Oscar Winner Robert Redford, Who Became a Champion of Independent Film, Dies at 89

Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)
Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)
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Oscar Winner Robert Redford, Who Became a Champion of Independent Film, Dies at 89

Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)
Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)

Robert Redford, the Hollywood golden boy who became an Oscar-winning director, liberal activist and godfather for independent cinema under the name of one of his best-loved characters, died Tuesday at 89.

Redford died “at his home at Sundance in the mountains of Utah — the place he loved, surrounded by those he loved,” publicist Cindi Berger said in a statement. No cause of death was provided.

Redford was one of the biggest stars of the ’70s with such films as “The Candidate,” “All the President’s Men” and “The Way We Were,” capping that decade with the best director Oscar for 1980's best picture winner, “Ordinary People.”

His wavy blond hair and boyish grin made him the most desired of leading men, but he worked hard to transcend his looks — whether through his political advocacy, his willingness to take on unglamorous roles or his dedication to providing a platform for low-budget movies.

His roles ranged from Washington Post journalist Bob Woodward to a double agent in the Marvel Cinematic Universe, and his co-stars included Jane Fonda, Meryl Streep and Tom Cruise. But his most famous screen partner was his old friend Paul Newman, their films a variation of their warm, teasing off-screen relationship. Redford played the wily outlaw opposite Newman in 1969’s “Butch Cassidy and the Sundance Kid,” a box-office smash from which Redford's Sundance Institute and festival got its name.

He also teamed with Newman on 1973’s best picture Oscar winner, “The Sting,” which earned Redford a best actor nomination as a young con artist in 1930s Chicago.

Film roles after the ’70s became more sporadic as Redford concentrated on directing and producing and his new role as patriarch of the independent-film movement.

He starred in 1985’s best picture champion “Out of Africa” and in 2013 received some of the best reviews of his career as a shipwrecked sailor in “All is Lost,” in which he was the film’s only performer. In 2018, he was praised again in what he called his farewell movie, “The Old Man and the Gun.”

“I figure now as I’m getting into my 80s, it’s maybe time to move toward retirement and spend more time with my wife and family,” he told The Associated Press at the time.

Redford had watched Hollywood grow more cautious and controlling during the 1970s and wanted to recapture the creative spirit of the early part of the decade. Sundance was created to nurture new talent away from the pressures of Hollywood. The institute and festival based in Park City, Utah, became a place of discovery for such previously unknown filmmakers as Quentin Tarantino, Steven Soderbergh, Paul Thomas Anderson and Darren Aronofsky.

“For me, the word to be underscored is ‘independence,’” Redford told the AP in 2018. “I’ve always believed in that word. That’s what led to me eventually wanting to create a category that supported independent artists who weren’t given a chance to be heard."

By 2025, the festival had become so prominent that organizers approved relocating to Boulder, Colorado, starting in 2027.

Redford’s affinity for the outdoors was well captured in “A River Runs Through It” and other films and through his decades of advocacy for the environment, inspired in part by witnessing the transformation of Los Angeles into a city of smog and freeways. His activities ranged from lobbying for the Clean Air Act and Clean Water Act to serving on the board of the Natural Resources Defense Council.

Born in Aug. 18, 1936 in Santa Monica, California, Redford attended college on a baseball scholarship and would later star as a middle-aged slugger in 1984’s “The Natural,” the adaptation of Bernard Malamud’s novel. He had an early interest in drawing and painting and studied at the American Academy of Dramatic Arts. He debuted on Broadway in the late 1950s before moving into television on such shows as “The Twilight Zone,” “Alfred Hitchcock Presents” and “The Untouchables.”

Redford was married twice, most recently to Sibylle Szaggars. He had four children, two of whom have died — Scott Anthony, who died in infancy, in 1959; and activist and fimmaker James Redford, who died in 2020.

Redford also appeared in several political narratives. He satirized campaigning as an idealist running for USa senator in “The Candidate” and uttered one of the more memorable closing lines, “What do we do now?” after his character manages to win. He starred as Woodward to Dustin Hoffman’s Carl Bernstein in 1976’s “All the President’s Men,” the story of the Washington Post reporters whose Watergate investigation helped bring down President Richard Nixon.

His biggest filmmaking triumph came with his directing debut on “Ordinary People,” which beat Martin Scorsese’s classic “Raging Bull” at the Oscars.

Redford’s other directing efforts included “The Horse Whisperer,” “The Milagro Beanfield War” and 1994's “Quiz Show,” the last of which also earned best picture and director Oscar nominations.

“The idea of the outlaw has always been very appealing to me. If you look at some of the films, it’s usually having to do with the outlaw sensibility, which I think has probably been my sensibility. I think I was just born with it,” Redford said in 2018. “From the time I was just a kid, I was always trying to break free of the bounds that I was stuck with, and always wanted to go outside.”



