Connie Francis, Whose Hit Songs Included ‘Who’s Sorry Now?’ and ‘Pretty Little Baby,’ Dies at 87

In this Nov. 27, 1978 file photo, singer Connie Francis poses for a portrait in Los Angeles. (AP)
In this Nov. 27, 1978 file photo, singer Connie Francis poses for a portrait in Los Angeles. (AP)
TT

Connie Francis, Whose Hit Songs Included ‘Who’s Sorry Now?’ and ‘Pretty Little Baby,’ Dies at 87

In this Nov. 27, 1978 file photo, singer Connie Francis poses for a portrait in Los Angeles. (AP)
In this Nov. 27, 1978 file photo, singer Connie Francis poses for a portrait in Los Angeles. (AP)

Connie Francis, the wholesome pop star of the 1950s and ‘60s whose hits included “Pretty Little Baby” and “Who’s Sorry Now?” — the latter would serve as an ironic title for a personal life filled with heartbreak and tragedy — has died at age 87.

Radio DJ Bruce “Cousin Brucie” Morrow, a longtime friend, told The Associated Press that she died Wednesday at a hospital in Florida, the state where she had lived for years. Morrow did not cite a specific cause of death, but Francis had posted on social media earlier this month that she had been hospitalized with “extreme pain.”

Francis had gained renewed attention in recent months after “Pretty Little Baby” became a sensation on TikTok, with Kim Kardashian and Kylie Jenner among the many celebrities citing it.

“I’m flabbergasted and excited about the huge buzz my 1962 recording of ‘Pretty Little Baby’ is making all over the world,” she said in a video on TikTok, which she had joined in response to the song's unexpected revival. “To think that a song I recorded 63 years ago is captivating new generations of audiences is truly overwhelming for me.”

Francis was a top performer of the pre-Beatles era, rarely out of the charts from 1957-64. Able to appeal to both young people and adults, she had more than a dozen Top 20 hits, starting with “Who’s Sorry Now?” and including the No. 1 songs “Don’t Break the Heart That Loves You” and “The Heart Has a Mind of Its Own.” Like other teen favorites of her time, she also starred in several films, including “Where the Boys Are” and “Follow the Boys.”

The dark-haired singer was just 17 when she signed a contract with MGM Records following appearances on several TV variety shows. Her earliest recordings attracted little attention, but then she released her version of “Who’s Sorry Now?” an old ballad by Ted Snyder, Bert Kalmar and Harry Ruby.

It, too, had little success initially until Dick Clark played it on his “American Bandstand” show in 1958. Clark featured her repeatedly on “American Bandstand,” and she said in later years that without his support, she would have abandoned her music career.

Francis followed with such teen hits as “Stupid Cupid,” “Everybody’s Somebody’s Fool” and “Lipstick on Your Collar.” Her records became hits worldwide as she re-recorded versions of her original songs in Italian and Spanish, among other languages. Her concerts around the country quickly sold out.

Meanwhile, a romance bloomed with fellow teen idol Bobby Darin, who had volunteered to write songs for her. But when her father heard rumors that the pair was planning a wedding, he stormed into a rehearsal and pulled a gun on Darin, ending their relationship and seeming to set Francis on a pained and traumatic path.

She chronicled some of it in her autobiography, “Who’s Sorry Now?”

“My personal life is a regret from A to Z,” she told The Associated Press in 1984, the year the book came out. “I realized I had allowed my father to exert too much influence over me.”

Her father, George Franconero, was a roofing contractor from New Jersey who played the accordion. She was just 3 when her father presented her with a child-size accordion, as soon as she began to show an aptitude for music. When she was 4, he began booking singing dates for her, going on to become her manager.

Although her acting career had faded by the mid-1960s, Francis was still popular on the concert circuit when she appeared at the Westbury Music Fair in Westbury, New York, in 1974. She had returned to her hotel room and was asleep when a man broke in and raped her at knifepoint. He was never captured.

Francis sued the hotel, alleging its security was faulty, and a jury awarded her $2.5 million in 1976. The two sides then settled out of court for $1,475,000 as an appeal was pending. She said the attack destroyed her marriage and put her through years of emotional turmoil.

She suffered tragedy in 1981 when her brother George was shot to death as he was leaving his New Jersey home. Later that decade, her father had her committed to a psychiatric hospital, where she was diagnosed as manic-depressive. At one point, she tried to kill herself by swallowing dozens of sleeping tablets. After three days in a coma, she recovered.

Around that time, she wrote to President Ronald Reagan and volunteered to help others, calling herself ″America’s most famous crime victim.” Reagan appointed her to a task force on violent crime.

″I don’t want people to feel sorry for me,” she told The New York Times in 1981. “I have my voice, a gift from God I took for granted before. He gave it back to me.″

She was married four times and would say that only her third husband, Joseph Garzilli, was worth the trouble. The other marriages each lasted less than a year.

