Connie Francis, Whose Hit Songs Included ‘Who’s Sorry Now?’ and ‘Pretty Little Baby,’ Dies at 87

In this Nov. 27, 1978 file photo, singer Connie Francis poses for a portrait in Los Angeles. (AP)
In this Nov. 27, 1978 file photo, singer Connie Francis poses for a portrait in Los Angeles. (AP)
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Connie Francis, Whose Hit Songs Included ‘Who’s Sorry Now?’ and ‘Pretty Little Baby,’ Dies at 87

In this Nov. 27, 1978 file photo, singer Connie Francis poses for a portrait in Los Angeles. (AP)
In this Nov. 27, 1978 file photo, singer Connie Francis poses for a portrait in Los Angeles. (AP)

Connie Francis, the wholesome pop star of the 1950s and ‘60s whose hits included “Pretty Little Baby” and “Who’s Sorry Now?” — the latter would serve as an ironic title for a personal life filled with heartbreak and tragedy — has died at age 87.

Radio DJ Bruce “Cousin Brucie” Morrow, a longtime friend, told The Associated Press that she died Wednesday at a hospital in Florida, the state where she had lived for years. Morrow did not cite a specific cause of death, but Francis had posted on social media earlier this month that she had been hospitalized with “extreme pain.”

Francis had gained renewed attention in recent months after “Pretty Little Baby” became a sensation on TikTok, with Kim Kardashian and Kylie Jenner among the many celebrities citing it.

“I’m flabbergasted and excited about the huge buzz my 1962 recording of ‘Pretty Little Baby’ is making all over the world,” she said in a video on TikTok, which she had joined in response to the song's unexpected revival. “To think that a song I recorded 63 years ago is captivating new generations of audiences is truly overwhelming for me.”

Francis was a top performer of the pre-Beatles era, rarely out of the charts from 1957-64. Able to appeal to both young people and adults, she had more than a dozen Top 20 hits, starting with “Who’s Sorry Now?” and including the No. 1 songs “Don’t Break the Heart That Loves You” and “The Heart Has a Mind of Its Own.” Like other teen favorites of her time, she also starred in several films, including “Where the Boys Are” and “Follow the Boys.”

The dark-haired singer was just 17 when she signed a contract with MGM Records following appearances on several TV variety shows. Her earliest recordings attracted little attention, but then she released her version of “Who’s Sorry Now?” an old ballad by Ted Snyder, Bert Kalmar and Harry Ruby.

It, too, had little success initially until Dick Clark played it on his “American Bandstand” show in 1958. Clark featured her repeatedly on “American Bandstand,” and she said in later years that without his support, she would have abandoned her music career.

Francis followed with such teen hits as “Stupid Cupid,” “Everybody’s Somebody’s Fool” and “Lipstick on Your Collar.” Her records became hits worldwide as she re-recorded versions of her original songs in Italian and Spanish, among other languages. Her concerts around the country quickly sold out.

Meanwhile, a romance bloomed with fellow teen idol Bobby Darin, who had volunteered to write songs for her. But when her father heard rumors that the pair was planning a wedding, he stormed into a rehearsal and pulled a gun on Darin, ending their relationship and seeming to set Francis on a pained and traumatic path.

She chronicled some of it in her autobiography, “Who’s Sorry Now?”

“My personal life is a regret from A to Z,” she told The Associated Press in 1984, the year the book came out. “I realized I had allowed my father to exert too much influence over me.”

Her father, George Franconero, was a roofing contractor from New Jersey who played the accordion. She was just 3 when her father presented her with a child-size accordion, as soon as she began to show an aptitude for music. When she was 4, he began booking singing dates for her, going on to become her manager.

Although her acting career had faded by the mid-1960s, Francis was still popular on the concert circuit when she appeared at the Westbury Music Fair in Westbury, New York, in 1974. She had returned to her hotel room and was asleep when a man broke in and raped her at knifepoint. He was never captured.

Francis sued the hotel, alleging its security was faulty, and a jury awarded her $2.5 million in 1976. The two sides then settled out of court for $1,475,000 as an appeal was pending. She said the attack destroyed her marriage and put her through years of emotional turmoil.

She suffered tragedy in 1981 when her brother George was shot to death as he was leaving his New Jersey home. Later that decade, her father had her committed to a psychiatric hospital, where she was diagnosed as manic-depressive. At one point, she tried to kill herself by swallowing dozens of sleeping tablets. After three days in a coma, she recovered.

Around that time, she wrote to President Ronald Reagan and volunteered to help others, calling herself ″America’s most famous crime victim.” Reagan appointed her to a task force on violent crime.

