Oscar Winner Robert Redford, Who Became a Champion of Independent Film, Dies at 89

Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)
Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)
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Oscar Winner Robert Redford, Who Became a Champion of Independent Film, Dies at 89

Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)
Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)

Robert Redford, the Hollywood golden boy who became an Oscar-winning director, liberal activist and godfather for independent cinema under the name of one of his best-loved characters, died Tuesday at 89.

Redford died “at his home at Sundance in the mountains of Utah — the place he loved, surrounded by those he loved,” publicist Cindi Berger said in a statement. No cause of death was provided.

Redford was one of the biggest stars of the ’70s with such films as “The Candidate,” “All the President’s Men” and “The Way We Were,” capping that decade with the best director Oscar for 1980's best picture winner, “Ordinary People.”

His wavy blond hair and boyish grin made him the most desired of leading men, but he worked hard to transcend his looks — whether through his political advocacy, his willingness to take on unglamorous roles or his dedication to providing a platform for low-budget movies.

His roles ranged from Washington Post journalist Bob Woodward to a double agent in the Marvel Cinematic Universe, and his co-stars included Jane Fonda, Meryl Streep and Tom Cruise. But his most famous screen partner was his old friend Paul Newman, their films a variation of their warm, teasing off-screen relationship. Redford played the wily outlaw opposite Newman in 1969’s “Butch Cassidy and the Sundance Kid,” a box-office smash from which Redford's Sundance Institute and festival got its name.

He also teamed with Newman on 1973’s best picture Oscar winner, “The Sting,” which earned Redford a best actor nomination as a young con artist in 1930s Chicago.

Film roles after the ’70s became more sporadic as Redford concentrated on directing and producing and his new role as patriarch of the independent-film movement.

He starred in 1985’s best picture champion “Out of Africa” and in 2013 received some of the best reviews of his career as a shipwrecked sailor in “All is Lost,” in which he was the film’s only performer. In 2018, he was praised again in what he called his farewell movie, “The Old Man and the Gun.”

“I figure now as I’m getting into my 80s, it’s maybe time to move toward retirement and spend more time with my wife and family,” he told The Associated Press at the time.

Redford had watched Hollywood grow more cautious and controlling during the 1970s and wanted to recapture the creative spirit of the early part of the decade. Sundance was created to nurture new talent away from the pressures of Hollywood. The institute and festival based in Park City, Utah, became a place of discovery for such previously unknown filmmakers as Quentin Tarantino, Steven Soderbergh, Paul Thomas Anderson and Darren Aronofsky.

“For me, the word to be underscored is ‘independence,’” Redford told the AP in 2018. “I’ve always believed in that word. That’s what led to me eventually wanting to create a category that supported independent artists who weren’t given a chance to be heard."

By 2025, the festival had become so prominent that organizers approved relocating to Boulder, Colorado, starting in 2027.

Redford’s affinity for the outdoors was well captured in “A River Runs Through It” and other films and through his decades of advocacy for the environment, inspired in part by witnessing the transformation of Los Angeles into a city of smog and freeways. His activities ranged from lobbying for the Clean Air Act and Clean Water Act to serving on the board of the Natural Resources Defense Council.

Born in Aug. 18, 1936 in Santa Monica, California, Redford attended college on a baseball scholarship and would later star as a middle-aged slugger in 1984’s “The Natural,” the adaptation of Bernard Malamud’s novel. He had an early interest in drawing and painting and studied at the American Academy of Dramatic Arts. He debuted on Broadway in the late 1950s before moving into television on such shows as “The Twilight Zone,” “Alfred Hitchcock Presents” and “The Untouchables.”

Redford was married twice, most recently to Sibylle Szaggars. He had four children, two of whom have died — Scott Anthony, who died in infancy, in 1959; and activist and fimmaker James Redford, who died in 2020.

Redford also appeared in several political narratives. He satirized campaigning as an idealist running for USa senator in “The Candidate” and uttered one of the more memorable closing lines, “What do we do now?” after his character manages to win. He starred as Woodward to Dustin Hoffman’s Carl Bernstein in 1976’s “All the President’s Men,” the story of the Washington Post reporters whose Watergate investigation helped bring down President Richard Nixon.

