‘The Studio’ and Seth Rogen Have Record-Setting Emmys as Noah Wyle and ‘The Pitt’ Get Top Drama Wins 

Seth Rogen picks up their official Emmy statuette at the 77th Emmy Awards Trophy Table on Sunday, Sept. 14, 2025 at the Peacock Theater in Los Angeles. (Mark Von Holden/Invision for the Television Academy/AP Content Services)
Seth Rogen picks up their official Emmy statuette at the 77th Emmy Awards Trophy Table on Sunday, Sept. 14, 2025 at the Peacock Theater in Los Angeles. (Mark Von Holden/Invision for the Television Academy/AP Content Services)
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‘The Studio’ and Seth Rogen Have Record-Setting Emmys as Noah Wyle and ‘The Pitt’ Get Top Drama Wins 

Seth Rogen picks up their official Emmy statuette at the 77th Emmy Awards Trophy Table on Sunday, Sept. 14, 2025 at the Peacock Theater in Los Angeles. (Mark Von Holden/Invision for the Television Academy/AP Content Services)
Seth Rogen picks up their official Emmy statuette at the 77th Emmy Awards Trophy Table on Sunday, Sept. 14, 2025 at the Peacock Theater in Los Angeles. (Mark Von Holden/Invision for the Television Academy/AP Content Services)

Seth Rogen and “The Studio” turned the Emmys into a wrap party, winning best comedy series Sunday and breaking a comedy record for victories in a season with 13, while Noah Wyle and “The Pitt” took the top drama prize.

The evening also brought meaningful wins for Jean Smart, Stephen Colbert and 15-year-old Owen Cooper, whose Netflix series “Adolescence” dominated the limited series categories.

“I’m legitimately embarrassed by how happy this makes me,” “The Studio” co-creator Seth Rogen said with his signature giggle, surrounded by cast and crew from the Apple TV+ movie-business romp after it won best comedy at the Peacock Theater in a show hosted by Nate Bargatze and aired on CBS. Rogen personally won four, including best actor.

“The Pitt” from HBO Max completed a sentimental journey with its win for best drama series. The character-driven medical drama won over viewers and gained emotional momentum during a season whose drama prizes once seemed destined to go to “Severance.”

Wyle won best actor in a drama for playing a worn-down, grizzled supervising doctor, getting his first Emmy after five nominations with no victories in the 1990s for playing a scrubbed young cub doctor on “ER.”

“What a dream this has been,” Wyle said. “Oh my goodness.”

Katherine LaNasa, whose nurse is perhaps the show's most beloved character, was a surprise winner of best supporting actress in a drama, over three women of “The White Lotus” on a night when every acting Emmy but one went to a first-time victor.

The first-timers included Britt Lower, who won best actress in a drama, and Tramell Tillman, who won best supporting actor, in the night's two biggest moments for “Severance” the Apple TV+ Orwellian workplace satire. Along with its creative arts wins, it ended up with eight for its acclaimed second season.

Lower’s win was a surprise in a category where Kathy Bates was considered a heavy favorite, for “Matlock.”

Cristin Milioti won best actress in a limited series for “The Penguin.”

Jean Smart bucked the rookie trend, winning her fourth Emmy for best actress in a comedy for “Hacks” and her seventh Emmy overall. At 73, she extended her record for oldest winner in the category.

‘Adolescence’ triumphs

The six wins for Netflix’s acclaimed “Adolescence,” the story of a 13-year-old in Britain accused of a killing, included best limited series, best actor and best writing for its co-creator Stephen Graham, and best supporting actor for Cooper, who became the youngest Emmy winner in over 40 years.

Cooper said in his acceptance that he was “nothing three years ago.”

“It’s just so surreal,” Cooper said. “Honestly, when I started these drama classes a couple years back, I didn’t expect to be even in the United States, never mind here."

Best supporting actress went to Erin Doherty, who played a therapist opposite Cooper in a riveting episode that like all four “Adolescence” episodes was filmed in a single shot.

A blockbuster night for ‘The Studio’

“The Studio” came into the evening having won nine Emmys already during last weekend's Creative Arts ceremony. On Sunday night it added four more, which all went to Rogen. Along with the comedy series award, he won best directing with “Studio” co-creator and longtime collaborator Evan Goldberg, and best writing with Goldberg and others.

The show brought blockbuster buzz, and the Emmys ate it up from the start, whether because of Hollywood's love for stories about itself (with A-list guest stars) or the television industry's love for stories that mock the self-importance of movie people.

Backstage, Rogen clumsily tried to hold up all four Emmys at once. Asked whether the night will be fodder for season two, he said no.

“This is like far too good a thing to have happen on our show,” he said. “Our show is generally based on stress and disappointment and right now, we’re all very happy.”

A night of surprise winners

Smart's castmate and constant scene partner Hannah Einbinder, who had also been nominated for all four seasons but unlike Smart had never won, took best supporting actress in a comedy.

She said she had become committed to a bit where “it was cooler to lose.”

“But this is cool too!” she shouted, then ended her speech by cursing the US Immigration and Customs Enforcement agency and saying “Free Palestine!” Political sentiments from the stage were otherwise rare.

In perhaps the biggest upset in a night full of them, Jeff Hiller won best supporting actor in a comedy for “Somebody Somewhere,” over Ike Barinholtz of “The Studio” and others.

Colbert gets a rousing send-off

Colbert may have been the night's most popular winner, taking best talk series for “The Late Show With Stephen Colbert” for the first time. He got huge ovations both when he took the stage to present the first award and when he won.

The win may have been something of protest vote and tribute to its host, weeks after its cancellation by the network. Jimmy Kimmel, who was among his competitors, campaigned for Colbert to win.

