‘The Studio’ and Seth Rogen Have Record-Setting Emmys as Noah Wyle and ‘The Pitt’ Get Top Drama Wins 

Seth Rogen picks up their official Emmy statuette at the 77th Emmy Awards Trophy Table on Sunday, Sept. 14, 2025 at the Peacock Theater in Los Angeles. (Mark Von Holden/Invision for the Television Academy/AP Content Services)
Seth Rogen picks up their official Emmy statuette at the 77th Emmy Awards Trophy Table on Sunday, Sept. 14, 2025 at the Peacock Theater in Los Angeles. (Mark Von Holden/Invision for the Television Academy/AP Content Services)
TT

‘The Studio’ and Seth Rogen Have Record-Setting Emmys as Noah Wyle and ‘The Pitt’ Get Top Drama Wins 

Seth Rogen picks up their official Emmy statuette at the 77th Emmy Awards Trophy Table on Sunday, Sept. 14, 2025 at the Peacock Theater in Los Angeles. (Mark Von Holden/Invision for the Television Academy/AP Content Services)
Seth Rogen picks up their official Emmy statuette at the 77th Emmy Awards Trophy Table on Sunday, Sept. 14, 2025 at the Peacock Theater in Los Angeles. (Mark Von Holden/Invision for the Television Academy/AP Content Services)

Seth Rogen and “The Studio” turned the Emmys into a wrap party, winning best comedy series Sunday and breaking a comedy record for victories in a season with 13, while Noah Wyle and “The Pitt” took the top drama prize.

The evening also brought meaningful wins for Jean Smart, Stephen Colbert and 15-year-old Owen Cooper, whose Netflix series “Adolescence” dominated the limited series categories.

“I’m legitimately embarrassed by how happy this makes me,” “The Studio” co-creator Seth Rogen said with his signature giggle, surrounded by cast and crew from the Apple TV+ movie-business romp after it won best comedy at the Peacock Theater in a show hosted by Nate Bargatze and aired on CBS. Rogen personally won four, including best actor.

“The Pitt” from HBO Max completed a sentimental journey with its win for best drama series. The character-driven medical drama won over viewers and gained emotional momentum during a season whose drama prizes once seemed destined to go to “Severance.”

Wyle won best actor in a drama for playing a worn-down, grizzled supervising doctor, getting his first Emmy after five nominations with no victories in the 1990s for playing a scrubbed young cub doctor on “ER.”

“What a dream this has been,” Wyle said. “Oh my goodness.”

Katherine LaNasa, whose nurse is perhaps the show's most beloved character, was a surprise winner of best supporting actress in a drama, over three women of “The White Lotus” on a night when every acting Emmy but one went to a first-time victor.

The first-timers included Britt Lower, who won best actress in a drama, and Tramell Tillman, who won best supporting actor, in the night's two biggest moments for “Severance” the Apple TV+ Orwellian workplace satire. Along with its creative arts wins, it ended up with eight for its acclaimed second season.

Lower’s win was a surprise in a category where Kathy Bates was considered a heavy favorite, for “Matlock.”

Cristin Milioti won best actress in a limited series for “The Penguin.”

Jean Smart bucked the rookie trend, winning her fourth Emmy for best actress in a comedy for “Hacks” and her seventh Emmy overall. At 73, she extended her record for oldest winner in the category.

‘Adolescence’ triumphs

The six wins for Netflix’s acclaimed “Adolescence,” the story of a 13-year-old in Britain accused of a killing, included best limited series, best actor and best writing for its co-creator Stephen Graham, and best supporting actor for Cooper, who became the youngest Emmy winner in over 40 years.

Cooper said in his acceptance that he was “nothing three years ago.”

“It’s just so surreal,” Cooper said. “Honestly, when I started these drama classes a couple years back, I didn’t expect to be even in the United States, never mind here."

Best supporting actress went to Erin Doherty, who played a therapist opposite Cooper in a riveting episode that like all four “Adolescence” episodes was filmed in a single shot.