Rescue Dog Yuri Steals Cannes Spotlight with Palm Dog’s Top Prize

Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)
Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)
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Rescue Dog Yuri Steals Cannes Spotlight with Palm Dog’s Top Prize

Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)
Director Dominga Sotomayor Castillo pets the dog named Apocalypse who receives the Palm Dog award on-behalf of the dog named Yuri, winner of the award for his best canine performance in the film "La Perra" (La Chienne) presented at the Quinzaine des Cineastes (Directors' Fortnight), during the 79th Cannes Film Festival in Cannes, France, May 22, 2026. (Reuters)

Cannes may be best known for its A-list stars, but Yuri the rescue dog stole the spotlight on Friday, winning the most anticipated unofficial award of the festival, the Palm Dog, for her performance in Chilean drama "La Perra."

Judges praised Yuri's naturalistic performance and her central contribution to the plot when picking the pooch, whose prize was a red collar emblazoned with "Palm Dog" on it.

Director Dominga Sotomayor Castillo took to the stage overlooking the clear blue waters of ‌the French Riviera ‌with another rescue dog named Apocalypse, who humbly ‌accepted ⁠the prize on Yuri's ⁠behalf, to claps and barks of approval.

The Palm Dog, a play on the festival's top prize, the Palme d'Or, has evolved from a cheeky sideshow event to a genuinely coveted prize since film journalist Toby Rose started it in 2001.

NATURALISTIC PERFORMANCE

"La Perra," which premiered in the Directors' Fortnight independent sidebar, revolves around a woman living on a remote Chilean island who impulsively ⁠adopts a puppy named Yuri.

"It's not a dog ‌doing lots of tricks. But it (the ‌film) really shows the bond and how this woman's life improves once Yuri, the ‌dog, comes into it," judge and film journalist Wendy Mitchell, wearing a ‌hat decorated with small plush dogs, told Reuters.

Another judge, Anna Smith, film critic, broadcaster and host of "Girls On Film" podcast, said the depiction of Yuri in the film was also key in their decision.

"As a jury member, I'm always ‌looking for a story where the dog is absolutely essential to the narrative," said Smith, who was similarly decked ⁠out in ⁠a dog-themed outfit.

Yuri beat six other competitors to take the top prize.

Another rescue dog, Lola, took the Grand Jury Prize for her role in the Birmingham-set drama about the lives of five friends, "I See Buildings Fall Like Lightning," that also premiered in the Directors' Fortnight sidebar.

"We are very strict in our criteria and what is a Palm Dog winning performance. The dogs over the years have been unbelievable," organizer Rose told Reuters after the award.

Past winners include Messi, the Border collie from Justine Triet's "Anatomy of a Fall," who converted his star power into a French TV show, as well as Uggie, a Jack Russell who helped launch a wider craze for the breed with "The Artist" in 2011.


'Fired and Festive': 'Late Show' Host Stephen Colbert Bows Out

CBS has said its decision to cancel "The Late Show," hosted by Stephen Colbert, was purely financial. Rich Fury / GETTY IMAGES NORTH AMERICA/AFP/File
CBS has said its decision to cancel "The Late Show," hosted by Stephen Colbert, was purely financial. Rich Fury / GETTY IMAGES NORTH AMERICA/AFP/File
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'Fired and Festive': 'Late Show' Host Stephen Colbert Bows Out

CBS has said its decision to cancel "The Late Show," hosted by Stephen Colbert, was purely financial. Rich Fury / GETTY IMAGES NORTH AMERICA/AFP/File
CBS has said its decision to cancel "The Late Show," hosted by Stephen Colbert, was purely financial. Rich Fury / GETTY IMAGES NORTH AMERICA/AFP/File

"The Late Show" frontman Stephen Colbert will host the final edition of the 33-year-old US cultural institution on Thursday night, after it was cancelled by CBS as the network courted President Donald Trump.

The show, which Colbert has hosted since 2015, was axed after he mocked the broadcaster for a $16 million settlement with Trump for allegedly "maliciously" editing an interview with his Democratic election rival Kamala Harris.

Colbert called it a "big fat bribe."

CBS has insisted the decision to cancel "The Late Show with Stephen Colbert," the ratings leader in the time slot, was purely financial -- and that it was a coincidence the move came as CBS parent company Paramount lobbied for government approval of its $8.4 billion merger with Skydance Media.

Around that time CBS brought in Bari Weiss, a right-wing journalist without significant TV experience, to run its news division, AFP reported.

In the weeks leading to Thursday's curtain call, 62-year-old Colbert has at times cut a subdued figure, lacking some of his usual cheerful flair.

"Sometimes you only truly know how much you love something when you get a sense you might be losing it," Colbert said while accepting an Emmy award last year.

Colbert was clearly moved when he was joined in his studio by fellow late night hosts Jimmy Fallon, Jimmy Kimmel, Seth Meyers and John Oliver, who paid tribute in the penultimate week.

Kimmel was briefly taken off the air in September 2025 by his network ABC after complaints about a remark he made over the killing of conservative activist Charlie Kirk.

Trump has repeatedly attacked media and press freedom since returning to office, using lawsuits and regulatory threats to retaliate for unflattering news coverage and jokes.

The US president has long been a fierce critic of late-night talk show hosts and their jabs at him. Trump has called Colbert a "pathetic trainwreck" who should be "put to sleep."