His biggest filmmaking triumph came with his directing debut on “Ordinary People,” which beat Martin Scorsese’s classic “Raging Bull” at the Oscars.

Redford’s other directing efforts included “The Horse Whisperer,” “The Milagro Beanfield War” and 1994's “Quiz Show,” the last of which also earned best picture and director Oscar nominations.

“The idea of the outlaw has always been very appealing to me. If you look at some of the films, it’s usually having to do with the outlaw sensibility, which I think has probably been my sensibility. I think I was just born with it,” Redford said in 2018. “From the time I was just a kid, I was always trying to break free of the bounds that I was stuck with, and always wanted to go outside.”



Trump Awards Medals to the Kennedy Center Honorees in Oval Office Ceremony

 President Donald Trump, center, speaks as he presents Sylvester Stallone, George Strait, Kiss, Gloria Gaynor and Michael Crawford with their Kennedy Center Honors medals in the Oval Office of the White House, Saturday, Dec. 6, 2025, in Washington. (AP)
President Donald Trump, center, speaks as he presents Sylvester Stallone, George Strait, Kiss, Gloria Gaynor and Michael Crawford with their Kennedy Center Honors medals in the Oval Office of the White House, Saturday, Dec. 6, 2025, in Washington. (AP)
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Trump Awards Medals to the Kennedy Center Honorees in Oval Office Ceremony

 President Donald Trump, center, speaks as he presents Sylvester Stallone, George Strait, Kiss, Gloria Gaynor and Michael Crawford with their Kennedy Center Honors medals in the Oval Office of the White House, Saturday, Dec. 6, 2025, in Washington. (AP)
President Donald Trump, center, speaks as he presents Sylvester Stallone, George Strait, Kiss, Gloria Gaynor and Michael Crawford with their Kennedy Center Honors medals in the Oval Office of the White House, Saturday, Dec. 6, 2025, in Washington. (AP)

President Donald Trump on Saturday presented the 2025 Kennedy Center honorees with their medals during a ceremony in the Oval Office, hailing the slate of artists he was deeply involved in choosing as "perhaps the most accomplished and renowned class" ever assembled.

This year's recipients are actor Sylvester Stallone, singers Gloria Gaynor and George Strait, the rock band Kiss and actor-singer Michael Crawford.

Trump said they are a group of "incredible people" who represent the "very best in American arts and culture" and that, "I know most of them and I've been a fan of all of them."

"This is a group of icons whose work and accomplishments have inspired, uplifted and unified millions and millions of Americans," said a tuxedo-clad Trump. "This is perhaps the most accomplished and renowned class of Kennedy Center Honorees ever assembled."

Trump's takeover of the Kennedy Center Trump ignored the Kennedy Center and its premier awards program during his first term as president. But the Republican has instituted a series of changes since returning to office in January, most notably ousting its board of trustees and replacing them with GOP supporters who voted him in as chairman of the board.

Trump also has criticized the center's programming and its physical appearance, and has vowed to overhaul both.

The president placed around each honoree's neck a new medal that was designed, created and donated by jeweler Tiffany & Co., according to the Kennedy Center and Trump.

Strait, wearing a cowboy hat, was first to receive his medal. When the country singer started to take off the hat, Trump said, "If you want to leave it on, you can. I think we can get it through." But Strait took it off.

The president said Crawford was a "great star of Broadway" for his lead role in the long-running "Phantom of the Opera." Of Gaynor, he said, "We have the disco queen, and she was indeed, and nobody did it like Gloria Gaynor."

Trump was effusive about his friend Stallone, calling him a "wonderful" and "spectacular" person and "one of the true, great movie stars" and "one of the great legends."

Kiss is an "incredible rock band," he said.

Gaynor and Kiss played in the Rose Garden just outside the Oval Office as members of the White House press corps waited nearby for Trump to begin the ceremony.

