‘The Osbournes’ Changed Ozzy’s Image from Grisly to Cuddly, and Changed Reality TV 

Metal-rock star Ozzy Osbourne holds a replica of his new star on the Hollywood Walk of Fame as he poses with his family during a ceremony on April 12, 2002, in Los Angeles. Pictured with Osbourne, from left, are Aimee, Sharon, Kelly, Jack and Louis. (AP Photo/Nick Ut, File)
Metal-rock star Ozzy Osbourne holds a replica of his new star on the Hollywood Walk of Fame as he poses with his family during a ceremony on April 12, 2002, in Los Angeles. Pictured with Osbourne, from left, are Aimee, Sharon, Kelly, Jack and Louis. (AP Photo/Nick Ut, File)
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‘The Osbournes’ Changed Ozzy’s Image from Grisly to Cuddly, and Changed Reality TV 

Metal-rock star Ozzy Osbourne holds a replica of his new star on the Hollywood Walk of Fame as he poses with his family during a ceremony on April 12, 2002, in Los Angeles. Pictured with Osbourne, from left, are Aimee, Sharon, Kelly, Jack and Louis. (AP Photo/Nick Ut, File)
Metal-rock star Ozzy Osbourne holds a replica of his new star on the Hollywood Walk of Fame as he poses with his family during a ceremony on April 12, 2002, in Los Angeles. Pictured with Osbourne, from left, are Aimee, Sharon, Kelly, Jack and Louis. (AP Photo/Nick Ut, File)

There was Ozzy before "The Osbournes" and Ozzy after "The Osbournes."

For much of his life, the Black Sabbath founder and legendary heavy metal frontman who died at 76 on Tuesday was known to much of the public as a dark purveyor of deeds.

Wild stories followed him. Clergy condemned him. Parents sued him.

But with the debut of his family reality show on MTV, the world learned what those who'd been paying closer attention already knew: Ozzy Osbourne was soft and fuzzy under the darkness.

During its relatively short run from 2002 to 2005, "The Osbournes" became a runaway hit and made stars of his wife Sharon and kids Jack and Kelly. But more than that, it made a star of the domesticated version of Ozzy Osbourne, and in the process changed reality TV.

In 2025, when virtually every variety of celebrity has had a reality show, it's hard to see what a novelty the series was. MTV sold it as television's first "reality sitcom."

"Just the idea of the Black Sabbath founder, who will forever be known for biting the head off a bat during a 1982 concert, as a family man seems strange," Associated Press Media Writer David Bauder wrote on the eve of "The Osbournes" premiere. But on the show, Osbourne was "sweetly funny — and under everything a lot like the put-upon dads you’ve been seeing in television sitcoms for generations."

Danny Deraney, a publicist who worked with Osbourne and was a lifelong fan, said of the show, "You saw some guy who was curious. You saw some guy who was being funny. You just saw pretty much the real thing."

"He’s not the guy that everyone associates with the ‘Prince of Darkness’ and all this craziness," Deraney said. "And people loved him. He became so affable to so many people because of that show. As metal fans, we knew it. We knew that’s who he was. But now everyone knew."

Reality shows at the time, especially the popular competition shows like "Survivor," thrived on heightened circumstances. For "The Osbournes," no stakes were too low.

They sat on the couch. They ate dinner. The now-sober Ozzy sipped Diet Cokes, and urged his kids not to indulge in alcohol or drugs when they went out. He struggled to find the History Channel on his satellite TV. They feuded with the neighbors because, of all things, their loud music was driving the Osbournes crazy.

"You were seeing this really fascinating, appealing, bizarre tension between the public persona of a celebrity and their mundane experiences at home," said Kathryn VanArendonk, a critic for Vulture and New York Magazine.

The sitcom tone was apparent from its first moments.

"You turn on this show and you get this like little jazzy cover theme song of the song ‘Crazy Train,’ and there’s all these bright colors and fancy editing, and we just got to see this like totally 180-degree different side of Ozzy which was just surprising and incredible to watch," said Nick Caruso, staff editor at TVLine.

Like family sitcoms, the affection its leads clearly had for each other was essential to its appeal.

"For some reason, we kind of just fell in love with them the same way that we grew to love Ozzy and Sharon as like a marital unit," Caruso said.

What was maybe strangest about the show was how not-strange it felt. The two Ozzies seemed seamless rather than contradictory.

"You’re realizing that these things are personas and that all personas are these like elaborate complex mosaics of like who a person is," VanArendonk said.

"The Osbournes" had both an immediate and a long-term affect on the genre.

