So You Saw ‘Conclave’ the Movie. Here’s What It Got Right – And Wrong – About Real-Life Conclaves

This image released by Focus Features shows Ralph Fiennes, left, and Stanley Tucci in a scene from "Conclave." (Focus Features via AP)
This image released by Focus Features shows Ralph Fiennes, left, and Stanley Tucci in a scene from "Conclave." (Focus Features via AP)
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So You Saw ‘Conclave’ the Movie. Here’s What It Got Right – And Wrong – About Real-Life Conclaves

This image released by Focus Features shows Ralph Fiennes, left, and Stanley Tucci in a scene from "Conclave." (Focus Features via AP)
This image released by Focus Features shows Ralph Fiennes, left, and Stanley Tucci in a scene from "Conclave." (Focus Features via AP)

Speculation surrounding a conclave to elect a pope is a time-honored tradition. But for the impending conclave following the death of Pope Francis, the ranks of armchair Vatican experts have swelled thanks to Hollywood.

“Conclave” the film, a moody 2024 political thriller, introduced many laypeople to the ancient selection process with its arcane rules and grand ceremony, albeit with a silver screen twist packed full of palace intrigue and surprise.

Though it has its critics, the film treats the gravity of a papal election with respect and accurately portrays many rituals and contemporary problems facing today’s Catholic Church. But Vatican experts warn the movie doesn’t get everything right.

Here's a look at what “Conclave” does get right — and wrong — about conclaves. (Spoilers ahead.)

Scenery and aesthetics The movie excels at re-creating the look and feel of a conclave.

“The film gets a lot right. They tried to reproduce the mise-en-scene of the Vatican accurately,” William Cavanaugh, a Catholic studies professor at DePaul University in Chicago, said in an email. “They show that a lot of the drama is around the preconclave conversations among cardinals.”

It’s not a perfect re-creation, according to the Rev. Thomas Reese, a senior analyst with the Religion News Service and a Vatican expert.

He called the movie’s production values “marvelous,” but noted slight discrepancies in the cardinals' dress.

“The red in the cardinals’ garments was a deep red, while the reality is more orange. Frankly, I like the Hollywood version better,” Reese, a Jesuit priest who wrote “Inside the Vatican: The Politics and Organization of the Catholic Church,” said in an email.

Papal protocols The movie aligns with real-life expectations for a quick conclave, said Massimo Faggioli, a historical theology professor at Villanova University in Pennsylvania.

“A long conclave would send the message of a Church divided and possibly on the verge of a schism. The history of the conclaves in the last century is really a story of short conclaves,” he said via email.

Reese pointed out other discrepancies. While the voting process was depicted accurately, he said, the ballots are burned not after each vote, but after each session, which is typically two votes.

Holy plot holes There are a few particularly egregious errors that, if corrected, would lead to a very different movie.

A key character in the film, the archbishop of Kabul, Afghanistan, arrives just before the conclave with paperwork declaring the late pope had made him a cardinal "in pectore" — “in secret” — allowing him to vote for the next pope.

“The biggest mistake in the movie was the admission of a cardinal in pectore into the conclave,” said Reese. “If the name is not announced publicly by the pope in the presence of the College of Cardinals, he has no right to attend a conclave.”

Cavanaugh agreed and noted that while the movie's twist about the Kabul archbishop was far-fetched, it does point to a certain truth about conclaves.

“The cardinals do not always know who they’re getting when they elect a pope,” he said. “If the cardinals knew how (Jorge Mario) Bergoglio would be as Pope Francis, many of them wouldn’t have voted for him. Pius IX was elected as a liberal and turned into an archconservative. John XXIII was supposed to be a jolly caretaker pope, and he unleashed Vatican II,” a series of modernizing reforms.

Another of the movie's more outlandish storylines involves the dean of the College of Cardinals breaking the seal of the confessional by revealing to another cardinal what a nun confessed to him, said Reese.

“He committed a mortal sin and would be automatically excommunicated. Such an action would be egregiously wrong,” Reese said.

In addition to that, a cardinal paying for votes, as shown in the film, is unheard of in modern times, said Cavanaugh, and the politicking is exaggerated.

And so are the politics.

The movie errs in making cardinals into either liberal or conservative champions, said Kurt Martens, professor of canon law at the Catholic University of America in Washington.