The president said in August that he was "about 98% involved" in choosing the 2025 honorees when he personally announced them at the Kennedy Center, the first slate chosen under his leadership. The honorees traditionally had been announced by press release.

It was unclear how they were chosen. Before Trump, it fell to a bipartisan selection committee.

"These are among the greatest artists, actors and performers of their generation. The greatest that we’ve seen," Trump said. "We can hardly imagine the country music phenomena without its king of country, or American disco without its first lady, or Broadway without its phantom — and that was a phantom, let me tell you — or rock and roll without its hottest band in the world, and that’s what they are, or Hollywood without one of its greatest visionaries."

"Each of you has made an indelible mark on American life and together you have defined entire genres and set new standards for the performing arts," Trump said.

Trump also attended an annual State Department dinner for the honorees on Saturday. In years past, the honorees received their medallions there but Trump moved that to the White House.

Trump said during pre-dinner remarks that the honorees are more than celebrities.

"It gives me tremendous pleasure to congratulate them once again and say thank you for your incredible career," he said. "Thank you for gracing us with this wisdom and just genius that you have."


What Netflix’s Acquisition of Warner Bros. Means for the Movies

FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
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What Netflix’s Acquisition of Warner Bros. Means for the Movies

FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: A Netflix logo is pictured in Los Angeles, California, US, September 15, 2022. REUTERS/Mario Anzuoni/File Photo

Netflix’s deal to acquire Warner Bros., one of Hollywood’s oldest movie studios, poses seismic shifts to the entertainment industry and the future of moviegoing. 

As one of the remaining “big five” studios, the 102-year-old Warner Bros. is an essential part of movie theater business. 

The studio currently boasts three of the top five earning films domestically, including “A Minecraft Movie,” in first place, “Superman” and “Sinners,” as well as the Oscar frontrunner, “One Battle After Another.” 

There are more questions than answers about how ownership from a streaming giant would change things for Warner Bros. It’s not even clear if it will pass antitrust scrutiny, or, if it does, what the details will look like. 

Here are some things to know, and lingering questions, in the wake of the news. 

Will Warner Bros. continue releasing movies in theaters? Yes, but it might change as well. For starters, it’ll be at least 12 to 18 months before the deal officially goes through and moviegoers can expect essentially business as usual until then. Netflix co-CEO Ted Sarandos said Friday that they will “continue to support” a “life cycle that starts in the movie theater” for Warner Bros. movies. But he also commented that he doesn’t think that “long exclusive windows” are consumer friendly. 

With the rise of streaming, and especially in the pandemic era, studios experimented with different theatrical windows. For many years, a 90-day theatrical window was standard, but now it’s closer to 45 days and often a film-by-film decision. 

Netflix and movie theaters Netflix does release some films theatrically, but not usually more than a few weeks before they hit streaming. Sometimes that’s to qualify for awards eligibility, sometimes it’s a gesture to top filmmakers. This year those releases included Guillermo del Toro’s “Frankenstein,” Kathryn Bigelow’s “A House of Dynamite” and Noah Baumbach’s “Jay Kelly.” 

Major chains like AMC and Regal had refused to program Netflix releases until 2022, when enthusiasm for the “Knives Out” movie “Glass Onion” helped break the stalemate. 

Earlier this year, “KPop Demon Hunters” unofficially topped the box office charts, earning nearly $20 million from a one-weekend run in theaters two full months after it debuted on the streamer. 

Netflix also owns and operates several movie theaters, including the Paris Theater in New York and the Egyptian Theatre in Los Angeles. 

Upcoming Warner Bros. movies The studio has a diverse slate of films expected in 2026, with high profile titles including the Margot Robbie-led “Wuthering Heights” in February, “Supergirl” in June, “Practical Magic 2” in September, Alejandro Iñárritu’s untitled Tom Cruise movie in October and Denis Villeneuve’s “Dune: Part Three” in December. 

Movies planned for 2027 include sequels to “Superman,” “A Minecraft Movie” and “The Batman.” 

