So You Saw ‘Conclave’ the Movie. Here’s What It Got Right – And Wrong – About Real-Life Conclaves

This image released by Focus Features shows Ralph Fiennes, left, and Stanley Tucci in a scene from "Conclave." (Focus Features via AP)
This image released by Focus Features shows Ralph Fiennes, left, and Stanley Tucci in a scene from "Conclave." (Focus Features via AP)
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So You Saw ‘Conclave’ the Movie. Here’s What It Got Right – And Wrong – About Real-Life Conclaves

This image released by Focus Features shows Ralph Fiennes, left, and Stanley Tucci in a scene from "Conclave." (Focus Features via AP)
This image released by Focus Features shows Ralph Fiennes, left, and Stanley Tucci in a scene from "Conclave." (Focus Features via AP)

Speculation surrounding a conclave to elect a pope is a time-honored tradition. But for the impending conclave following the death of Pope Francis, the ranks of armchair Vatican experts have swelled thanks to Hollywood.

“Conclave” the film, a moody 2024 political thriller, introduced many laypeople to the ancient selection process with its arcane rules and grand ceremony, albeit with a silver screen twist packed full of palace intrigue and surprise.

Though it has its critics, the film treats the gravity of a papal election with respect and accurately portrays many rituals and contemporary problems facing today’s Catholic Church. But Vatican experts warn the movie doesn’t get everything right.

Here's a look at what “Conclave” does get right — and wrong — about conclaves. (Spoilers ahead.)

Scenery and aesthetics The movie excels at re-creating the look and feel of a conclave.

“The film gets a lot right. They tried to reproduce the mise-en-scene of the Vatican accurately,” William Cavanaugh, a Catholic studies professor at DePaul University in Chicago, said in an email. “They show that a lot of the drama is around the preconclave conversations among cardinals.”

It’s not a perfect re-creation, according to the Rev. Thomas Reese, a senior analyst with the Religion News Service and a Vatican expert.

He called the movie’s production values “marvelous,” but noted slight discrepancies in the cardinals' dress.

“The red in the cardinals’ garments was a deep red, while the reality is more orange. Frankly, I like the Hollywood version better,” Reese, a Jesuit priest who wrote “Inside the Vatican: The Politics and Organization of the Catholic Church,” said in an email.

Papal protocols The movie aligns with real-life expectations for a quick conclave, said Massimo Faggioli, a historical theology professor at Villanova University in Pennsylvania.

“A long conclave would send the message of a Church divided and possibly on the verge of a schism. The history of the conclaves in the last century is really a story of short conclaves,” he said via email.

Reese pointed out other discrepancies. While the voting process was depicted accurately, he said, the ballots are burned not after each vote, but after each session, which is typically two votes.

Holy plot holes There are a few particularly egregious errors that, if corrected, would lead to a very different movie.

A key character in the film, the archbishop of Kabul, Afghanistan, arrives just before the conclave with paperwork declaring the late pope had made him a cardinal "in pectore" — “in secret” — allowing him to vote for the next pope.

“The biggest mistake in the movie was the admission of a cardinal in pectore into the conclave,” said Reese. “If the name is not announced publicly by the pope in the presence of the College of Cardinals, he has no right to attend a conclave.”

Cavanaugh agreed and noted that while the movie's twist about the Kabul archbishop was far-fetched, it does point to a certain truth about conclaves.

“The cardinals do not always know who they’re getting when they elect a pope,” he said. “If the cardinals knew how (Jorge Mario) Bergoglio would be as Pope Francis, many of them wouldn’t have voted for him. Pius IX was elected as a liberal and turned into an archconservative. John XXIII was supposed to be a jolly caretaker pope, and he unleashed Vatican II,” a series of modernizing reforms.

Another of the movie's more outlandish storylines involves the dean of the College of Cardinals breaking the seal of the confessional by revealing to another cardinal what a nun confessed to him, said Reese.

“He committed a mortal sin and would be automatically excommunicated. Such an action would be egregiously wrong,” Reese said.

In addition to that, a cardinal paying for votes, as shown in the film, is unheard of in modern times, said Cavanaugh, and the politicking is exaggerated.

And so are the politics.

The movie errs in making cardinals into either liberal or conservative champions, said Kurt Martens, professor of canon law at the Catholic University of America in Washington.

“Those labels don’t help us,” he said because cardinals are very cautious in expressing their opinions and “even someone we think is a liberal cardinal is pretty conservative by secular standards.”