A blockbuster night for ‘The Studio’

“The Studio” came into the evening having won nine Emmys already during last weekend's Creative Arts ceremony. On Sunday night it added four more, which all went to Rogen. Along with the comedy series award, he won best directing with “Studio” co-creator and longtime collaborator Evan Goldberg, and best writing with Goldberg and others.

The show brought blockbuster buzz, and the Emmys ate it up from the start, whether because of Hollywood's love for stories about itself (with A-list guest stars) or the television industry's love for stories that mock the self-importance of movie people.

Backstage, Rogen clumsily tried to hold up all four Emmys at once. Asked whether the night will be fodder for season two, he said no.

“This is like far too good a thing to have happen on our show,” he said. “Our show is generally based on stress and disappointment and right now, we’re all very happy.”

A night of surprise winners

Smart's castmate and constant scene partner Hannah Einbinder, who had also been nominated for all four seasons but unlike Smart had never won, took best supporting actress in a comedy.

She said she had become committed to a bit where “it was cooler to lose.”

“But this is cool too!” she shouted, then ended her speech by cursing the US Immigration and Customs Enforcement agency and saying “Free Palestine!” Political sentiments from the stage were otherwise rare.

In perhaps the biggest upset in a night full of them, Jeff Hiller won best supporting actor in a comedy for “Somebody Somewhere,” over Ike Barinholtz of “The Studio” and others.

Colbert gets a rousing send-off

Colbert may have been the night's most popular winner, taking best talk series for “The Late Show With Stephen Colbert” for the first time. He got huge ovations both when he took the stage to present the first award and when he won.

The win may have been something of protest vote and tribute to its host, weeks after its cancellation by the network. Jimmy Kimmel, who was among his competitors, campaigned for Colbert to win.

“Sometimes you only truly know how much you love something when you get a sense that you might be losing it,” Colbert said in his acceptance.

Many perceived the end of the show as punishment of Colbert and placation of President Donald Trump after Colbert was harshly critical of a legal settlement between the president and Paramount, which needed administration approval for a sale to Skydance Media. Executives called the decision strictly financial.

He showed no bitterness to CBS, thanking the network, which telecast the Emmys and aired a commercial celebrating his win, for letting him be part of the late-night tradition.

Bargatze delivered his opening monologue only after the first award was handed out.

The show opened with a sketch where “Saturday Night Live” stars Mikey Day, Bowen Yang and James Austin Johnson joined Bargatze, who played television inventor Philo T. Farnsworth opining on what the future of TV will be like.

Bargatze-as-Farnsworth mentions that there will be a Black Entertainment Television. When asked if there will be a network for white people, he replied, “Why, CBS of course.”



Eva Marie Saint, Oscar Winner of Hollywood Classics, Dies at 102

Actress Eva Marie Saint attends the 20th Annual Art Directors Guild Excellence In Production Design Awards held at the Beverly Hilton Hotel on Sunday, Jan. 31, 2016, in Beverly Hills, Calif. (AP)
Actress Eva Marie Saint attends the 20th Annual Art Directors Guild Excellence In Production Design Awards held at the Beverly Hilton Hotel on Sunday, Jan. 31, 2016, in Beverly Hills, Calif. (AP)
TT

Eva Marie Saint, Oscar Winner of Hollywood Classics, Dies at 102

Actress Eva Marie Saint attends the 20th Annual Art Directors Guild Excellence In Production Design Awards held at the Beverly Hilton Hotel on Sunday, Jan. 31, 2016, in Beverly Hills, Calif. (AP)
Actress Eva Marie Saint attends the 20th Annual Art Directors Guild Excellence In Production Design Awards held at the Beverly Hilton Hotel on Sunday, Jan. 31, 2016, in Beverly Hills, Calif. (AP)

Eva Marie Saint, the pale, willowy actor who won an Academy Award for her first movie, “On the Waterfront,” and starred opposite Cary Grant in the Alfred Hitchcock thriller “North by Northwest,” has died. She was 102. 

Saint, whose acting work lasted well into her 90s, died at her home in Los Angeles on Tuesday, confirmed family representative Jeff Sanderson. 

