Tears, Trauma and a Million-Dollar Necklace as Defiant Kim Kardashian Faces Paris Robbery Suspects 

Kim Kardashian leaves the justice palace after testifying, regarding a robbery of millions of dollars in jewels from her Paris hotel room in 2016, in Paris, Tuesday, May 13, 2025. (AP)
Kim Kardashian leaves the justice palace after testifying, regarding a robbery of millions of dollars in jewels from her Paris hotel room in 2016, in Paris, Tuesday, May 13, 2025. (AP)
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Tears, Trauma and a Million-Dollar Necklace as Defiant Kim Kardashian Faces Paris Robbery Suspects 

Kim Kardashian leaves the justice palace after testifying, regarding a robbery of millions of dollars in jewels from her Paris hotel room in 2016, in Paris, Tuesday, May 13, 2025. (AP)
Kim Kardashian leaves the justice palace after testifying, regarding a robbery of millions of dollars in jewels from her Paris hotel room in 2016, in Paris, Tuesday, May 13, 2025. (AP)

Defiant in diamonds, Kim Kardashian appeared in a Paris courtroom Tuesday to testify in the trial over the 2016 armed robbery that upended her life. The reality star and business mogul gave emotional, at times harrowing, testimony about the night masked men tied her up at gunpoint and stole more than $6 million in jewelry.

Here’s what she revealed — and what’s still to come.

A night that changed everything Kardashian said she was starting to doze off in bed in the early hours when she heard stomping on the stairs. She assumed it was her sister Kourtney returning from a night out. “Hello? Hello? Who is it?” she called.

Moments later, two masked men burst in. They dragged the concierge in handcuffs. They were dressed as police.

“I thought it was some sort of terrorist attack,” she said.

She grabbed her phone but froze — “I didn’t know what 911 was (in France).” She tried to call her sister and her bodyguard, but one man grabbed her hand to stop her. They threw her on the bed, bound her hands and held a gun to her back.

“I have babies,” she recalled telling the robbers. “I have to make it home. They can take everything. I just have to make it home.”

Her robe fell open — she said she was naked underneath — as one man pulled her toward him. “I was certain that was the moment that he was going to rape me,” Kardashian said.

One attacker leaned in and told her, in English, she’d be OK if she stayed quiet. He taped her mouth shut and took her to the bathroom.

Kardashian later managed to free her hands by rubbing the tape against the bathroom sink. She hopped downstairs, ankles still bound, and found her friend and stylist, Simone Harouche. Fearing the men might return, the women climbed onto the balcony and hid in bushes. While lying there, Kardashian called her mother.

The men took a diamond ring she’d worn that night to a Givenchy show and rifled through her jewelry box. They took items including a watch her late father had given her when she graduated high school. “It wasn’t just jewelry. It was so many memories,” she said.

Investigators believe the attackers followed Kardashian’s digital breadcrumbs — images, timestamps, geotags — and exploited them with old-school criminal methods.

The robbery reshaped Kardashian’s sense of safety and freedom. “This experience really changed everything for us,” she said. “I started to get this phobia of going out.”

She often rents adjoining hotel rooms for protection and no longer stores jewelry at home, and now has up to six security guards at home.

"I can’t even sleep at night” otherwise, she said.

She also said she no longer makes social media posts in real time unless at a public event. Her Los Angeles home was robbed shortly after the Paris heist in what she believes was a copycat attack.

In a powerful courtroom moment, the chief judge read aloud a letter from one of the accused, who is too ill to testify. The letter said he had seen Kardashian’s tears on television and expressed regret. Kardashian was visibly moved.

“I’m obviously emotional,” she said in response.

“I do appreciate the letter, for sure,” she added. “I forgive you for what had taken place. But it doesn’t change the emotion, the trauma, and the way my life is forever changed.”

Kardashian, who is studying to become a lawyer, added that she regularly visits prisons. “I’ve always believed in second chances,” she said.

Kardashian made a fashion statement in court, wearing a $1.5 million necklace by Samer Halimeh New York. The jeweler's press release for the necklace came out even as she was on the witness stand, a reminder that visibility remains currency, even if the rules have grown more complicated.

The choice reflected defiance and the reclaiming of the image and luxury once used against her.

Kardashian said Paris had once been a sanctuary, a place where she would walk at 3 or 4 a.m., window shopping, sometimes stopping for hot chocolate. It “always felt really safe,” she said. “It was always a magical place.”

Twelve suspects were originally charged. One has died. One was excused due to illness. The French press dubbed the group “les papys braqueurs” — “the grandpa robbers” — but prosecutors say they were no harmless retirees.

The defendants face charges including armed robbery, kidnapping and gang association. If convicted, they could face life in prison.

Kardashian said she was grateful for the opportunity to “tell my truth” in the packed Paris courtroom.

“This is my closure,” she said. “This is me putting this, hopefully, to rest.”

The trial is expected to conclude May 23.



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”