Oz, Bond and Quincy Jones: Oscars a Musical Ode to Film Icons

Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
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Oz, Bond and Quincy Jones: Oscars a Musical Ode to Film Icons

Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP
Cynthia Erivo (L) and Ariana Grande perform a 'Wicked'-themed medley to open the 97th Annual Academy Awards. Patrick T. Fallon / AFP

The Oscars gala traditionally features performances of all the tracks nominated for best original song -- this year, the ceremony on Sunday bucked norms, but musical numbers still punctuated the show.

Ariana Grande and Cynthia Erivo opened the star-studded gala with a tribute to Los Angeles -- which recently suffered devastating wildfires -- that also celebrated their Oscar-nominated roles in the blockbuster film "Wicked."

In a glimmering red dress and shoes nodding to Dorothy's magic slippers, Grande belted a touching version of the classic ballad "Over the Rainbow" from 1939's "The Wizard of Oz" starring Judy Garland, AFP said.

Erivo then joined to deliver a soaring rendition of "Home" from "The Wiz" -- both "The Wizard of Oz" and 1978's "The Wiz" are tales about the fantastical land of Oz that "Wicked" also riffs on.

Grande and Erivo ultimately brought the audience to its feet with the film's hit song "Defying Gravity," which brought some attendees, including co-star Michelle Yeoh, to tears -- especially thanks to Erivo's chills-inducing climax.

Later in the show came a James Bond medley, a celebration of the film franchise that just controversially came under the creative control of Amazon MGM Studios.

The Oscar stage turned Bond set featured a dance number led by "The Substance" star Margaret Qualley -- who is a trained dancer.

Lisa -- a member of the K-pop group Blackpink -- descended from the ceiling to sing Wings' "Live and Let Die" from that 1973 film.

And Doja Cat literally dripped in diamonds to sing Shirley Bassey's "Diamonds Are Forever," before an orchestra joined Raye to close the performance with a cover of Adele's "Skyfall."

Tribute to Quincy Jones

Mick Jagger popped by to present the prize for best original song, which went to "El Mal," the track off "Emilia Perez" written by Clement Ducol, Camille and the film's director Jacques Audiard.

"We wrote 'El Mal' as a song to denounce corruption," Camille said onstage. "We hope it speaks to the role music and art can play, and continue to play, as a force of the good and progress in the world."

Before presenting the award, Jagger joked that "the producers really wanted Bob Dylan to do this -- Bob didn't want to do it because he said the best songs this year were obviously in "A Complete Unknown" -- the film about Dylan.

"Bob said, 'You should find somebody younger,'" the Rolling Stone frontman quipped.

Oprah Winfrey and Whoopi Goldberg presented a tribute to the late Quincy Jones, the composing titan who orchestrated the sounds of the music and film worlds for more than 50 years.

"Quincy was love lived out loud in human form, and he poured that love out into others and into his work," Winfrey said.

Latifah then brought disco to the Academy Awards with a performance of "Ease on Down the Road" -- yet another nod to the world of Oz -- from the musical film adaptation of "The Wiz," which Jones worked on.

Host Conan O'Brien added in his own song and dance after his opening monologue, poking fun at the show's reputation for trudging along at a glacial pace.

"I Won't Waste Time!" he sang.

The show ultimately clocked in at nearly four hours.



‘Happy Face’ Looks at Ripple Effects of True Crime

 Annaleigh Ashford, from left, Dennis Quaid and Melissa G. Moore attend a special screening of the Paramount+ television series "Happy Face" at Metrograph on Tuesday, March 18, 2025, in New York. (Photo by Andy Kropa/Invision/AP)
Annaleigh Ashford, from left, Dennis Quaid and Melissa G. Moore attend a special screening of the Paramount+ television series "Happy Face" at Metrograph on Tuesday, March 18, 2025, in New York. (Photo by Andy Kropa/Invision/AP)
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‘Happy Face’ Looks at Ripple Effects of True Crime

 Annaleigh Ashford, from left, Dennis Quaid and Melissa G. Moore attend a special screening of the Paramount+ television series "Happy Face" at Metrograph on Tuesday, March 18, 2025, in New York. (Photo by Andy Kropa/Invision/AP)
Annaleigh Ashford, from left, Dennis Quaid and Melissa G. Moore attend a special screening of the Paramount+ television series "Happy Face" at Metrograph on Tuesday, March 18, 2025, in New York. (Photo by Andy Kropa/Invision/AP)

The new Paramount+ series "Happy Face" has all the elements of a gripping true-crime yarn: A serial killer, his estranged daughter, a race to get an innocent man off death row. But perhaps the most intriguing part? How it examines the warping nature of true crime itself.

