began turning over what his character(s) would sound like.

"Mickey 17," a Warner Bros. release hitting theaters March 7, tells the story of Mickey Barnes, a naive but sympathetic protagonist who signs up to be an "expendable" in a world that makes use of "human printing" for dangerous tasks and research. When an expendable dies on the job, another version of them is printed with their consciousness and memories of their death intact.

But Mickey's immortality is threatened when a very different version of him is printed while the 17th Mickey is mistakenly believed to be dead.

"I needed to find an actor who could cover both personalities," Bong said through a translator, recalling Pattinson's performances in "The Lighthouse" and "Good Time" as he considered the more sinister and conniving Mickey 18.

The inspiration behind 'Mickey 17'

The film is based on Edward Ashton's 2022 novel, "Mickey7." But Pattinson, who read the book before he got the script, said he still can't believe how different they are from one another. "When I read the script and Bong's changes to it, I was like, 'How did you see this tone in this book at all?' It's very, very different tonally. But I thought it's fascinating to have that interpretation," he said.

Although Pattinson was eager to work with the acclaimed Korean filmmaker, he wasn't given a lot of initial information about the movie or role. "The only thing I knew was that it was in English and that the part was impossible," Pattinson said, laughing.

As he eventually gleaned more about the story and his character, ideas for Mickey — and Mickey's voices — began swirling around in his head.

Pattinson envisioned slapstick montages of his myriad deaths à la "The Tom and Jerry Show" — but that portion of the film turned out to be much darker than he expected. One early idea for voices that Bong shut down was inspired by Steve-O and Johnny Knoxville — Pattinson was a devout "Jackass" fan growing up and even repped a "Jackass" T-shirt to school "almost every day."

But one initial idea the 38-year-old had did stick. "My first thought, on pretty much the first read of it, was, 'It's like Ren and Stimpy,'" he said of the irreverent animated Nickelodeon series from the 90's about a cat and dog.

The dynamic between the two Mickeys is an apt comparison given Ren's short temper and diabolical nature (Mickey 18), which stands in stark contrast to Stimpy's naivete (Mickey 17). The similarities in their voices can also be heard.

"I kind of wanted to do this like cartoon character performance. You start out really, really extreme and then kind of gradually tone it down," he said of how he refined the characters. "When directors just let you do stuff, you just come out of the box doing whatever and wherever your instinct is taking you."

Working with Bong Joon Ho after 'Parasite'

In addition to Pattison, the sci-fi comedy boasts an impressive cast, including Mark Ruffalo,Steven Yeun, Toni Collette and Naomi Ackie. Although Ackie, who plays Mickey's romantic partner in the film, hadn't worked with Pattinson before, she said they quickly hit it off.

"We're both quite similar in how we work, which is very chatty up until the point of 'Action,' and then we do the acting. And I really enjoy that kind of separation between character and self. I find it quite difficult to hold onto characters once there's no cameras on," she said.

But it wasn't just Pattinson who made the experience a positive one for her. "I'm pretty certain you could ask anyone who works with Bong Joon Ho, 'Would you go back?' And they'd be like, 'I'd pay money.'"

Despite the notoriety the director has reaped since "Parasite" racked up four Oscars in 2020, including best picture and best director, Bong said the experience hasn't changed him.

"It was fun and exciting to meet with all these famous artists and filmmakers during the campaign, but I didn't feel like I was like on cloud nine. It was actually very mentally and physically exhausting because the campaign is so long and I just remember thinking, 'Wow, this is really tough,'" he recalled. "We kept just like handing each other vitamins."



Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
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Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo

US pop star Taylor Swift was crowned the biggest-selling global artist of 2025, industry body IFPI announced Wednesday, the fourth consecutive year and sixth time she has claimed its annual prize.

The 36-year-old's success was turbo-charged by the October release of her latest album, "The Life of a Showgirl", which set several streaming records, as well as the release of a docuseries about her record-breaking The Eras tour.

"2025 was another landmark year (for Swift), driven by exceptional worldwide engagement across streaming, physical and digital formats with the release of her 12th album ... and the documentary of her tour," IFPI said.

The body, which represents the recorded music industry worldwide, noted Swift had now won its top annual artist prize as many times as all other artists combined over the past 10 years, AFP.

IFPI hands out the Global Artist of the Year Award after calculating an artist's or group's worldwide sales across streaming, downloads and physical music formats during the calendar year and covers their entire body of work.

Swift beat out Korean group Stray Kids, which came in second -- its highest-ever ranking and the third consecutive year in the global top five.

Fresh from his Super Bowl halftime show, Puerto Rican artist Bad Bunny placed fifth in the rankings, his sixth consecutive year in the chart.

American rapper Tyler, The Creator marked his first appearance on the chart, in 12th place, with IFPI noting he had "continued to generate strong vinyl sales across his catalogue".

Meanwhile Japanese rock band Mrs. Green Apple entered the rankings for the first time one place below him, following what IFPI called "the success of their anniversary album '10'".


Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
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Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)

The director of the Berlin Film Festival on Wednesday rejected accusations from more than 80 film industry figures that the festival had helped censor artists who oppose Israel's actions in Gaza.

In an open letter published on Tuesday, Oscar-winning actors Javier Bardem and Tilda Swinton were among dozens who criticized the Berlinale's "silence" on the issue and said they were "dismayed" at its "involvement in censoring artists who oppose Israel's ongoing genocide against Palestinians in Gaza".

In an interview with Screen Daily, the Berlinale's director, Tricia Tuttle, said the festival backs "free speech within the bounds of German law".

She said she recognized that the letter came from "the depth of anger and frustration about the suffering of people in Gaza".

However, she rejected accusations of censorship, saying that the letter contained "misinformation" and "inaccurate claims about the Berlinale" made without evidence or anonymously.

The row over Gaza has dogged this year's edition of the festival since jury president Wim Wenders answered a question on the conflict by saying: "We cannot really enter the field of politics."

The comments prompted award-winning novelist Arundhati Roy, who had been due to present a restored version of a film she wrote, to withdraw from the festival.

Tuttle said the festival represents "lots of people who have different views, including lots of people who live in Germany who want a more complex understanding of Israel's positionality than maybe the rest of the world has right now".

German politicians have been largely supportive of Israel as Germany seeks to atone for the legacy of the Holocaust.

However, German public opinion has been more critical of Israeli actions in Gaza.

Commenting on the row to the Welt TV channel, German Culture Minister Wolfram Weimer defended Wenders and Tuttle from criticism, saying they were running the festival "in a very balanced way, very sensitively".

"Artists should not be told what to do when it comes to politics. The Berlinale is not an NGO with a camera and directors," Weimer said.

Gaza has frequently been a topic of controversy at the Berlinale in recent years.

In 2024, the festival's documentary award went to "No Other Land", which follows the dispossession of Palestinian communities in the Israeli-occupied West Bank.

German government officials criticized "one-sided" remarks about Gaza by the directors of that film and others at that year's awards ceremony.


Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
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Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."