Concetta Rosemarie Franconero was born on Dec. 12, 1937, in Newark, New Jersey. At age 9 she began appearing on television programs, including “Arthur Godfrey’s Talent Scouts” and “The Perry Como Show.” It was Godfrey who suggested she shorten her last name.



A Cannes Film Festival Light on Hollywood but Not Lacking in Star Power Kicks off in France

Cannes Film Festival General Delegate Thierry Frémaux attends a press conference on the eve of the opening ceremony of the 79th Cannes Film Festival in Cannes, France, May 11, 2026. (Reuters)
Cannes Film Festival General Delegate Thierry Frémaux attends a press conference on the eve of the opening ceremony of the 79th Cannes Film Festival in Cannes, France, May 11, 2026. (Reuters)
TT

A Cannes Film Festival Light on Hollywood but Not Lacking in Star Power Kicks off in France

Cannes Film Festival General Delegate Thierry Frémaux attends a press conference on the eve of the opening ceremony of the 79th Cannes Film Festival in Cannes, France, May 11, 2026. (Reuters)
Cannes Film Festival General Delegate Thierry Frémaux attends a press conference on the eve of the opening ceremony of the 79th Cannes Film Festival in Cannes, France, May 11, 2026. (Reuters)

The red carpet has been rolled out at the 79th Cannes Film Festival in the South of France.

The French Riviera festival beginning Tuesday will include 12 days of nonstop world premieres before culminating May 23 with the presentation of the Palme d’Or, the festival's top honor and one of the film industry's most prestigious awards.

The festivities kick off with the opening-night film, “The Electric Kiss,” a French period-comedy, and the awarding of an honorary Palme d’Or to the “Lord of the Rings” director Peter Jackson.

What isn’t at Cannes has been as buzzed about as much as what is. Hollywood is largely absent this year.

While blockbusters like “Top Gun: Maverick” and “Elvis” have touched down at previous incarnations, studio films this year have been either scared away by the possibility of a rocky reception or by the high cost of flying in A-listers to the Cote d’Azur. The closest thing in Cannes' slate is an anniversary celebration for “Fast & Furious.”

Speaking to members of the press Monday, Cannes artistic director Thierry Frémaux said Hollywood “is reshaping” in the midst of Paramount Skydance’s proposed acquisition of Warner Bros. Discovery.

“I hope the studio films will come back,” Frémaux said.

Cannes has become better known for its lengthy standing ovations than its boos. This year, a long list of big-name filmmakers will have center stage.

Among the filmmakers set to unveil new movies are Pedro Almodóvar (“Bitter Christmas”), James Gray (“Paper Tiger”), Na Hong-jin (“Hope”), Pawel Pawlikowski (“Fatherland”) and Ryusuke Hamaguchi (“All of a Sudden”).

If Cannes has waned as a global launchpad for studio releases, it has grown as a breeding ground for Oscar contenders.

Two years ago, Sean Baker’s “Anora” won the Palme in Cannes before winning best picture. Last year, Cannes selections like “Sentimental Value,” “The Secret Agent” and “It Was Just an Accident” went on to play prominent roles in awards season.

More often than not, the specialty distributor Neon has been at the forefront of the Cannes-to-Oscars pipeline. Neon has backed the past six Palme d’Or winners, an unprecedented streak that it may be poised to extend. Neon is attached to more than a quarter of the 22 films in competition for the Palme d’Or.

On Tuesday, the jury deciding that award and others will hold a news conference before beginning their sequestered movie watching. South Korean filmmaker Park Chan-wook is serving as president of the nine-member panel, along with Demi Moore, Chloé Zhao, Stellan Skarsgård and others.

How much any of this will serve as backdrop for “The White Lotus” remains to be seen. The fourth season of Mike White’s acclaimed HBO series is based around a trip to Cannes. Last month, the show began shooting on the French Riviera.

While Cannes may be light on big Hollywood movies, it isn't lacking in stars. Set to appear over the next two weeks are Kristen Stewart, Barbra Streisand, Adam Driver, Javier Bardem, Michael Fassbender, Cate Blanchett, Rami Malek, Sebastian Stan, Sandra Hüller and many others.


Is Risk-Averse Hollywood Running Scared of Cannes Critics?

 A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
TT

Is Risk-Averse Hollywood Running Scared of Cannes Critics?

 A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)
A person walks past the Cannes film festival signage prior to the 79th international film festival, Cannes, southern France, Monday, May 11, 2026. (AP)

Star Wars, Indiana Jones and Top Gun have all premiered at the Cannes Film Festival in the last decade. But in 2026, not a single Hollywood blockbuster is programmed there, raising questions about why US studios are ghosting the event.

The world's biggest film festival, which kicks off on Tuesday, has long relied on Hollywood to provide a dose of mass-market entertainment alongside the sometimes edgy independent cinema that forms the core of its program.

Mega-stars such as Tom Cruise or Harrison Ford help draw attention to the same red carpets walked by auteur directors and the casts of obscure art-house productions -- all in the name of supporting the fragile cinema industry.

Although Cannes director Thierry Fremaux made platforming American productions a priority when he took over 25 years ago, he was left having to explain their absence when he unveiled the line-up of films in April.

