Robert Pattinson Reminds Audiences That Accents Are a Signature of His Performances in ‘Mickey 17’ 

This image released by Warner Bros. Pictures shows actors Anamaria Vartolomei, left, and Robert Pattinson, center, with filmmaker Bong Joon Ho on the set of "Mickey 17." (Jonathan Olley/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows actors Anamaria Vartolomei, left, and Robert Pattinson, center, with filmmaker Bong Joon Ho on the set of "Mickey 17." (Jonathan Olley/Warner Bros. Pictures via AP)
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Robert Pattinson Reminds Audiences That Accents Are a Signature of His Performances in ‘Mickey 17’ 

This image released by Warner Bros. Pictures shows actors Anamaria Vartolomei, left, and Robert Pattinson, center, with filmmaker Bong Joon Ho on the set of "Mickey 17." (Jonathan Olley/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows actors Anamaria Vartolomei, left, and Robert Pattinson, center, with filmmaker Bong Joon Ho on the set of "Mickey 17." (Jonathan Olley/Warner Bros. Pictures via AP)

Often when Robert Pattinson gets a script, one of the first things he does — to the annoyance of his girlfriend, Suki Waterhouse — is try on different voices to bring his character to life.

"I've always had that sort of response to a script," he reflected, but said it became a practice while making his 2014 film, "The Rover.I think I feel very uncomfortable just doing something in my own accent. And for a while I felt like just doing an American accent felt like I was acting more."

It's unsurprising, then, that when he was offered a starring role in "Mickey 17" — director Bong Joon Ho's first feature film since his Oscar-winning "Parasite" — Pattinson's wheels immediately began turning over what his character(s) would sound like.

"Mickey 17," a Warner Bros. release hitting theaters March 7, tells the story of Mickey Barnes, a naive but sympathetic protagonist who signs up to be an "expendable" in a world that makes use of "human printing" for dangerous tasks and research. When an expendable dies on the job, another version of them is printed with their consciousness and memories of their death intact.

But Mickey's immortality is threatened when a very different version of him is printed while the 17th Mickey is mistakenly believed to be dead.

"I needed to find an actor who could cover both personalities," Bong said through a translator, recalling Pattinson's performances in "The Lighthouse" and "Good Time" as he considered the more sinister and conniving Mickey 18.

The inspiration behind 'Mickey 17'

The film is based on Edward Ashton's 2022 novel, "Mickey7." But Pattinson, who read the book before he got the script, said he still can't believe how different they are from one another. "When I read the script and Bong's changes to it, I was like, 'How did you see this tone in this book at all?' It's very, very different tonally. But I thought it's fascinating to have that interpretation," he said.

Although Pattinson was eager to work with the acclaimed Korean filmmaker, he wasn't given a lot of initial information about the movie or role. "The only thing I knew was that it was in English and that the part was impossible," Pattinson said, laughing.

As he eventually gleaned more about the story and his character, ideas for Mickey — and Mickey's voices — began swirling around in his head.

Pattinson envisioned slapstick montages of his myriad deaths à la "The Tom and Jerry Show" — but that portion of the film turned out to be much darker than he expected. One early idea for voices that Bong shut down was inspired by Steve-O and Johnny Knoxville — Pattinson was a devout "Jackass" fan growing up and even repped a "Jackass" T-shirt to school "almost every day."

But one initial idea the 38-year-old had did stick. "My first thought, on pretty much the first read of it, was, 'It's like Ren and Stimpy,'" he said of the irreverent animated Nickelodeon series from the 90's about a cat and dog.

The dynamic between the two Mickeys is an apt comparison given Ren's short temper and diabolical nature (Mickey 18), which stands in stark contrast to Stimpy's naivete (Mickey 17). The similarities in their voices can also be heard.

"I kind of wanted to do this like cartoon character performance. You start out really, really extreme and then kind of gradually tone it down," he said of how he refined the characters. "When directors just let you do stuff, you just come out of the box doing whatever and wherever your instinct is taking you."

Working with Bong Joon Ho after 'Parasite'

In addition to Pattison, the sci-fi comedy boasts an impressive cast, including Mark Ruffalo,Steven Yeun, Toni Collette and Naomi Ackie. Although Ackie, who plays Mickey's romantic partner in the film, hadn't worked with Pattinson before, she said they quickly hit it off.

"We're both quite similar in how we work, which is very chatty up until the point of 'Action,' and then we do the acting. And I really enjoy that kind of separation between character and self. I find it quite difficult to hold onto characters once there's no cameras on," she said.

But it wasn't just Pattinson who made the experience a positive one for her. "I'm pretty certain you could ask anyone who works with Bong Joon Ho, 'Would you go back?' And they'd be like, 'I'd pay money.'"

Despite the notoriety the director has reaped since "Parasite" racked up four Oscars in 2020, including best picture and best director, Bong said the experience hasn't changed him.

