Forbidden K-Pop to Center Stage: North Koreans Set for Music Debut 

This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)
This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)
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Forbidden K-Pop to Center Stage: North Koreans Set for Music Debut 

This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)
This picture taken on March 6, 2025 shows K-pop group 1Verse members (L-R) Hyuk, Kenny, Nathan, Seok and Aito posing for a photo during an interview with AFP at a studio in Seoul. (AFP)

Growing up in North Korea, Hyuk's childhood was about survival. He never listened to banned K-pop music but, after defecting to the South, he's about to debut as an idol.

Hyuk is one of two young North Koreans in a new K-pop band called 1Verse -- the first time that performers originally from the nuclear-armed North have been trained up for stardom in South Korea's global K-pop industry.

Before he was 10, Hyuk -- who like many K-pop idols now goes by one name -- was skipping school to work on the streets in his native North Hamgyong province and admits he "had to steal quite a bit just to survive".

"I had never really listened to K-pop music", he told AFP, explaining that "watching music videos felt like a luxury to me".

"My life was all about survival", he said, adding that he did everything from farm work to hauling shipments of cement to earn money to buy food for his family.

But when he was 13, his mother, who had escaped North Korea and made it to the South, urged him to join her.

He realized this could be his chance to escape starvation and hardship, but said he knew nothing about the other half of the Korean peninsula.

"To me, the world was just North Korea -- nothing beyond that," he told AFP.

His bandmate, Seok, also grew up in the North -- but in contrast to Hyuk's hardscrabble upbringing, he was raised in a relatively affluent family, living close to the border.

As a result, even though K-pop and other South Korean content like K-dramas are banned in the North with harsh penalties for violators, Seok said "it was possible to buy and sell songs illegally through smugglers".

Thanks to his older sister, Seok was listening to K-pop and even watching rare videos of South Korean artists from a young age, he told AFP.

"I remember wanting to imitate those cool expressions and styles -- things like hairstyles and outfits," Seok told AFP.

Eventually, when he was 19, Seok defected to the South. Six years later, he is a spitting image of a K-Pop idol.

- Star quality -

Hyuk and Seok were recruited for 1Verse, a new boy band and the first signed to smaller Seoul-based label Singing Beetle by the company's CEO Michelle Cho.

Cho was introduced to both of the young defectors through friends.

Hyuk was working at a factory when she met him, but when she heard raps he had written she told AFP that she "knew straight away that his was a natural talent".

Initially, he "professed a complete lack of confidence in his ability to rap", Cho said, but she offered him free lessons and then invited him to the studio, which got him hooked.

Eventually, "he decided to give music a chance", she said, and became the agency's first trainee.

In contrast, Seok "had that self-belief and confidence from the very beginning", she said, and lobbied hard to be taken on.

When Seok learned that he would be training alongside another North Korean defector, he said it "gave me the courage to believe that maybe I could do it".

- 'We're almost there' -

The other members of 1Verse include a Chinese-American, a Lao-Thai American and a Japanese dancer. The five men in their 20s barely speak each other's languages.

But Hyuk, who has been studying English, says it doesn't matter.

"We're also learning about each other's cultures, trying to bridge the gaps and get closer little by little," he said.

"Surprisingly, we communicate really well. Our languages aren't perfectly fluent, but we still understand each other. Sometimes, that feels almost unbelievable."

Aito, the Japanese trainee who is the main dancer in the group, said he was "fascinated" to meet his North Korean bandmates.

"In Japan, when I watched the news, I often saw a lot of international issues about defectors, so the overall image isn't very positive," he said.

But Aito told AFP his worries "all disappeared" when he met Hyuk and Seok. And now, the five performers are on the brink of their debut.

It's been a long road from North Korea to the cusp of K-pop stardom in the South for Hyuk and Seok -- but they say they are determined to make 1Verse a success.

"I really want to move someone with my voice. That feeling grows stronger every day," said Seok.

Hyuk said being part of a real band was a moving experience for him.

"It really hit me, like wow, we're almost there."



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”