One late night host who did not join the gathering of funnymen who pillory the US president night after night was Greg Gutfeld, host of "Gutfeld!" on Fox News -- the network popular with conservatives.

Asked in November about both the cancellation and Kimmel's suspension, Gutfeld said, "Why did it take so long?"

- 'Can't take a man's voice' -

Colbert made his name playing a fictitious version of himself, embodying the type of conservative blowhard beloved by Fox News viewers -- and derided by the left.

He first played the sharp-suited but dim-witted character on "The Daily Show with Jon Stewart" before getting a spin-off, "The Colbert Report."

Colbert ascended to the pinnacle of US late-night TV when he was named host of the CBS flagship, shedding the character and employing his own voice.

In the weeks leading to Thursday, Colbert auctioned off a raft of props and costumes featured on the show, as well as pieces of set including a giant illuminated sign. Proceeds will go to World Central Kitchen.

Colbert has been coy about his next steps but announced he will be a writer on a forthcoming "Lord of the Rings" movie -- as well as lying down and taking a breather.

Details of the last broadcast were scant, with show insiders tight-lipped when contacted by AFP.

One guest has eluded Colbert: the pope. The host, a devout Catholic, has called the pontiff his "white whale."

While an impromptu trip to New York seems unlikely, Pope Leo XIV's public schedule is clear on May 21.

Colbert's fellow late-night hosts were all due to air re-runs Thursday out of respect for Colbert's swansong.

And the theme of the after-party? "Fired and festive!"

Ahead of the final show, Colbert brought back former "Late Show" host David Letterman who steered the ship from 1993 until 2015.

The pair ascended to the roof of the show's Ed Sullivan Theater to throw furniture at a giant logo of CBS, describing it as "wanton destruction of CBS property."

"You can take a man's show," said Letterman. "You can't take a man's voice."


Havana-born Star Andy Garcia Says Cubans Dream of Change

US actor Andy Garcia poses during a photocall of the film "Diamond" at the 79th edition of the Cannes Film Festival in Cannes, southern France on May 20, 2026. (Photo by Valery HACHE / AFP)
US actor Andy Garcia poses during a photocall of the film "Diamond" at the 79th edition of the Cannes Film Festival in Cannes, southern France on May 20, 2026. (Photo by Valery HACHE / AFP)
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Havana-born Star Andy Garcia Says Cubans Dream of Change

US actor Andy Garcia poses during a photocall of the film "Diamond" at the 79th edition of the Cannes Film Festival in Cannes, southern France on May 20, 2026. (Photo by Valery HACHE / AFP)
US actor Andy Garcia poses during a photocall of the film "Diamond" at the 79th edition of the Cannes Film Festival in Cannes, southern France on May 20, 2026. (Photo by Valery HACHE / AFP)

Havana-born Hollywood star Andy Garcia told AFP that the overwhelming majority of Cubans would support an intervention to overthrow their government as he presented his directorial debut at the Cannes Film Festival.

The star of films "The Godfather Part III" and "Ocean's Eleven" said he still woke up every morning dreaming of a Cuba "free from repression" after 67 years of communist rule on the island.

"Nobody wants war, but absolute repression and suffering of the people in that country is not the alternative, that's not something to embrace," he said during an interview on Tuesday to promote his film noir "Diamond" which features an A-list cast.

"If you were to ask the Cuban people, not the Cuban government... would they want us (the United States), France, anybody, to intervene and save them? You would get a unanimous 90 percent people saying, 'Please come and invade our country and get rid of these people'," Garcia said.

US President Donald Trump has imposed an oil blockade on Cuba, aggravating the impoverished island's worst economic and energy crisis in decades, while making repeated threats that the US might forcibly topple the government.

In Cuba, young people have told AFP privately they favor a US intervention, seeing it as the only chance to transform the island's fortunes, despite fears it would lead to bloodshed.

But older Cubans tend to reject the threats, pointing to over six decades of tensions between Havana and Washington that never bubbled over into open conflict, despite coming perilously close to a nuclear confrontation in 1962.

Garcia, 70, left Cuba as a child and his film "Diamond" serves as a sort of "love letter" to his adopted hometown Los Angeles where he has lived for most of his life.

His first turn behind the camera is a project 20 years in the making, based on an idea which started out as a homework project for his daughter.

It grew into a film about fedora-wearing and hard-drinking private detective Joe Diamond who is stuck in the past while trying to crack a case about a billionaire's death in contemporary Los Angeles.

Garcia's actor friends Bill Murray and Dustin Hoffman agreed to play roles as a barman and coroner, while the rest of the cast includes "The Whale" star Brendan Fraser as a detective, with Rosemarie DeWitt and Vicky Krieps the female leads.

Garcia said he had learned from many industry legends over his career, including "The Godfather" director Francis Ford Coppola who handed him his first major break in a once-stellar career that has stalled in recent decades.

"I always wanted to make movies, not just be in them," Garcia told AFP.

Reviews were mostly positive about his first effort, with Deadline calling it a "wonderfully atmospheric, nostalgic and entertaining contemporary noir". The Wrap said "at times it betrays its amateur beginnings with clunky plotting."