Both Caruso and VanArendonk said shows like "Newlyweds: Nick and Jessica," which followed then-pop stars Jessica Simpson and Nick Lachey after they married, was clearly a descendant.

And countless other shows felt its influence, from "The Kardashians" to "The Baldwins" — the recently debuted reality series on Alec Baldwin, his wife Hilaria and their seven kids.

"'The Baldwins’ as a reality show is explicitly modeled on ‘The Osbournes,’ VanArendonk said. "It’s like you have these famous people and now you get to see what their home lives are like, what they are like as parents, what they’re eating, what they are taking on with them on vacation, who their pets are, and they are these sort of cuddly, warm, eccentric figures."



Sundance Film Festival Hits Utah, One Last Time

From Hollywood's biggest stars to breakthrough newcomers, the cinema world has descended on Sundance. Valerie MACON / AFP/File
From Hollywood's biggest stars to breakthrough newcomers, the cinema world has descended on Sundance. Valerie MACON / AFP/File
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Sundance Film Festival Hits Utah, One Last Time

From Hollywood's biggest stars to breakthrough newcomers, the cinema world has descended on Sundance. Valerie MACON / AFP/File
From Hollywood's biggest stars to breakthrough newcomers, the cinema world has descended on Sundance. Valerie MACON / AFP/File

The first Sundance Film Festival since the death of founder Robert Redford begins in Park City Thursday -- the final time it will be held in the mountains of Utah.

Hollywood A-listers Olivia Wilde, Natalie Portman and Ethan Hawke are expected to walk the red carpet at the snowcapped Rocky Mountain resort, along with a host of lesser-known filmmakers at one of the most important gatherings in the global movie calendar.

Amy Redford, daughter of the "Butch Cassidy and the Sundance Kid" star who created the festival in 1978, said this year's get-together would be an emotional experience, just four months after her father's death.

"Very proud," she said, when asked how she felt about her father's legacy.

"He was somebody that created from the field, not from on high," she told AFP.

"He never meant to be the center of focus for this whole organization. The center of focus was always the storytellers."

Line-up

Among the dozens of feature-length films and documentaries on show over the coming days will be "The Invite" directed by and starring Wilde, opposite Seth Rogen and Edward Norton.

The script, co-written by Rashida Jones ("Parks and Recreation"), deals with a couple whose mysterious neighbors come over for dinner.

"Mad Men" stars Jon Hamm and John Slattery reunite in "Gail Daughtry and the Celebrity Sex Pass," where a Midwestern bride-to-be rampages through Hollywood in an effort to even the score after her fiance uses the couple's "free celebrity pass" on his famous crush.

In "The Gallerist" -- starring Oscar winners Natalie Portman and Da'Vine Joy Randolph, along with Jenna Ortega and Sterling K. Brown -- a desperate curator tries to sell a dead body at Art Basel Miami.

Among the most hotly anticipated non-celebrity films premiering at the festival is "The History of Concrete," a sideways look by John Wilson about how to sell a film about building materials.

A strong international lineup includes director Molly Manners debut feature "Extra Geography" from the UK and queer genre film "Leviticus" from Australia.

"Hanging by a Wire" tells the story of the nail-biting race to save schoolboys dangling from a stranded cable car in the Himalayan foothills.

"Hold On to Me" from Cyprus traces the efforts of an 11-year-old tracking down her estranged father, while documentary "Kikuyu Land" from Kenya examines how powerful outside forces use local corruption to dispossess a people.

All of them will offer something special, Amy Redford said.

"I think the look on the faces of people that premiere their films and realize they're looking out into an audience who understand what they were trying to say...it always just is kind of a stunning experience," she said.

Moving on

The festival moves next year to Boulder, Colorado, having outgrown its current host city.

For festival programmer John Nein, who has been at every edition since 1996, leaving Park City will be bittersweet.

"It's a special place," he told AFP.

"It's a place that has been so tied to how the festival works in terms of people coming to this place. It's not particularly convenient. It's really cold."

"But in a weird way, that's what brings people here and it's what creates the audience that we have here. So I feel like that's part of what made it special."

Festival director Eugene Hernandez said the Sundance Institute will continue to have roots in Utah, even as the festival moves to Colorado.

But this year's program will be one to remember.

"There's going to be a lot of laughter, there will probably also be some tears, there will be joy, there will be connection, there will be community," he said.

"I think those are all aspects that make a festival."