Saint had one of the most spectacular debuts in Hollywood history, as the love interest of Marlon Brando’s tormented Terry Malloy in “On the Waterfront,” and her first trip to the Academy Awards was memorable too. Pregnant with her first child, Saint accepted her Oscar from Frank Sinatra and smilingly murmured a unique winner's speech: “I think I may have the baby right here.” (Her son, Darrell, was born two days later.) 

The award for the 1954 classic made her an instant star, but she soon astonished Hollywood with a firm independence that would mark her career. She refused offers of studio contracts and declined chances to follow up on her great success, explaining that she was taking time off to become acquainted with her new son. (A daughter, Laurette, was born in 1958.) 

In her first decade in Hollywood, Saint appeared in a mere seven films. She declined such top-level productions as “The Man in the Gray Flannel Suit” with Gregory Peck, “Summer and Smoke” with Laurence Harvey and “The Rainmaker” with Burt Lancaster. She credited her husband, TV and stage director Jeffrey Hayden, with persuading her to star in Hitchcock’s “North by Northwest,” the classic 1959 thriller in which Saint plays a spy who seduces Grant, but ends up falling for him. 

“I vividly remember him saying, ‘Honey, I think you should find a quiet spot. I’ll take care of the children and I want you to really think about this and reread this script,’” she told Vanity Fair in 2014. “He was so right. And that’s what husbands are for.” 

Instead of being put off by her selectivity, studios continued offering her starring roles in such films as “Exodus” (with Newman), “Raintree County” (Elizabeth Taylor, Montgomery Clift) and “All Fall Down,” with Warren Beatty. 

She turned more to television in the 1970s and enjoyed renewed popularity in the 1980s as the mother of Cybill Shepherd in the hit sitcom “Moonlighting” and as Tom Hanks’ mother in the film comedy “Nothing in Common.”  

She won an Emmy for the 1990 miniseries “People Like Us,” and had roles in such 21st century movies as “Because of Winn-Dixie,” “Superman Returns” and “Winter’s Tale,” adapted from Mark Helprin's novel of the same name. In 2021, she played Marisa Tomei's aunt in the brief audio play “The Bus Ride,” part of “The Pack Podcast.” 

Saint was married to Hayden for 55 years, until his death in 2016. 

That was her real name  

When Saint emerged in the public consciousness, many believed her theatrical-sounding name must have been invented. She was born with it on July 4, 1924, in Newark, New Jersey. The family moved to Delmar, a small town near Albany, New York, where her father was a Goodrich Rubber Co. manager. Eva's goal was to become a third-grade teacher like her mother, but at Bowling Green State University in Ohio she tried out for a play and won the leading role. 

After graduation she lived with her parents in Flushing, Long Island, and began hunting for acting jobs in Manhattan. After a fruitless year, she landed a two-line role as a telephone operator on a radio drama and soon was working steadily on soap operas and nighttime dramas, appearing for two years as Claudia on “One Man's Family.” Network television was booming in the early 1950s, and her looks and dramatic sense made her a favorite with casting people and producers. 

A critical turn in Saint's career came when she auditioned before Elia Kazan and was accepted into the Actors Studio, which shaped a generation of method-actor stars. She credited acting coach Lee Strasberg with helping her overcome her shyness. 

“Lee Strasberg, when he got to know me a little bit, gave me a scene to do where I had to cry in front of my peers,” she told The Santa Barbara Independent in 2009. “I worried about it, I worked on it, I tried to use what I was learning at the studio. I finally did the scene, and I cried, and my peers were crying with me. It was just an incredible moment for me.” 

Saint was rejected for the single female role in the play “Mister Roberts,” but was hired to understudy the actor chosen, Jocelyn Brando, Marlon's sister. In six frustrating months Saint never got to substitute for Brando. She finally made it to Broadway in “A Trip to Bountiful,” which she had played on television. 

Kazan invited her to try out for the female lead in “On the Waterfront” by improvising a scene with Brando. She was told to try to stop a young man from entering her apartment. She told the Los Angeles Times in 2001: “All I know is that Marlon got in the door and turned on the music. We started dancing. He flicked my skirt. Kazan saw the sparks fly, and that's how I got the part.” 