″I don’t want people to feel sorry for me,” she told The New York Times in 1981. “I have my voice, a gift from God I took for granted before. He gave it back to me.″

She was married four times and would say that only her third husband, Joseph Garzilli, was worth the trouble. The other marriages each lasted less than a year.

Concetta Rosemarie Franconero was born on Dec. 12, 1937, in Newark, New Jersey. At age 9 she began appearing on television programs, including “Arthur Godfrey’s Talent Scouts” and “The Perry Como Show.” It was Godfrey who suggested she shorten her last name.



Ziad Rahbani, Lebanese Composer and Son of Icon Fairouz, Dies at 69

Lebanese artist Ziad Rahbani performs at the Beiteddine Palace in Lebanon's Chouf mountains, south of the capital Beirut, during the Beiteddine International Art Festival on July 12, 2018. (AFP)
Lebanese artist Ziad Rahbani performs at the Beiteddine Palace in Lebanon's Chouf mountains, south of the capital Beirut, during the Beiteddine International Art Festival on July 12, 2018. (AFP)
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Ziad Rahbani, Lebanese Composer and Son of Icon Fairouz, Dies at 69

Lebanese artist Ziad Rahbani performs at the Beiteddine Palace in Lebanon's Chouf mountains, south of the capital Beirut, during the Beiteddine International Art Festival on July 12, 2018. (AFP)
Lebanese artist Ziad Rahbani performs at the Beiteddine Palace in Lebanon's Chouf mountains, south of the capital Beirut, during the Beiteddine International Art Festival on July 12, 2018. (AFP)

Ziad Rahbani, the visionary Lebanese composer, playwright, pianist and political provocateur, died on Saturday, at the age of 69, according to the state-run National News Agency.

The death was confirmed by a person close to Rahbani who spoke on condition of anonymity. The cause of death was not immediately clear.

Born in 1956 in Antelias, near Beirut, Ziad was the eldest son of legendary Lebanese singer Fairouz and composer Assi Rahbani, one half of the famed Rahbani Brothers. From a young age, he showed signs of prodigious talent, composing his first musical work at just 17 years old. Raised among artistic royalty, his world was steeped in music, theater, and political consciousness — a combination that would define his life’s work.

His mother performed some of his compositions at her sellout concerts, blending Lebanese folklore with Western syncopation and phrasing.

Lebanese President Joseph Aoun mourned Rahbani’s passing as a national loss, describing him as “not just an artist, but a complete intellectual and cultural phenomenon.” In a statement, Aoun praised Rahbani as “a living conscience, a rebellious voice against injustice, and an honest mirror reflecting the suffering and marginalized.”

He highlighted how Rahbani’s fusion of classical, jazz and Oriental music “opened new windows for Lebanese cultural expression” and elevated it to global levels. “Ziad was a natural extension of the Rahbani family, which gave Lebanon much beauty and dignity,” the president added.

While his parents helped construct a golden era of Lebanese musical theater steeped in idealism and nostalgia, Rahbani charged onto the scene with irreverent satire, unflinching political critique and jazz-inflected scores that mirrored the chaos and contradictions of a Lebanon at war with itself.

His breakout play, Nazl el-Sourour (Happiness Hotel), premiered in 1974 when he was only 17 and portrayed a society disfigured by class inequality and repression. The tragicomic narrative follows a group of workers who hijack a restaurant to demand their rights, only to be dismissed by the political elite. With this bold debut, Rahbani revealed his enduring theme: that Lebanese society was fractured not only by war but by entrenched power.

Rahbani’s subsequent plays solidified his reputation as the voice of the disenchanted. In Bennesbeh La Bokra Chou? (What About Tomorrow?), he plays a jaded bar pianist in post-civil war Beirut who drifts through a surreal landscape of broken dreams, corruption and absurdity. The work features some of Rahbani’s most poignant music and biting commentary, including the famous line, “They say tomorrow will be better, but what about today?”

More than just a playwright, Rahbani was a composer of staggering range. He infused traditional Arabic melodies with jazz, funk and classical influences, creating a hybrid sound that became instantly recognizable. His live performances were legendary, whether playing piano in smoky clubs in Hamra, one of Beirut's major commercial districts that harbors a multifaceted identity, or orchestrating large-scale productions.

His collaborations with Fairouz, especially during the late 1970s and 1980s, ushered in a darker, more politically charged phase in her career. Songs like Ouverture 83, Bala Wala Chi (Without Anything), and Kifak Inta (How Are You) reflected Ziad’s brooding compositions and lyrical introspection.

Rahbani came under fire from Arab traditionalists for his pioneering efforts to bridge the gap between Arab and Western culture with music.