“Those labels don’t help us,” he said because cardinals are very cautious in expressing their opinions and “even someone we think is a liberal cardinal is pretty conservative by secular standards.”

And he added that even in an unusually large conclave like this year’s, the rule requiring the next pope wins at least a two-thirds majority of the vote ensures that “whatever we call extreme” likely won’t get enough votes.



Denzel Washington Receives Surprise Honorary Palme d'Or at Cannes Premiere for 'Highest 2 Lowest'

US actor Denzel Washington receives the Honorary Palme d'Or from US director and executive producer Spike Lee ahead of the screening of the film "Highest 2 Lowest" at the 78th edition of the Cannes Film Festival in Cannes, southern France, on May 19, 2025. SAMEER AL-DOUMY/Pool via REUTERS
US actor Denzel Washington receives the Honorary Palme d'Or from US director and executive producer Spike Lee ahead of the screening of the film "Highest 2 Lowest" at the 78th edition of the Cannes Film Festival in Cannes, southern France, on May 19, 2025. SAMEER AL-DOUMY/Pool via REUTERS
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Denzel Washington Receives Surprise Honorary Palme d'Or at Cannes Premiere for 'Highest 2 Lowest'

US actor Denzel Washington receives the Honorary Palme d'Or from US director and executive producer Spike Lee ahead of the screening of the film "Highest 2 Lowest" at the 78th edition of the Cannes Film Festival in Cannes, southern France, on May 19, 2025. SAMEER AL-DOUMY/Pool via REUTERS
US actor Denzel Washington receives the Honorary Palme d'Or from US director and executive producer Spike Lee ahead of the screening of the film "Highest 2 Lowest" at the 78th edition of the Cannes Film Festival in Cannes, southern France, on May 19, 2025. SAMEER AL-DOUMY/Pool via REUTERS

Denzel Washington sandwiched a whirlwind trip to the Cannes Film Festival, in between Broadway performances, for the premiere of Spike Lee's “Highest 2 Lowest” on Monday — and was rewarded with a surprise: an honorary Palme d'Or.

Cannes had flipped around some of its scheduling to accommodate Washington's speedy France trip, which came on his lone off-day while performing “Othello” in New York. Cannes Film Festival chief Thierry Frémaux surprised Washington with the award before the Monday night premiere, The Associated Press reported.

“This is my brother, right here,” said the film’s director, Spike Lee, who passed the award to Washington.

“This is a total surprise for me,” said Washington.

The festival usually gives out one or two honorary Palmes each edition — last year, the awardees were Studio Ghibli and George Lucas. Last week, Robert De Niro received one on the festival's opening night. De Niro's award was announced in advance, but surprise prizes aren't unheard of: In 2022, Tom Cruise was presented with a surprise honorary Palme d'Or just before the screening of “Top Gun: Maverick.”

The premiere also had another surprise: Rihanna attended and walked the carpet afterward with partner A$AP Rocky. Earlier this month, she revealed at the Met Gala that she was pregnant with their third child.

While the festival's photo calls usually happen the day after a film's premiere, Cannes hosted one for “Highest 2 Lowest” earlier Monday so Washington could attend. The actor, playfully posing with Lee and co-star A$AP Rocky, showed no signs of jet lag and left once the screening began.

“He told me to tell you: Thank you for the love,” Lee told the crowd after the screening. “He's on Broadway doing ‘Othello,’ so it really took a lot for him to fly here. Let's give it up for Denzel Washington, please.”

Lee also came to Cannes with obligations back in New York on his mind. He arrived at the film’s premiere decked out in Knicks colors and wearing a blue and orange striped suit. Lee ended his brief speech in the Palais by hollering: “New York Knicks!”

That Washington would be able to make the trip had been a sticking point for Cannes.

When the festival first announced its lineup last month, “Highest 2 Lowest” wasn't included. Within hours, however, Lee himself announced the film was heading to Cannes. Representatives for the festival said they had been waiting for confirmation that Washington would attend to walk the red carpet.

“Highest 2 Lowest,” a remake of Akira Kurosawa's 1963 film “High and Low,” will be released in theaters by A24 on Aug. 22 before streaming on Apple TV+ on Sept. 5.