With the Box Office Down, James Gunn Predicts Summer of ‘Superman’ to the Rescue 

Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)
Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)
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With the Box Office Down, James Gunn Predicts Summer of ‘Superman’ to the Rescue 

Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)
Actor David Corenswet, promoting the movie "Superman", poses during a Warner Bros presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 1, 2025. (Reuters)

The 2025 box office has been hit with a deficit. Can the James Gunn-dubbed “summer of ‘Superman’” save it?

Warner Bros. showed off a diverse and starry slate of its upcoming films on Tuesday — but the night was carried on the shoulders of Clark Kent.

“I really do believe in this movie. And I do believe that there is a lack of human kindness, or at least a degradation of human kindness,” Gunn said. “This is a movie that celebrates kindness and human love.”

At the annual CinemaCon convention and trade show in Las Vegas, Gunn — the director and writer of the first film in the new iteration of the connected DC Universe — also brought out its stars, who gushed over their experience making the film.

“It’s a great honor to play a role that exists so clearly in the public consciousness, to the point where everyone I think, even if you haven’t seen a film or read a comic, you sort of know what the Superman symbol means and you know what it stands for,” said David Corenswet, adding that he hopes to “illuminate something new about the character, or even just bring the beloved character to a new audience.”

Corenswet was joined onstage by Rachel Brosnahan, who plays Lois Lane, and Nicholas Hoult, who plays Lex Luther.

“James makes a family out of every set,” Brosnahan said. “The set is full of people who want to be there, who love making these movies. And it’s such a joy to come to work every day. As many of you have probably heard from other people, it’s not always like that.”

Gunn was announced to direct the film in 2023 shortly after he and Peter Safran became co-chairmen and co-CEOs of DC Studios.

“We appreciate and share your passion for this art form,” Safran told a room full of theater owners. “It’s the fulcrum of our ambitious DC Studios slate and it’s what inspired James to shoot all over the world and push filmmaking technology to its limits, to propel moviegoers out of their homes into your theaters.”

The film will be released theatrically in July amid a summer of superhero titles, including “The Fantastic Four: First Steps” and “Thunderbolts(asterisk).”

In addition to “Superman,” Warner Bros. teased some of its April releases on the convention’s main stage, like Ryan Coogler’s “Sinners” and “A Minecraft Movie,” but they also looked further down the road for 2025.

In a nod to cinephiles, the studio kicked off its presentation by bringing out the stars of Paul Thomas Anderson’s “One Battle After Another,” including Leonardo DiCaprio and Regina Hall. The film is set to hit theaters in September.

“I’ve been wanting to work with Paul for over, gosh, almost 20 years now. He’s one of the most unique talents of our time,” DiCaprio said. “With this film, he’s tapped into something politically and culturally that is brewing beneath our psyche. But at the same time, it’s an incredibly epic movie and has such scope and scale.”

Director Joseph Kosinski and producer Jerry Bruckheimer also treated the audience to an extended sneak peak of “F1,” Brad Pitt’s Formula One racing drama premiering in June.

In addition to Hollywood studios and stars boasting their theatrical menus which they believe will lure audiences to cinemas, the annual convention is also a time to discuss current industry debates, like how long movies should stay in theaters and the extent to which studios should get into production with streaming companies.



‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.


Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)
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Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)

There are giants, and then there is Donna Summer. The Queen of Disco and then some, known for such timeless tunes as “Love to Love You Baby,” “I Feel Love,” “Bad Girls,” “Dim All the Lights,” “On the Radio” and “She Works Hard for the Money,” has been posthumously inducted into the Songwriters Hall of Fame, the hall said.

Summer, who died in 2012 at age 63, was welcomed into the Songwriters Hall on Monday at a ceremony at The Butterfly Room at Cecconi’s in Los Angeles. It was led by Academy Award-winning songwriter Paul Williams. Summer's husband, Bruce Sudano and their daughters Brooklyn Sudano and Amanda Sudano Ramirez were in attendance.

“Donna Summer is not only one of the defining voices and performers of the 20th century; she is one of the great songwriters of all time who changed the course of music,” said Williams in a statement. “She wrote timeless and transcendent songs that continue to captivate our souls and imaginations, inspiring the world to dance and, above all, feel love.”

Summer's smooth blend of R&B, soul, pop, funk, rock, disco and electronica launched numerous chart-topping hits in the ‘70s and ’80s as well as three multiplatinum albums. She won five Grammys. She was unstoppable — both as a performer and a writer.

“It’s important to me because I know how important it was for Donna,” said Sudano in a press release. “The backstory is, with all the accolades that she received over her career, being respected as a songwriter was always the thing that she felt was overlooked. So, for her to be accepted into the Songwriters Hall of Fame I know that she’s very happy ... somewhere.”

The Songwriters Hall of Fame was established in 1969. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

The annual Songwriters Hall of Fame gala does not usually include posthumous inductions; those are reserved for separate events.

Songwriter Pete Bellotte — known for his work with Summer on “Hot Stuff,” “I Feel Love” and “Love To Love You Baby” — is a current nominee for the 2026 Songwriters Hall of Fame class. “Love To Love You Baby” was co-written with Summer and producer Giorgio Moroder. One of Summer's best-known hits, the song has been sampled many times, including in tracks by Beyoncé, LL Cool J and Timbaland.

The 2026 inductees will be announced in early 2026.