Saudi Film Commission Set to Launch Fourth Edition of Saudi Film Confex 2026

Saudi Film Commission Set to Launch Fourth Edition of Saudi Film Confex 2026
TT

Saudi Film Commission Set to Launch Fourth Edition of Saudi Film Confex 2026

Saudi Film Commission Set to Launch Fourth Edition of Saudi Film Confex 2026

The fourth edition of Saudi Film Confex 2026 will be held on October 28 and 29 at JAX Film Studios in Riyadh under the patronage of Minister of Culture and Chairman of the Board of Directors of the Saudi Film Commission Prince Bader bin Abdullah bin Farhan.

Held under the supervision of the Saudi Film Commission and organized by Benchmark, the event will take place under the theme "Industry Shapers' Edition," bringing together film sector leaders, decision-makers, professionals, and industry specialists.

The new edition will continue the Confex's role as a key catalyst for advancing Saudi Arabia's film industry and expanding investment and partnership opportunities across this vital sector, in line with the National Culture Strategy under Saudi Vision 2030.

The Confex serves as a specialized business platform that brings together the full spectrum of the film ecosystem, from production and distribution companies and technical service providers to investment entities, financing funds, educational institutions, and relevant government bodies. It creates opportunities to forge partnerships, sign agreements and exchange expertise across the industry.

The 2026 edition will take the form of a focused, two-day industry event designed for film professionals and sector stakeholders. It will serve two principal groups: executives and decision-makers, including corporate leaders and representatives of government entities and nonprofit organizations active in the sector; and industry professionals and specialists, including producers, directors, screenwriters, production and distribution companies, and creative and technical service providers.

The program will feature a conference with panel discussions, an exhibition showcasing companies operating across the film sector, and specialized workshops. These activities will enable participants to exchange knowledge and expertise and connect with organizations and companies working throughout the industry.

The 2026 edition builds on the Confex's track record of tangible partnerships. Across its first three editions, 94 agreements were signed with a combined value exceeding SAR1 billion.

Through the Confex, the Saudi Film Commission reinforces Saudi Arabia's position as a regional hub for film industry development and support, contributing to the growth of a thriving Saudi film sector capable of competing regionally and globally.


Kanye West's Planned Russia Concerts Cancelled, Organizer Says

FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020.  REUTERS/Randall Hill/File Photo
FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020. REUTERS/Randall Hill/File Photo
TT

Kanye West's Planned Russia Concerts Cancelled, Organizer Says

FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020.  REUTERS/Randall Hill/File Photo
FILE PHOTO: Rapper Kanye West makes a point as he holds his first rally in support of his presidential bid in North Charleston, South Carolina, US July 19, 2020. REUTERS/Randall Hill/File Photo

Two concerts by ‌US rapper Kanye West in Russia that had been scheduled for October have been cancelled, the show's organizer, Say Agency, said.

West, who is also known as Ye, had been due to perform in St Petersburg. However, a week after the concerts were announced in mid-August, the venue due to host them said it had never signed a contract with the organizers, a separate Moscow-based company.

The ‌shows had ‌remained in limbo ever since, ‌with ⁠organizers providing no clear ⁠confirmation of whether they would go ahead.

"Friends, it is with sincere regret that we inform you that the YE concerts in St. Petersburg will not be able to take place on the scheduled dates. We will issue an official ⁠statement regarding the status of the project ‌and our future plans ‌in the near future," Say Agency posted on Telegram ‌on Wednesday.

West has faced concert cancellations and ‌performance bans in several European countries this year following a series of past antisemitic remarks, including praise for Adolf Hitler, and the use of Nazi imagery.

In January West ‌apologized for the remarks, which he attributed to an undiagnosed brain injury and ⁠untreated bipolar disorder.

Had ⁠the concerts gone ahead, West would have become one of the biggest international music stars to visit Russia since Moscow launched its full-scale war against Ukraine in 2022.

The planned gigs had drawn criticism from some Russian pro-war military bloggers, who questioned the appropriateness of hosting a US performer while Washington continues to provide military and financial support to Ukraine.

Russian Foreign Ministry spokeswoman Maria Zakharova criticized the planned shows, calling them unacceptable and citing what she described as the West's "glorification" of Hitler.