'Snow White' Opens with Sleepy $43 Million at Box Office

FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
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'Snow White' Opens with Sleepy $43 Million at Box Office

FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo

The Walt Disney Co.’s live-action, controversy-bedeviled “Snow White” opened in theaters with a sleepy $43 million in ticket sales, according to studio estimates Sunday.
With a budget above $250 million, “Snow White” had set out with higher ambitions, particularly since it returns Disney to its very origins. The 1937 original “Snow White and the Seven Dwarfs” was the company’s first animated feature, and paid for its Burbank studio lot.
But this “Snow White” struggled to find anything like a fairy tale ending. The runup to release was plagued by controversies over the film’s handling of the dwarfs, who are rendered in CGI, and backlashes over comments by its star, Rachel Zegler. The PR headaches prompted Disney to pull back on its premiere.
Also working against the film, directed by Marc Webb: poor reviews. Critics were largely not impressed with Disney’s latest live-action remake, with reviews coming in just 43% “fresh” on Rotten Tomatoes.
There’s been a wide variance between the box-office performance of other “live-action” Disney remakes, but “Snow White” might mark a new nadir. Jon Favreau’s photorealistic “The Lion King” (2019) didn’t have great reviews, either, but grossed more than $1.6 billion worldwide. “Snow White” opened worse than “Dumbo” (a $46 million opening in 2019) and well shy of “Cinderella” territory ($67.9 million in 2015).
Overseas, “Snow White” added $44.3 million for a global launch of $87.3 million. But going into the weekend, “Snow White” had been eyeing a worldwide total closer to $100 million – and a few weeks back, expectations were significantly higher.
The result will surely add to questions over Disney’s long-term strategy of mining its vault for live-action remakes. In the pipeline are upcoming new versions of “Moana" and “Tangled." A live-action “Lilo & Stitch” launches in May, The Associated Press reported.
Efforts to modernize “Snow White," though, quickly ran afoul. In 2022, actor Peter Dinklage criticized the remake plans as “backward.” Disney ultimately opted to drop “and the Seven Dwarfs” from the original's title, and animate the dwarfs. Some right-wing commentators targeted “Snow White” and Zegler's casting as an overly “woke” production. Delays and reshoots also ran up costs.
Disney, though, has recently steered a handful of films from modest starts to enviable final hauls. The Barry Jenkins-directed “Mufasa: The Lion King” opened with $35.4 million domestically, but ultimately surpassed $717 million worldwide. “Snow White” will face little direct competition in the coming weeks. Audiences gave it a “B+” CinemaScore.
Warner Bros.’ “Alto Knights,” a period gangster film starring Robert De Niro in both lead roles, was a total misfire. The Barry Levinson-directed film, which cost about $45 million to make, opened with just $3.2 million from 2,651 theaters. The flop of “Alto Knights” followed another misfire for Warner Bros. with Bong Joon Ho’s big-budget sci-fi “Mickey 17.” In three weeks, it’s tallied $40.2 million domestically against a $118 million budget.
“Magazine Dreams,” starring Jonathan Majors as a disturbed aspiring bodybuilder, opened with $700,000 for Briarcliff Entertainment in 815 locations. The film was dropped by Searchlight Pictures after Majors was convicted of two misdemeanor counts of assault and harassment against Grace Jabbari, his ex-girlfriend. Majors avoided jail time but was given a year of probation.
The disappointment-filled weekend added to a rough 2025 so far for Hollywood. The box office is down 6.9% from last year, according to data firm Comscore, and 38.6% from 2019.



With the Box Office Down, James Gunn Predicts Summer of ‘Superman’ to the Rescue 

Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)
Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)
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With the Box Office Down, James Gunn Predicts Summer of ‘Superman’ to the Rescue 

Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)
Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)

The 2025 box office has been hit with a deficit. Can the James Gunn-dubbed “summer of ‘Superman’” save it?

Warner Bros. showed off a diverse and starry slate of its upcoming films on Tuesday — but the night was carried on the shoulders of Clark Kent.

“I really do believe in this movie. And I do believe that there is a lack of human kindness, or at least a degradation of human kindness,” Gunn said. “This is a movie that celebrates kindness and human love.”

At the annual CinemaCon convention and trade show in Las Vegas, Gunn — the director and writer of the first film in the new iteration of the connected DC Universe — also brought out its stars, who gushed over their experience making the film.

“It’s a great honor to play a role that exists so clearly in the public consciousness, to the point where everyone I think, even if you haven’t seen a film or read a comic, you sort of know what the Superman symbol means and you know what it stands for,” said David Corenswet, adding that he hopes to “illuminate something new about the character, or even just bring the beloved character to a new audience.”

Corenswet was joined onstage by Rachel Brosnahan, who plays Lois Lane, and Nicholas Hoult, who plays Lex Luther.

“James makes a family out of every set,” Brosnahan said. “The set is full of people who want to be there, who love making these movies. And it’s such a joy to come to work every day. As many of you have probably heard from other people, it’s not always like that.”

Gunn was announced to direct the film in 2023 shortly after he and Peter Safran became co-chairmen and co-CEOs of DC Studios.

“We appreciate and share your passion for this art form,” Safran told a room full of theater owners. “It’s the fulcrum of our ambitious DC Studios slate and it’s what inspired James to shoot all over the world and push filmmaking technology to its limits, to propel moviegoers out of their homes into your theaters.”

The film will be released theatrically in July amid a summer of superhero titles, including “The Fantastic Four: First Steps” and “Thunderbolts(asterisk).”

In addition to “Superman,” Warner Bros. teased some of its April releases on the convention’s main stage, like Ryan Coogler’s “Sinners” and “A Minecraft Movie,” but they also looked further down the road for 2025.

In a nod to cinephiles, the studio kicked off its presentation by bringing out the stars of Paul Thomas Anderson’s “One Battle After Another,” including Leonardo DiCaprio and Regina Hall. The film is set to hit theaters in September.

“I’ve been wanting to work with Paul for over, gosh, almost 20 years now. He’s one of the most unique talents of our time,” DiCaprio said. “With this film, he’s tapped into something politically and culturally that is brewing beneath our psyche. But at the same time, it’s an incredibly epic movie and has such scope and scale.”

Director Joseph Kosinski and producer Jerry Bruckheimer also treated the audience to an extended sneak peak of “F1,” Brad Pitt’s Formula One racing drama premiering in June.

In addition to Hollywood studios and stars boasting their theatrical menus which they believe will lure audiences to cinemas, the annual convention is also a time to discuss current industry debates, like how long movies should stay in theaters and the extent to which studios should get into production with streaming companies.