“Sometimes you only truly know how much you love something when you get a sense that you might be losing it,” Colbert said in his acceptance.

Many perceived the end of the show as punishment of Colbert and placation of President Donald Trump after Colbert was harshly critical of a legal settlement between the president and Paramount, which needed administration approval for a sale to Skydance Media. Executives called the decision strictly financial.

He showed no bitterness to CBS, thanking the network, which telecast the Emmys and aired a commercial celebrating his win, for letting him be part of the late-night tradition.

Bargatze delivered his opening monologue only after the first award was handed out.

The show opened with a sketch where “Saturday Night Live” stars Mikey Day, Bowen Yang and James Austin Johnson joined Bargatze, who played television inventor Philo T. Farnsworth opining on what the future of TV will be like.

Bargatze-as-Farnsworth mentions that there will be a Black Entertainment Television. When asked if there will be a network for white people, he replied, “Why, CBS of course.”



China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
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China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP

China's first fully AI-generated feature film opens in cinemas on Friday in what promises to be a tough box-office test for the country's booming tech industry as advance ticket sales lag.

More than 10,000 screenings of the sci-fi thriller "Sanxingdui: Future Past" are scheduled for Friday, according to ticketing platform Maoyan.

Public reception, however, has been less than enthusiastic, said AFP.

Presale revenue as of Friday morning stood at 80,000 yuan ($11,980), while total box-office takings were forecast to remain below 150,000 yuan, only a fraction of the reported production cost, according to Maoyan.

Ticket prices range from 20 to 90 yuan, bringing the number sold to a few thousand at most.

Jiang Defu, CEO of the production company Bona Film Group, acknowledged the lukewarm reception in a recent interview but said the film was pushing boundaries.

"We are the first to try it, the first to get a theatrical release permit, and the first to be tested by the audience," he told Chinese film industry outlet Yuli.

"I think that is not easy at all."

Nearly 100 people took more than two years to make the film, which cost more than 10 million yuan ($1.5 million), Bona said, although all the actors, their voices and the backdrops are AI-generated.

The film touches on the theme of humanity in a future shaped by AI.

But that was not enough to convince Iris Yang, who attended a free preview screening of the film on Thursday for acquaintances of the production team and industry workers.

Yang said she would not have paid for a ticket, given the movie's quality.

"If AI generation can match the theatrical experience of 'Avatar', I think I would be willing to pay for it," she said, referring to the US franchise known for the quality of its animation.

AI-generated video has gained popularity in the world's second-largest economy. On Douyin, the Chinese equivalent of TikTok, AI-generated short dramas garnered more than 200 billion views in September alone.

But "the audience won't automatically pay for the tickets just because it's an AI-generated film", independent AI director Zhang Jun told AFP.

Online, Chinese social media users also seemed unconvinced by the launch of AI movies in cinemas.

"If it's free to watch on streaming platforms, it could become legendary. But paying to watch? People are not going to accept it at this stage," one user on Weibo commented.

In Hollywood, the rise of AI has sparked concern among film workers about the prospect of job losses.

An AI-generated sci-fi feature called "Gods Don't Give Gifts" is scheduled for US release on December 4.

And a virtual Hollywood actor called Tilly Norwood, whose interviews have gone viral while fueling job fears, is also set to star in an upcoming movie called "Misaligned".


Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
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Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo

Music streaming giant Spotify on Thursday said it had added 11 million monthly active users in the third quarter and had reached 788 million active users by the end of September, in line with the company's forecast.

The uptick represented an 11-percent growth in users compared to a year earlier, Spotify said in a statement, adding that paying subscribers had grown by nine percent compared to a year earlier, reaching 306 million, just above the company's forecasted 305 million.

"This was a quarter where we did what we said. We've built a strong business that keeps compounding," AFP quoted co-chief executive Alex Norstrom as saying in a statement.

Revenue for the third quarter came in at 4.97 billion euros ($5.6 billion), up 16 percent from a year earlier.

Operating income meanwhile rose 15 percent to 672 million euros.

Looking forward, the company said it expected to add 30 million additional active users to the platform by the end of the year to reach 818 million.

Spotify also said it expects to reach 316 paying subscribers.

In recent years, the company has started expanding from music, first investing heavily into podcasts and now offering audiobooks.

In early October, the streaming giant announced that it was expanding access to its audiobook service to more than 180 markets, up from the previous 22.

Amid growing concern across the music industry over AI-generated content overwhelming streaming catalogues, the company has recently taken steps to identify and label AI content.

Earlier this week it reported that it had taken "more than 50 million slop and spam tracks" out of recommendations -- meaning the songs would not be suggested to listeners -- this year.

In August it announced that it was launching a new "AI Persona" badge to identify content producers that are AI-generated and not real people.

In April, the company launched its "Verified by Spotify" badge, signaling that a profile has been reviewed and meets its authenticity standard.


UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
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UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall

British actor and filmmaker Noel Clarke appeared in a London court on Wednesday and pleaded not guilty to six charges, including two counts of sexual assault.

Clarke also denied three ‌counts of ‌voyeurism and ‌one ⁠count of exposing himself, ⁠with the allegations spanning 2007 to 2016, Reuters said.

The 50-year-old stood in the dock at Westminster Magistrates' Court ⁠and spoke only to ‌confirm ‌his name, date of birth ‌and address and ‌enter his not guilty pleas.

He was granted bail ahead of his next ‌appearance at Southwark Crown Court on November ⁠18.

Clarke ⁠is best known for writing and starring in "Kidulthood" (2006), which explored bullying, drug abuse and extreme violence among young people in London, and for a recurring role in sci-fi show "Doctor Who".