"Outside of studio filmmaking, independent cinema -- cinema made somewhere other than Los Angeles -- continues to exist," Fremaux said.

There are two independent American films in the main competition: "Paper Tiger" by James Gray, starring Adam Driver and Scarlett Johansson.

But Hollywood big beasts Universal, Disney, Warner, Sony and Paramount, as well as streaming giants Netflix and Amazon, have decided to pass.

It was a similar story at the Berlin film festival in February where director Tricia Tuttle was left with a blockbuster-free schedule.

- 'Nervousness' -

Tuttle blamed low risk-appetite and commercial pressures -- rather than another sign of America's estrangement from Europe under US President Donald Trump.

"There's a nervousness in a very difficult marketplace: nervousness about reviews coming out long before release and about controlling the way films of that scale are launched because there's so much at stake," she told The Hollywood Reporter in January.

She cited the dreadful critical reception for "Joker: Folie a Deux" which premiered at the Venice Film Festival in 2024 before bombing at the box office.

"We've seen more reticence since," Tuttle told the publication.

In a more confident, profitable environment, or when Hollywood is churning out films more regularly, a commercial dud might be easily absorbed.

Nowadays, it spells major trouble for budget-conscious executives.

- Tough critics -

J. Sperling Reich, a Los Angeles-based film critic and Cannes veteran, said Hollywood studios make fewer Cannes-compatible films. They prefer to control their launch schedules, rather than having them dictated by a festival.

"They're essentially flying in talent, trying to figure out a publicity narrative... two, three, sometimes four months early (before launch), and then they expose that film to the world's toughest critics," he told AFP.

"If it doesn't fly in Cannes, it's going to be tough to recover from that," he explained.

The most recent blockbusters, Michael Jackson biopic "Michael" and the "The Devil Wears Prada 2", organized their own tightly controlled promotional events, boosted by influencers and social media.

Reich cited Christopher Nolan's upcoming ancient Greek action movie "Odyssey" and Steven Spielberg's science-fiction thriller "Disclosure Day" as possible Cannes films.

"But the reality is those films don't need Cannes," he said.

- Coming together -

Others are skeptical that 2026 signals a permanent rupture between Hollywood and European festivals.

Indeed, if the bad reviews for the "Joker: Folie a Deux" in Venice in 2024 are to blame, then why was the Italian festival so packed with big-budget American films just last September?

Eric Marti, who heads the box office specialist Comscore in France, said studios have always had a transactional approach to Cannes.

"It's a tremendous showcase, as it's one of the most watched events, but they also have a very well-oiled promotional machine. If the Cannes dates and their launches line up, the two come together," he said.

Hollywood was not "totally absent", he added.

The festival has added a "Fast and Furious" special screening in the first days to mark the 25th year of the Universal-owned franchise, with the original stars Vin Diesel, Michelle Rodriguez and Jordana Brewster flying in.

Hollywood may simply be sitting out Cannes in 2026, only to rev back into action next year.


Dua Lipa Sues Samsung for $15 Million for Allegedly Using Her Image to Sell TVs

Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
TT

Dua Lipa Sues Samsung for $15 Million for Allegedly Using Her Image to Sell TVs

Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)
Dua Lipa arrives for the Elton John AIDS Foundation Academy Awards Viewing Party, in West Hollywood, California, US, March 15, 2026. (Reuters)

British pop star Dua Lipa has filed a lawsuit against Samsung Electronics seeking at least $15 million in damages, accusing the South Korean tech giant of using her image without permission to market its television sets.

The lawsuit alleges that Samsung featured a copyrighted image of the pop star on the front of cardboard boxes containing televisions for retail sale, ‌enabling the company ‌to benefit from what seemed like her ‌endorsement ⁠of the product.

The ⁠image alleged to have been used on the TV boxes is titled “Dua Lipa - Backstage at Austin City Limits, 2024," and Lipa is the owner of all rights, title and interest in the image, the lawsuit said.

The suit was filed on Friday in the California federal court.

A spokesperson ⁠for Samsung Electronics declined to comment, saying ‌it was unable to comment ‌on pending litigation, while Dua Lipa's lawyers did not immediately respond ‌to a request for comment on the case.

Besides copyright ‌and trademark infringement, Dua Lipa has accused Samsung Electronics of breaching publicity rights.

Lipa's lawyers have attached screenshots of social media postings and comments in the filing claiming that the pop star's image on ‌the front of the boxes pushed potential customers to purchase the product.

One of these ⁠screenshots ⁠shows a fan commenting that they would get the TV "just because Dua is on it."

The "Levitating" singer became aware of Samsung's alleged infringement in June last year and demanded that Samsung stop using her image, but the electronics manufacturer repeatedly refused to do so, her lawyers said.

Samsung’s alleged unauthorized use of Dua Lipa's image has "caused and continues to cause dilution" of the pop star's "brand identity and commercial goodwill by falsely conveying to the consuming public that she approves of and endorses" the products in question, they added.