"I was less interested in the specific psychology of a serial killer or glorifying the murders or seeing violence against women on screen," says Jennifer Cacicio, executive producer and showrunner. "I just feel like we’ve seen that. I was very interested in making a true crime show told through a different lens."

"Happy Face," which begins airing Thursday, is inspired by the true story of Melissa Moore, whose father was a prolific serial killer infamous for drawing smiley faces on letters to the media and prosecutors. She was just 15 when he was captured.

Decades later, as an adult with her own children, she finds herself drawn back into his orbit as she sets out to save an innocent man for a crime her father committed. She also has to tell her daughter the truth about her grandfather.

Starring Annaleigh Ashford and Dennis Quaid, "Happy Face" is told from a female point of view and looks at how a shameful secret can echo through generations. It's also about the push and pull of infamy, with horrendous crimes somehow remaining an alluring draw.

"There’s a lot of crime dramas out there that I think are very male-centric. It’s either about the cops are the cool guys or the criminals are the cool guys, and it’s all about kicking in doors. I’ve written on those shows and they’re fun and they serve a purpose. And I think that I really wanted to try something different," Cacicio says.

"What is it like for the rest of the family when there’s this shameful secret and this series of crimes and these acts of violence and what are the ripple effects on everybody involved?"

Ashford, who earned a Tony Award nomination playing a serial killer on Broadway in "Sweeney Todd," plays Moore with tenderness and anger, saying she was interested in exploring generational trauma.

"It’s one of the worst nightmares," she says. "The worst nightmare of all is having a family member be a victim. And then the second worst nightmare is having a family member be the perpetrator. So what would you do if you’re a parent or your sibling or your spouse or your child committed an atrocity?"

Moore previously shared her story in the bestselling memoir, "Shattered Silence" and the 2018 "Happy Face" podcast, reaching out to her father's victims and advocating for other family members of killers. Cacicio was one of a number of writers interested in telling her story for TV.

Cacicio approached Moore with this pitch: "If you want someone who’s a straight-up journalist, who’s just going to tell exactly the story of the podcast, you should let someone else do it," she told her. "There’s also an opportunity for it to be a bigger story that’s asking some questions about true crime."

Cacicio and Moore, it turned out had plenty in common. They were the same age, and both the oldest of three kids. Both had close relationships with their fathers, who hid other lives — Moore's was a killer and Cacicio served time in prison for drug dealing.

"Obviously, the crimes are different, the circumstances are different. But I think, in my family, it was something we didn’t talk about and it was something I didn’t want my friends to know," says Cacicio.

"A lot of it was really personal to me. And I think that’s what made her trust me — that I really understood the feelings, even if I didn’t necessarily understand the specific circumstances."

Quaid plays Moore's father, but unlike other roles he's taken that involve a living person, he had no intention of meeting the prisoner. He didn't want to glorify the killer but also "Happy Face" isn't that kind of show.

"This is told from Melissa’s point of view, and I think it’s actually truer than his point of view, because I think she knows him much better than he knows himself," he says. "I think he shows emotions like a little boy who’s trying to talk himself out of a whipping."

Cacicio says it's time we took a look at the explosion in popularity of true crime, in which women are often the victims but women are also the chief consumers.

"Are we obsessed with these stories because we’re trying to protect ourselves in case the worst happens?" she asks. "I read somewhere that it’s an act of normalizing your own experiences, because usually it’s whatever you’re watching is worse than what’s happened to you. So it kind of like makes you feel better about your own traumas."