‘Sinners’ Bites Off Phenomenal 2nd Weekend as 20-year-old Star Wars Movie Takes 2nd Place

This image released by Warner Bros. Pictures shows director-writer-producer Ryan Coogler, left, and cinematographer Autumn Durald Arkapaw on the set of "Sinners." (Eli Adé/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows director-writer-producer Ryan Coogler, left, and cinematographer Autumn Durald Arkapaw on the set of "Sinners." (Eli Adé/Warner Bros. Pictures via AP)
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‘Sinners’ Bites Off Phenomenal 2nd Weekend as 20-year-old Star Wars Movie Takes 2nd Place

This image released by Warner Bros. Pictures shows director-writer-producer Ryan Coogler, left, and cinematographer Autumn Durald Arkapaw on the set of "Sinners." (Eli Adé/Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows director-writer-producer Ryan Coogler, left, and cinematographer Autumn Durald Arkapaw on the set of "Sinners." (Eli Adé/Warner Bros. Pictures via AP)

Horror movies are often one-week wonders at the box office, but Ryan Coogler’s “Sinners” is defying the odds and proving to be true event cinema.
In its second weekend in theaters, “Sinners” earned $45 million in ticket sales from theaters in the US and Canada, according to studio estimates Sunday. That’s down a miniscule 6% from its Easter holiday launch, the smallest drop in any genre since “Avatar” in 2009. Worldwide, “Sinners” has now made $161.6 million.
For the industry, the showing proves the film's reach has broadened beyond horror fans to mainstream audiences wanting to see what the hype is about. Last weekend, men made up 56% of the audience. This weekend, the gender divide narrowed to 50/50. Premium large format showings, like the 70mm IMAX screens, are also a big draw. IMAX screens worldwide accounted for some 21% of the second weekend globally, a nearly 9% increase from last weekend.
The original ensemble movie, starring Michael B. Jordan as twins, rode into theaters on a wave of great reviews. And, to be fair, “Sinners” isn’t simply a horror film: It blends elements of drama, action and musical into its southern gothic milieu, The Associated Press reported.
“That’s one of the lowest second weekend holds for an overperforming wide release ever,” said Paul Dergarabedian, the senior media analyst for Comscore. “It’s an absolute phenomenon."
Hollywood expects significant drop off in a movie's second week of release. Even a 50% dip is considered a solid number, baked into the movie math. When it's anything less than that, it's notable.
“You can buy a great opening weekend with marketing, but if a movie doesn’t have the goods, it’ll drop off," Dergarabedian said. “There's no greater barometer of success than a second weekend hold like this."
The film was produced by Coogler’s Proximity Media and Warner Bros., which handled the theatrical release. After some disappointments earlier in the year, it's the second major win for the studio after “A Minecraft Movie” helped energize the box office earlier this month.
“Sinners” easily topped the biggest new competition this week: “The Accountant 2,” a sequel starring Ben Affleck and released by Amazon MGM Studios, which opened in third place with an estimated $24.5 million in its first weekend. Gavin O'Connor directed the film, which played in 3,610 theaters in North America. Audiences gave it a promising A- CinemaScore.
The film that beat “The Accountant 2” for second place was a 20-year-old Star Wars movie: “Revenge of the Sith.” The anniversary re-release took in an estimated $25.2 million over the weekend, with many sellouts reported, more than doubling last year’s release of “The Phantom Menace.” Internationally, it earned $17 million from 34 territories, giving it a $42.2 million global weekend. It's one of the top grossing re-releases ever.
“A Minecraft Movie” landed in fourth place with $22.7 million, bringing its domestic total to around $380 million.
The scary video game adaptation “Until Dawn” also opened this weekend to an estimated $8 million, rounding out the top five. Sony Pictures released the film, starring Ella Rubin and Michael Cimino, which has earned $18.1 million globally.
The “Minecraft” and “Sinners” wins have meant a huge boost for the April box office, which is up 102% from April 2024. The annual box office is also up over 10% from last year after running at a double-digit deficit in March. And this is all happening right before the industry’s summer movie season kicks off on May 2 with Disney’s “Thunderbolts(asterisk).”
“There cannot be a better opening act for the summer movie season than this weekend,” Dergarabedian said.



Brian Wilson's Top Five Beach Boys Songs

Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
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Brian Wilson's Top Five Beach Boys Songs

Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File

From the carefree sound of California surf music to the sophistication of later darker works, here are five of the top hits penned by influential Beach Boys founder Brian Wilson.

'Surfin' USA' (1963)

"Surfin' USA" was the Beach Boys' first global hit, taken from their eponymous debut album. A youthful ode to sea, sun and girls, it became an anthem for the West Coast and beyond.

It demonstrated Brian Wilson's increasing songwriting prowess as well as the band's unique vocal sound achieved thanks to double tracking.

"We'll all be gone for the summer/ We're on safari to stay/ Tell the teacher we're surfin'/ Surfin' USA," it rang out.

Wilson intentionally set his lyrics to the music of "Sweet Little Sixteen," by Chuck Berry, leading Berry to take legal action.

'California Girls' (1965)

On the big hit of the summer of 1965, Wilson's cousin Mike Love burst into song to celebrate the sun-tanned women of California.

"I wish they all could be California girls," the band members sang in seemless harmony.

It was also the first song written by Wilson under the influence of LSD, "which could explain why the accompaniment seems to move in a slow, steady daze at odds with the song's bright, major-key melody," Rolling Stone magazine wrote.

'God Only Knows' (1966)

It took Wilson just 45 minutes to write "God Only Knows," the legendary eighth track on the album "Pet Sounds" which has gone down as one of the greatest love songs ever.

Sung by brother Carl Wilson, Brian's rival Paul McCartney declared it to be his favorite song of all time and said it reduced him to tears.

But the record company and other members of the group were wary at the new turn in style.

'Good Vibrations'(1966)

"Good Vibrations" was a massive commercial success, selling one million copies in the United States and topping charts there and in several other countries including the UK.

At the time the most expensive single ever made, the "pocket symphony" was recorded in four different studios, consumed over 90 hours of tape and included a complexity of keys, textures, moods and instrumentation.

The song was a far cry from the group's surf-and-sun origins and the enormity of the task brought Wilson to the brink. He was unable to go on and complete the album "Smile," of which the song was to have been the centerpiece.

- 'Til I die' (1971) -

On side B of the album "Surf's Up,'Til I die" was composed in 1969 by a depressed Wilson worn down by mental illness and addiction.

He wrote in his 1991 autobiography that it was perhaps the most personal song he had written for the Beach Boys.