Earlier this year the company said its target was 12 to 14 releases annually across its four main labels, Warner Bros. Pictures, DC Studios, New Line Cinema and Warner Bros. animation. 

What does it mean for movie theaters? So much of this depends on the details, but Cinema United president and CEO Michael O’Leary said hours before the news broke that it posed “an unprecedented threat to the global exhibition business.” 

He added: “Regulators must look closely at the specifics of this proposed transaction and understand the negative impact it will have on consumers, exhibition and the entertainment industry.” 

Theatrical exhibition has not fully recovered since the pandemic. Before 2020, the annual domestic box office regularly surpassed $11 billion. Since then it has only surpassed $9 billion once, in 2023, driven largely by “Barbie,” a Warner Bros. release. 

How will top filmmakers react? It’s too early to tell, but Warner Bros. has always prided itself on being one of the premier homes for top filmmakers, this year releasing films from Paul Thomas Anderson, Ryan Coogler and James Gunn. Other longstanding relationships include Villeneuve, who has “Dune: Part Three” coming next year, Clint Eastwood and Todd Phillips. Much likely depends on whether robust theatrical releases will be honored — many of these filmmakers are vocal champions of the theatrical experience and may not stick around if it shifts. 

The studio’s controversial decision to release films simultaneously in theaters and on HBO Max in 2021 during the pandemic led to a rift with Christopher Nolan, who after making eight major films with the company, including the “Dark Knight” trilogy, partnered with Universal to make his next two films, “Oppenheimer” and next year’s “The Odyssey.” 

Will HBO Max and Netflix become one service? That’s also unclear. If the two platforms remain separate subscriptions, there may be “bundling” options, as with Disney and Hulu. Netflix on Friday said that the addition of HBO and HBO Max programming will give its members “even more high-quality titles from which to choose” and “optimize its plans for consumers.” 

The Warner Bros. library of films includes classics like “Casablanca” and “Citizen Kane” as well as the “Harry Potter” movies. 


‘Fallout’ Expands ‘Everything’ for Show’s Second Season 

Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)
Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)
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‘Fallout’ Expands ‘Everything’ for Show’s Second Season 

Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)
Walton Goggins, left, and Justin Theroux pose for photographers upon arrival at the season two screening of the television series "Fallout" on Tuesday, Dec. 2, 2025, in London. (AP)

Hit television series "Fallout" ups the stakes as it returns to screens for a sophomore season, its stars and makers say.

"You can play it two ways," actor Walton Goggins said as he premiered the new season in London on Tuesday. "You can play it safe, rely on what happened in season one, or you can go for broke. And we went for broke."

Based on the popular video game franchise of the same name, the live-action series centers on three main characters; former vault dweller Lucy (Ella Purnell), Maximus, a member of the Brotherhood of Steel (Aaron Moten) and Cooper Howard/The Ghoul (Goggins), a former movie star and mutated bounty hunter.

The new season picks up where the season one left off, with Lucy looking for her father Hank (Kyle MacLachlan), and pairing up with The Ghoul on a post-apocalyptic adventure through the Mojave Desert to New Vegas.

The show's executive producer, Jonathan Nolan, said audiences could expect "more of everything." "More madness, more humor, more violence. We just try to outdo ourselves," he said.

The second season also shows a new side to Lucy as her optimistic attitude clashes with The Ghoul's nihilistic worldview on their way to Sin City, said Purnell.

"She's in the wasteland now and she has to survive. You can't always do that by being nice," Purnell said. "I don't want to spoil it, but we'll see what happens to that moral compass."

The new season introduces Justin Theroux in the role of Robert House, the ruler of the New Vegas strip, and a major character in the franchise.

"It's a bit intimidating," said Theroux. "The players of this game and the fans of the show are really sort of the shareholders, so you don't want to disappoint them. But I worked very hard to hopefully not do that."

Also joining the cast are actors Macaulay Culkin and Kumail Nanjiani, as well as a host of new creatures, brought to life by puppeteers.

The eight-episode second season of "Fallout" starts streaming on Prime Video on December 17, with a new episode released weekly.