Brooklyn Beckham Accuses David and Victoria of Putting Branding Before Family and Sabotaging Wedding

03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)
03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)
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Brooklyn Beckham Accuses David and Victoria of Putting Branding Before Family and Sabotaging Wedding

03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)
03 September 2019, United Kingdom, London: David Beckham (L), Victoria Beckham and Brooklyn Beckham arrive at the GQ Men of the Year Awards 2019 in association with Hugo Boss at the Tate Modern. (dpa)

A Beckham family falling-out has spilled further into public view in a series of social media posts from Brooklyn Beckham alleging that his parents David and Victoria Beckham have tried to sabotage his marriage and have always prioritized public branding over their family relationships.

“For my entire life, my parents have controlled narratives in the press about our family. The performative social media posts, family events and inauthentic relationships have been a fixture of the life I was born into,” Brooklyn Beckham wrote in several pages of text posted via Instagram stories.

At 26, he's the eldest of the four children of the retired English football superstar and former Spice Girl-turned-fashion designer and has worked as a model and photographer, even aspiring to be a chef. He married American actor Nicola Peltz, daughter of activist investor Nelson Peltz, in 2022.

“Recently, I have seen with my own eyes the lengths that they’ll go through to place countless lies in the media, mostly at the expense of innocent people, to preserve their own facade. But I believe the truth always comes out,” the posts said.

The posts make public a barely veiled feud that had been brewing in anonymously sourced stories in tabloids for months. Younger brother Cruz Beckham said on Instagram in December that Brooklyn had blocked family members on social media.

“I do not want to reconcile with my family.” Brooklyn Beckham wrote. “I’m not being controlled, I’m standing up for myself for the first time in my life.”

Unlike his three younger siblings, Brooklyn Beckham did not appear in his mother's recent Netflix docuseries, “Victoria Beckham,” and did not show up at the October premiere as he and Peltz had for the London premiere in 2023 of the one centered on his father, called just “Beckham."

Many of the grievances described in the Instagram stories stem from the Peltz-Beckham wedding in Florida. He accused his mother of bailing at the last minute on designing Peltz's wedding dress, and said she “hijacked” the first dance he was supposed to have with his wife to music performed by Marc Anthony.

“She danced very inappropriately on me in front of everyone,” Brooklyn Beckham wrote. “I’ve never felt more uncomfortable or humiliated in my entire life.”

Without giving specifics he also wrote that before the wedding his parents “repeatedly pressured and attempted to bribe me into signing away the rights to my name.”

David and Victoria Beckham did not have an immediate public response to the posts, and messages to representatives from The Associated Press were not immediately answered.

In a Tuesday appearance on CNBC, David Beckham, who is at the World Economic Forum in Davos, Switzerland, did not directly address his son's statements, but said that children make mistakes on social media and should be allowed to.

“That’s what I try to teach my kids. But you know, you have to sometimes let them make those mistakes as well,” he said.

Married since 1999, David and Victoria Beckham have three other children, 23-year-old Romeo, 20-year-old Cruz and 14-year-old Harper.


‘Snow White’ and ‘War of the Worlds’ Lead Razzie Nominations

Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)
Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)
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‘Snow White’ and ‘War of the Worlds’ Lead Razzie Nominations

Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)
Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US, March 15, 2025. (Reuters)

With Oscar nominations a day away, Hollywood’s annual reckoning with its film failures took shape on ​Wednesday as Disney’s live-action “Snow White” and the remake “War of the Worlds” tied for six nods for the Golden Raspberry Awards.

Popularly known as the Razzies, the awards are an annual Oscar spoof that spotlights what voters deem Hollywood’s worst performances. The 46th ‌Golden Raspberry ‌Awards are set for ‌March 14, ⁠the ​day ‌before the Oscar awards.

Disney’s "Snow White," a 2025 remake of the 1937 animated classic, scored a worst picture nod along with nominations for worst remake, director and screenplay. The fantasy film stars Rachel Zegler as Snow White ⁠and Gal Gadot as the Evil Queen, and its seven ‌computer-generated dwarf characters were ‍also cited for both ‍worst supporting actors and screen combo.

Tying with “Snow ‍White,” the 2025 science fiction film "War of the Worlds," starring rapper Ice Cube and actor Eva Longoria, based on H. G. Wells' 1898 ​novel, also scored six nominations, including worst picture, actors, remake, director, screenplay and screen ⁠combo.

Other nominees include the psychological thriller “Hurry Up Tomorrow,” science fiction film “Star Trek: Section 31,” and the action-adventure Netflix film “The Electric State,” starring “Stranger Things” lead Millie Bobby Brown.

More than 1,100 Razzie members from across the United States and about two dozen other countries vote on the awards, according to the Razzie website. Voters are members of the Golden Raspberry Foundation ‌that consists of film critics and movie experts.