And he added that even in an unusually large conclave like this year’s, the rule requiring the next pope wins at least a two-thirds majority of the vote ensures that “whatever we call extreme” likely won’t get enough votes.



Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
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Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)

Walt Disney Animation Studios' "Zootopia 2" is on track to surpass $1 billion at the global box office, the company said on Friday, as the sequel continues its strong run in international markets.

The film, which revisits the bustling animal metropolis of "Zootopia," features returning characters Judy Hopps, a rabbit police officer voiced by Ginnifer Goodwin, and her fox partner Nick Wilde, voiced by Jason Bateman.

The duo embarks on a new adventure that blends humor and social themes, echoing the formula that made the original a hit.

"Zootopia 2" opened strongly over the US Thanksgiving weekend, giving Hollywood a boost at the start of the critical holiday season.

The film's runaway success has been fueled by an extraordinary reception in China, where "Zootopia 2" dominated the box office during its opening weekend, accounting for roughly 95% of all ticket sales nationwide.

The original "Zootopia" also became China's most popular foreign animated film when it was released in 2016.

The performance offers welcome relief for theater operators hoping for packed cinemas through Christmas, traditionally the second-busiest moviegoing period of the year. Global box office receipts have yet to return to the pre-pandemic levels seen in 2019.


Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
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Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser

Walt Disney is investing $1 billion in OpenAI and will let the startup use characters from Star Wars, Pixar and Marvel franchises in its Sora AI video generator, a crucial deal that could reshape how Hollywood makes content.

The three-year partnership announced on Thursday is a pivotal step in Hollywood's embrace of generative artificial intelligence, side-stepping the industry's concerns over the impact of AI on creative jobs and intellectual property rights.

As part of the licensing deal, Sora and ChatGPT Images will start generating videos using licensed Disney characters such as Mickey Mouse, Cinderella and Mufasa, from early next year. The agreement excludes any talent likenesses or voices.

"Through this collaboration with OpenAI we will thoughtfully and responsibly extend the reach of our storytelling through generative AI, while respecting and protecting creators and their works," Disney CEO Bob Iger said.

OpenAI has been engaging with Disney and others in Hollywood for the past year in its search for partners, a person with knowledge of the discussions said.
The move marks a major shift in Disney's approach to AI - the company had decided to keep out its characters from the Sora app when OpenAI was in talks with companies regarding the tool's copyright policy.

Disney and Comcast's Universal had in June filed a copyright lawsuit against AI photo generation firm Midjourney for its use of the studios' best-known characters.

As part of the agreement with OpenAI, a selection of the videos by users will be made available for streaming on Disney+, allowing the streaming platform to capitalize on the growing appeal for short-form video content.

The media conglomerate will also receive warrants to purchase additional equity in the ChatGPT maker.

The companies will use OpenAI's models to build new products and customer experiences, including for Disney+ subscribers, while Disney will deploy ChatGPT for its employees, Reuters reported.

The partnership comes months after Hollywood's premier talent agency sharply criticized the same technology Disney is now embracing.

Creative Artists Agency, which represents thousands of actors, directors and music artists, said in October OpenAI was exposing artists to "significant risk" through Sora, questioning whether the AI company believed creative professionals "deserve to be compensated and credited for the work they create".


In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
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In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)

The carpet outside the 2025 edition of the Marrakech International Film Festival was unfurled in its usual red, but the stars who walked across it shimmered in every color.

Actors and filmmakers drifted down its length in embroidered velvet robes and delicately cut black lace dresses, amid the sounds of camera shutters and microphones humming.

Some ensembles nodded explicitly to the region: hand-stitched caftans and robes with hems that followed the geometry of North African embroidery, The AP news reported.
Youssra, one of Egypt’s best-known actors, carried a black sequined, pearl-trimmed clutch emblazoned with her name across the front, recognizable to audiences all over the Middle East.

Palestinian filmmaker Annemarie Jacir poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Saturday, Dec. 6, 2025. (AP Photo/Mosa’ab Elshamy)

Others went crisp and relied on an austere palette of black and white to make their statement. And woven through were quiet gestures of political intent. Clutches patterned like keffiyehs, pins worn close to the heart — small but unmistakable signals of solidarity with Palestinians at a festival on the edge of a region in conflict.

This year’s festival — whose guests included jury president Bong Joon Ho, Jafar Panahi and Anya Taylor-Joy — concluded Saturday.

An actress poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa'ab Elshamy)