"It was fun and exciting to meet with all these famous artists and filmmakers during the campaign, but I didn't feel like I was like on cloud nine. It was actually very mentally and physically exhausting because the campaign is so long and I just remember thinking, 'Wow, this is really tough,'" he recalled. "We kept just like handing each other vitamins."



‘Happy Face’ Looks at Ripple Effects of True Crime

 Annaleigh Ashford, from left, Dennis Quaid and Melissa G. Moore attend a special screening of the Paramount+ television series "Happy Face" at Metrograph on Tuesday, March 18, 2025, in New York. (Photo by Andy Kropa/Invision/AP)
Annaleigh Ashford, from left, Dennis Quaid and Melissa G. Moore attend a special screening of the Paramount+ television series "Happy Face" at Metrograph on Tuesday, March 18, 2025, in New York. (Photo by Andy Kropa/Invision/AP)
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‘Happy Face’ Looks at Ripple Effects of True Crime

 Annaleigh Ashford, from left, Dennis Quaid and Melissa G. Moore attend a special screening of the Paramount+ television series "Happy Face" at Metrograph on Tuesday, March 18, 2025, in New York. (Photo by Andy Kropa/Invision/AP)
Annaleigh Ashford, from left, Dennis Quaid and Melissa G. Moore attend a special screening of the Paramount+ television series "Happy Face" at Metrograph on Tuesday, March 18, 2025, in New York. (Photo by Andy Kropa/Invision/AP)

The new Paramount+ series "Happy Face" has all the elements of a gripping true-crime yarn: A serial killer, his estranged daughter, a race to get an innocent man off death row. But perhaps the most intriguing part? How it examines the warping nature of true crime itself.

"I was less interested in the specific psychology of a serial killer or glorifying the murders or seeing violence against women on screen," says Jennifer Cacicio, executive producer and showrunner. "I just feel like we’ve seen that. I was very interested in making a true crime show told through a different lens."

"Happy Face," which begins airing Thursday, is inspired by the true story of Melissa Moore, whose father was a prolific serial killer infamous for drawing smiley faces on letters to the media and prosecutors. She was just 15 when he was captured.

Decades later, as an adult with her own children, she finds herself drawn back into his orbit as she sets out to save an innocent man for a crime her father committed. She also has to tell her daughter the truth about her grandfather.

Starring Annaleigh Ashford and Dennis Quaid, "Happy Face" is told from a female point of view and looks at how a shameful secret can echo through generations. It's also about the push and pull of infamy, with horrendous crimes somehow remaining an alluring draw.

"There’s a lot of crime dramas out there that I think are very male-centric. It’s either about the cops are the cool guys or the criminals are the cool guys, and it’s all about kicking in doors. I’ve written on those shows and they’re fun and they serve a purpose. And I think that I really wanted to try something different," Cacicio says.

"What is it like for the rest of the family when there’s this shameful secret and this series of crimes and these acts of violence and what are the ripple effects on everybody involved?"

Ashford, who earned a Tony Award nomination playing a serial killer on Broadway in "Sweeney Todd," plays Moore with tenderness and anger, saying she was interested in exploring generational trauma.

"It’s one of the worst nightmares," she says. "The worst nightmare of all is having a family member be a victim. And then the second worst nightmare is having a family member be the perpetrator. So what would you do if you’re a parent or your sibling or your spouse or your child committed an atrocity?"

Moore previously shared her story in the bestselling memoir, "Shattered Silence" and the 2018 "Happy Face" podcast, reaching out to her father's victims and advocating for other family members of killers. Cacicio was one of a number of writers interested in telling her story for TV.

Cacicio approached Moore with this pitch: "If you want someone who’s a straight-up journalist, who’s just going to tell exactly the story of the podcast, you should let someone else do it," she told her. "There’s also an opportunity for it to be a bigger story that’s asking some questions about true crime."

Cacicio and Moore, it turned out had plenty in common. They were the same age, and both the oldest of three kids. Both had close relationships with their fathers, who hid other lives — Moore's was a killer and Cacicio served time in prison for drug dealing.

"Obviously, the crimes are different, the circumstances are different. But I think, in my family, it was something we didn’t talk about and it was something I didn’t want my friends to know," says Cacicio.

"A lot of it was really personal to me. And I think that’s what made her trust me — that I really understood the feelings, even if I didn’t necessarily understand the specific circumstances."

Quaid plays Moore's father, but unlike other roles he's taken that involve a living person, he had no intention of meeting the prisoner. He didn't want to glorify the killer but also "Happy Face" isn't that kind of show.

"This is told from Melissa’s point of view, and I think it’s actually truer than his point of view, because I think she knows him much better than he knows himself," he says. "I think he shows emotions like a little boy who’s trying to talk himself out of a whipping."

Cacicio says it's time we took a look at the explosion in popularity of true crime, in which women are often the victims but women are also the chief consumers.

"Are we obsessed with these stories because we’re trying to protect ourselves in case the worst happens?" she asks. "I read somewhere that it’s an act of normalizing your own experiences, because usually it’s whatever you’re watching is worse than what’s happened to you. So it kind of like makes you feel better about your own traumas."